Natalie Serber

“There are two visual artists, diametrically opposed in their intent, who I look to for inspiration. First is the photographer Gregory Crewdson.
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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.

“There are two visual artists, diametrically opposed in their intent, who I look to for inspiration. First is the photographer Gregory Crewdson.

“Lately, I have been drawing much of the inspiration for my poems from my reading of psychological case studies. I’m speaking mostly about textbooks and other source material that contain actual dialogue between patient and therapist.

“For years, I’ve found inspiration by going to museums by myself. Going solo is key. When I’m with other people I’m always wondering whether they’re having a good time, and whether I’m lingering too long in a gallery.

“I write while I run; music and my pounding feet lull me into a self-hypnosis, allowing my mind to wander and compose on its own. A good running route is scenic enough to inspire but not distract, and the music has to fit your mental labors.

“It is my wife’s good graces that allow me to do this work at all, since my writing time saddles her with parenting our five boys. So when I do write—and in a good week I write every day—I want to make sure the writing comes easy.

“Any story I’m working on begins with a mood—a tone, an atmosphere for the story to grow out of—and that mood, for me, is always informed by music. So, very early on, I settle on a soundtrack.

“The thing that inspires me in my writing is chatting with my friends about family relationships. I’ve relished many conversations, over time, with two filmmaker friends: Kim Longinotto and Clio Barnard.

“I draw a lot of inspiration from visual art. One of the early and ongoing inspirations for me is a painter (and happily, a friend) named Michael Brophy whose ironic yet romantic images of western clear-cuts, slash piles, stumps, and domesticated forest scapes opened a whole new way of seeing my own backyard (the Northwest).

“The majority of us start off asking our peers and our instructors, How can I improve my prose/poetry? How can I become ‘publishable’? These are necessary and essential questions. Equally essential, yet often neglected, is the question, How can I assist other writers?

“My yoga and meditation practices have become such an integral part of my writing life that I can’t imagine what it would be like to sit down to write without knowing that, at some point in the day, I will be able to unroll my mat and quiet my mind.