Nikki Williams

I had asked the women living in a women's shelter in the South Bronx to update a nursery rhyme to fit the times; one that would reflect their lives. L. B.'s poem folded me into humility with its truth and power:


Mary had a big, bad man
Big, bad man
Big, bad man
Mary had a big, bad man
Who beat her all day long.
He beat her from the day they met
Day they met
Day they met
He beat her from the day they met
'Til she could take no more.

—L. B.

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Travel Web Site Wants Stories From the Side Roads

Hitting the road this weekend? If you're writing about your journey by car, bike, or foot, the travel Web site Trazzler is running a contest that might be up your alley (or street, or highway). The site, a hub for brief pieces covering the nuances of destinations around the world, is looking for short short essays about "the in-between places, quirky attractions, scenic drives, irresistible pit stops, natural oases, sleepy forgotten towns, places of pilgrimage, roadside enigmas, monuments, crossroads," and other places of pause on the road.

The On the Road writing contest winner, selected by the site's editors, will receive a five-thousand-dollar contract to write twenty more short pieces about trips for Trazzler as well as fifteen nights in Fairmount Hotels, which have locations in North and Central America, Asia, the Middle East, Africa, and Europe. Runners up for the editorial prize and the people's choice honorees will also receive hotel vouchers. People's choice winners will be determined by Trazzler users who save trip stories to their accounts with the site.

To enter, submit a travel essay of no more than 160 words by August 31. There is no entry fee. Visit the Trazzler Web site for guidelines.

For a bit of off-the-beaten-path inspiration, check out the video below, in which travel writer Rolf Potts, author of the essay collection Marco Polo Didn't Go There and the guide Vagabonding, takes a break on the road to shop for homemade fireworks in El Salvador.

Gulf Coast Benefit Drive, a Sony E-reader Gaming Device, and More

by Staff
7.9.10

Gulf Coast launches a subscription drive to benefit the Gulf crisis; an antique dealer is convicted of possessing a stolen original Shakespeare folio; a Nick Cave novel will be made into a TV mini-series; Sony may be developing an e-reader that is also a hand-held gaming device; and other news.

 

Sierra Leone Story Writer Wins Major African Prize

This year's winner of the Caine Prize for African Writing, given annually for a short story by an African writer published in English, was announced earlier this week.

Olufemi Terry, born in Sierra Leone and now living in Cape Town, South Africa, won the ten-thousand-pound prize (approximately fifteen thousand dollars) for "Stickfighting Days," which appeared in the South African journal Chimurenga. The writer, who is currently working on a novel, was honored at a ceremony at the Bodleian Library in England, home country of the award named for the late Booker Prize chair Michael Caine.

Terry's work was recognized by the prize committee once before and included in the eighth annual Caine Prize collection, Jambula Tree and Other Stories
(New Internationalist, 2008). As part of this year's honor, in addition to the monetary prize, he will
receive a monthlong residency at Georgetown University in Washington,
D.C., during February 2011.

Also shortlisted this year were Ken Barris for "The Life of Worm" and Alex Smith for "Soulmates," both stories from New Writing From Africa 2009 (Johnson and King James Books); Lily Mabura for "How Shall We Kill the Bishop" from the Spring 2008 issue of London-based Wasafiri; and Namwali Serpell for "Muzungu" from The Best American Short Stories 2009 (Houghton Mifflin Harcourt).

The judges were Ellah Allfrey of Granta, University of East Anglia professor Jon Cook, Georgetown University professor Samantha Pinto, and Economist literary editor Fiammetta Rocco.

What Is a Preempt, Anyway?

On July 1, Publishers Marketplace reported that literary agent Zoe Pagnamenta sold Rosie Dastgir's debut novel, A Small Fortune, about "the loves, struggles, and tensions in the lives of a Pakistani family, from rural Pakistan to urban England," to editor Sarah McGrath at Riverhead Books in a "preempt." We asked Pagnamenta to decipher what, exactly, a "preempt" is.

"When a publisher wants to preempt," Pagnamenta explains, "they are choosing to make an offer that will persuade the author’s agent to take a project off the table early. The publisher is grabbing a project they love and avoiding having to compete with other publishers. When an agent feels strongly that the house and editor are the right match for the writer, and if the financial terms being offered are strong, the agent will be well-disposed toward a preempt, although in other cases the agent may want to hold on and conduct a formal auction."

Do you have any questions for literary agents? E-mail Special Agent, and we'll get the answers for you.

Budget Cuts Hit Fringe Prize Benefits

First for some good news. Danielle Cadena Deulen, whose name has appeared in our Grants & Awards pages a few times in recent years has won the Miller Williams Arkansas Poetry Prize from the University of Arkansas Press.

Lovely Asunder, which will be the debut poetry collection of the University of Utah PhD candidate, was selected by Enid Shomer for publication. Deulen will also receive a prize of five thousand dollars.

What this year's winner won't receive is the trip to Fayetteville to give a reading, with most expenses paid, that once came with the award. Due to budget cuts affecting the University of Arkansas MFA program, the annual spring festival that had played host to the winners' performances has been canceled. The press anticipates that the reading will be reinstated as part of the prize at some future point, but it's too early to tell when.

Back to the bright side: This year's competition also recognized one finalist, Stephen Gibson, for his manuscript "Paradise." Gibson also recently won the Idaho Prize for Poetry from Lost Horse Press for his collection Frescoes.

Erica Jong

When I look back at the support that I got as a very young writer, Poets & Writers was very important because it made me feel like I had a profession.
—Erica Jong, writer

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