Genre: Poetry

Carson, Hillman Win Griffin Poetry Prizes

Poets Anne Carson and Brenda Hillman have won the 2014 Griffin Poetry Prizes, given annually since 2000 for books of poetry published in, or translated into, English in the previous year and submitted from anywhere in the world. They each received $65,000 Canadian (approximately $60,000).

Carson, a poet, essayist, and translator who was born in Canada and currently teaches at the University of Michigan in Ann Arbor, won the Canadian prize for her most recent collection, Red Doc> (Knopf). Hillman, who serves as a professor and poet-in-residence at St. Mary’s College in Morago, California, and is the author of eight previous collections, won the International Prize for her collection Seasonal Works with Letters on Fire (Wesleyan University Press).

The announcement was made late last week at an annual awards ceremony in Toronto. Scott Griffin, the founder of the prize, and trustees Carolyn Forché, Robert Hass, Robin Robertson, Karen Solie, Colm Tóibín, and David Young hosted the event.

The judges, who are selected each year by the prize trustees, were for 2014 Robert Bringhurst, Jo Shapcott, and C. D. Wright. They each read 542 books of poetry, submitted from forty different countries, including twenty-four translations.

The 2014 Griffin Poetry Prize shortlist featured collections by four international and three Canadian poets. The finalists were Rachael Boast’s Pilgrim’s Flower (Picador), Carl Phillips’s Silverchest (Farrar, Straus and Giroux), Mira Rosenthal’s translation from the Polish of Colonies by Tomasz Rózycki (Zephyr Press), Sue Goyette’s Ocean (Gaspereau Press), and Anne Michaels’s Correspondences (McClelland & Stewart). Each finalist received a $10,000 honorarium.

During the awards ceremony, Brazilian poet and writer Adélia Prado was honored with the Griffin Trust For Excellence In Poetry's 2014 Lifetime Achievement Award.

The Griffin Poetry Prize Anthology: A Selection of the 2014 Shortlist, edited by Robert Bringhurst and published by House of Anansi Press, is now available at retail bookstores and online. Royalties generated from the anthologies, published annually, are donated to UNESCO's World Poetry Day.

Carson (above left), and Hillman (above right, Brett Hall Jones)

Phil Kaye

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"My mother taught me this trick. If you repeat something over and over again it loses its meaning." In this short film, poet Phil Kaye performs his poem "Repetition," a personal piece about his struggles as a child dealing with his parents' divorce (including developing a stutter) and the power of words.

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Kenneth Goldsmith

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Poet and founder of UbuWeb, Kenneth Goldsmith, speaks about the "conceptual writing" movement and the art of transcription. "There can be no such thing as writer's block, there's no lack of inspirationthere's always something to transcribe, there's always something to rewrite, there's always something to refrain."

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powerHouse Arena

The powerHouse Arena—a self-proclaimed laboratory for creative thought—is a gallery, boutique, bookstore, performance, and events space located in Brooklyn’s Dumbo neighborhood. The space is home to the art book publisher, powerHouse Books, and hosts book launch parties, readings and signings, and conversations for a host of voices in contemporary literature. The store carries a curated selection of design and photography books, along with a discriminating selection of nonfiction, lifestyle, illustrated, and New York-themed books.

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Spoonbill & Sugartown, Booksellers

Spoonbill & Sugartown, Booksellers was established in the Brooklyn neighborhood of Williamsburg in 1999. The shop specializes in used, rare, and new books on contemporary art, architecture, and various design fields with an emphasis on imported or hard-to-find selections. Thousands of books are hand-picked for clientele from the eclectic collection of philosophy, literature, cinema, and children’s books.

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Greenlight Bookstore: Fort Greene

In 2009, Rebecca Fitting and Jessica Stockon Bagnulo opened Greenlight Bookstore in Fort Greene, Brooklyn, with the support of the Fort Greene Association and a Community Lender Program. This independent bookstore carries a robust selection in a wide variety of genres, and has a full calendar of events for adults and children.

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Why People Need Poetry

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"We're all going to die—and poems can help us live with that." In this TED talk literary critic Stephen Burt uses his favorite poems to help convey how poetry (simply a set of techniques used to make patterns that put emotions into words) can help us further understand and cope with what it means to be a person.

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Winners on Winning: Chris Hosea

For the eighth installment of our Winners on Winning series, we spoke with Chris Hosea, the winner of the 2013 Walt Whitman Award from the Academy of American Poets for his debut collection, Put Your Hands In. The prize, given annually to a poet who has not yet published a book, includes $5,000, publication, and a residency at the Vermont Studio Center. Hosea's winning manuscript, selected by John Ashbery, was published by Louisiana State University Press in March. Hosea received his MFA in poetry from the University of Massachusetts in Amherst, and is a senior copywriter at H4B Chelsea. He lives in Brooklyn, New York.

What kind of impact has winning the Whitman Award had on your career?
I'm pretty sure the Whitman Award helped me recently to land a new job, with better pay and more impressive-sounding title, in advertising. Creative distinctions, and particularly established institutional honors, are valued in such industries. 

Has winning this award, or previous awards, changed the way you approach your work?
I'm certain that contest judge John Ashbery's comparison between my poems and Marcel Duchamp's Nude Descebding a Staircase, and even more Ashbery's remarks about derision and eroticism in Put Your Hands In, will affect my writing for the rest of my life.

Have you ever entered a contest that you didn't win?
I have entered hundreds of contests and spent thousands of dollars on fees. If you don't play, you can't win. 

What advice would you offer to writers thinking of submitting to writing contests?
Sequencing is important. Give yourself at least a month to order and reorder the poems in your book. Also, contest screeners are often (though by no means always) young students who haven't read a lot of poetry before: so include some lyrical candy up front. 

For more Winners on Winning, read the current issue of Poets & Writers Magazine, and check back next Wednesday for a new installment.

Hosea: Myles Paige

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