The annual Oregon Book Awards, honoring works by in-state authors, were awarded last night to Portland writers Matthew Dickman and Jon Raymond. Dickman received the Stafford/Hall Award for Poetry for All-American Poem (American Poetry Review), and Raymond received the Ken Kesey Award for Fiction for Livability: Stories (Bloomsbury). Both writers, though early in their careers, are no strangers to recognition of their work.

Dickman, who won for his debut collection, recently received the ten-thousand-dollar Kate Tufts Discovery Award from Claremont Graduate University. He was chosen for the Stafford/Hall Award by the winner of Claremont's 2009 Kingsley Tufts Poetry Award, Matthea Harvey. Dickman's book came into publication as part of another award, the Honickman First Book Prize from the American Poetry Review, and also received the May Sarton Poetry Prize from the American Academy of Arts and Sciences in 2008 along with four other emerging poets.

Raymond, whose debut story collection was selected by Robert Olmstead for the Kesey Award, has two film credits to his name, both based on stories from the book. Wendy and Lucy, which premiered at the Cannes Film Festival in 2008, was adapted from his story "Train Choir," and Old Joy, a 2006 Sundance feature starring innovative musician Will Oldham, finds its origins in the story of the same title. Raymond is also the author of a novel, The Half-Life (Bloomsbury, 2004).

The finalists for the poetry award are Alicia Cohen for Debts and Obligations (O Books), Endi Bogue Hartigan for One Sun Storm (Center for Literary Publishing), Andrew Michael Roberts for something has to happen next (University of Iowa Press), and Crystal Williams for Troubled Tongues (Lotus Press).

The finalists in fiction are Miriam Gershow for The Local News (Spiegel & Grau), Gina Ochsner for The Russian Dreambook of Colour and Flight (Portobello Books), Barbara Pope for Cezanne's Quarry (Pegasus Books), and Leslie What for Crazy Love: Stories (Wordcraft of Oregon).

An award in creative nonfiction was also given to state attorney general John Kroger for his memoir Convictions: A Prosecutor's Battles Against Mafia Killers, Drug Kingpins, and Enron Thieves (Farrar, Straus and Giroux). The finalists were Bibi Gaston for The Loveliest Woman in America: A Tragic Actress, Her Lost Diaries, and Her Granddaughter's Search for Home (William Morrow), Debra Gwartney for Live Through This: A Mother's Memoir of Runaway Daughters and Reclaimed Love (Houghton Mifflin Harcourt), and Floyd Skloot for The Wink of Zenith: The Shaping of a Writer's Life (University of Nebraska Press). Ted Conover was the judge.

The award winners will be promoted in libraries and bookstores and offered a chance to participate in the Oregon Book Awards Author Tour.

Below is a trailer for Wendy and Lucy, cowritten by Raymond.

Kore Press has introduced a new award to its lineup of poetry and fiction prizes, a prize for a translation by a woman of a woman's work. The Jeremy Ingalls Poetry in Translation Award will honor an original English translation of a poem written by a Japanese woman poet. The contest, which awards a prize of one thousand dollars, is open to woman translators of any nationality.

Poet, performer, and translator Sawako Nakayasu will be the judge. She is the author of, most recently, Hurry Home Honey (Burning Deck, 2009) and Texture Notes (Letter Machine Editions, 2009). In an interview with Chicago Postmodern Poetry, she lists among her influences John Cage, Gertrude Stein, and musical theater.

Kore's prize is named for the poet born Mildred Dodge Jeremy Ingalls, whose Selected Poems was published by the press in 2007. Ingalls, the author of The Metaphysical Sword (Yale Series of Younger Poets, 1941) and The Thunder Saga of Tahl (Knopf, 1945), as well as books of prose, was also a translator of works in Chinese. She died in 2000 in Tucson.

There is still one week left to submit your genre-bending nonfiction, poetry chapbook, or novel-in-progress, as well as a handful of other types of work. For those sparked into action by a fast-approaching deadline, a list of contests with closing dates in the coming week appears below. Happy submitting.

Closing on Friday, October 30 are:
DIAGRAM's Hybrid Nonfiction Contest

Inkwell's Poetry and Short Fiction Competitions

Wyoming Arts Council's Blanchan/Doubleday Memorial Awards in poetry, fiction, and creative nonfiction

The Saturday, October 31 deadlines are:
American Poetry Review's Honickman First Book Prize

Dana Awards for a group of poems, a short story, or a novel or novel-in-progress

Elixir Press's Poetry Awards

Glimmer Train Press's Family Matters for a story about family

Graywolf Press's Nonfiction Prize for a work-in-progress

Kore Press's Short Fiction Award

The Ledge Press's Poetry Chapbook Competition

Margie's Strong Medicine Poetry Award

North American Review's James Hearst Poetry Prize

Ohio University Press's Hollis Summers Poetry Prize

PEN/Faulkner Foundation's Award for Fiction for novels or short story collections published in 2009

Poetry Society of the United Kingdom's National Poetry Competition, which is open to international submissions

Truman State University Press's T. S. Eliot Prize for a poetry collection (not to be confused with the Poetry Book Society's T. S. Eliot Prize)

University of Arkansas Press's Miller Williams Poetry Prize for a poetry collection

The Writing Site's Arthur Edelstein Prize for Short Fiction

The Poetry Book Society (PBS), the U.K. institution founded in 1953 by T. S. Eliot and friends, has announced the shortlist of poetry books up for its 2009 T. S. Eliot Prize. The award, worth fifteen thousand pounds (nearly twenty-five thousand dollars), will celebrate a book of verse first published in the United Kingdom or Ireland this year by any poet writing in English.

The finalists are:
The Sun-fish (Gallery Press) by Eiléan Ní Chuilleánain
Continental Shelf (Carcanet Press) by Fred D'Aguiar
Over (Oxford Poets) by Jane Draycott
The Water Table (Bloodaxe Books) by Philip Gross
Through the Square Window (Carcanet Press) by Sinéad Morrissey
One Secret Thing (Jonathan Cape) by Sharon Olds
Weeds & Wild Flowers (Faber and Faber) by Alice Oswald
A Scattering (Areté Books) by Christopher Reid
The Burning of the Books and Other Poems (Bloodaxe Books) by George Szirtes
West End Final (Faber and Faber) by Hugo Williams

The winner will be revealed on January 18, whereupon each of the finalists will be awarded an honorarium of one thousand pounds (a little over sixteen hundred dollars).

British poet Jen Hadfield won last year's award for her second collection, Nigh-No-Place (Bloodaxe Books, 2008). Past recipients of the prize, considered the most lucrative poetry honor in Great Britain, include current U.K. poet laureate Carol Ann Duffy, Anne Carson, Mark Doty, and Paul Muldoon. The full list of winners since the award's inception in 1993 is available on the PBS Web site. 

The Tennessee Williams/New Orleans Literary Festival has opened its second annual fiction contest for a story by a writer who has not published a book. The winner will receive fifteen hundred dollars and a trip (travel, lodging, and an all-access event pass) to attend the twenty-fourth annual festival, which takes place between March 24 and 28, 2010, in the Big Easy.

Writers may submit as many stories as they'd like along with an entry fee of twenty-five dollars per submission. The pieces should be previously unpublished—publication in the New Orleans Review is also part of the prize—and weigh in under seven thousand words each. Jill McCorkle will serve as the judge.

The inaugural winner was Robin Martin of Brooklyn, New York, for "1969," selected by Pulitzer Prize winner Richard Ford.

For the dramatists out there, the festival will also honor a one-act play with a fifteen hundred dollar prize, a trip to the 2010 event—a reading of the play will be staged there—and publication in Bayou, the literary magazine of the University of New Orleans. A full production of the play will go up at the 2011 festival.