Hush

by
Dave Kress
Contributor: 
Ed Desautels

Location

Pittsburgh, PA
United States
Pennsylvania US

“My reading tends toward innovative fiction, especially fiction written by novelists unafraid of exploring the possibilities of language and style—those such as Nathanial Mackey, Percival Everett, Mary Caponegro, Joanna Scott, and Brian Evanson. When I discover authors whose work I admire, I try to find out whose work they admire, then track down their work and so on. I also tend to choose titles from publishers I respect (e.g., Dalkey Archive, New Directions, and Coffee House Press).

Transforming Tragedy Into Art

Vaddey Ratner discusses In the Shadow of Banyan, a debut novel depicting her family's experience during the Cambodian genocide of the 1970s. "I didn't want to write a memoir," she says. "What I wanted was to honor the lives lost, those who perished, and I wanted to do so through my endeavor to transorm personal pain with art." In the Shadow of Banyan will be published by Simon & Schuster in July.

Pacific Northwest Authors Honored by Booksellers

The Pacific Northwest Booksellers Association has announced the winners of its 2012 book awards, honoring authors from Alaska, Idaho, Oregon, Montana, and Washington. Among the winning titles are a semiautobiographical novel by a Bosnian expat, a memoir by an Olympic hopeful swimmer, and a contender for last year's Booker and Giller prizes.

Patrick deWitt, born in Canada and now living in Oregon, won for his second novel, The Sisters Brothers (Ecco), which was shortlisted for last year's Man Booker Prize and the Scotiabank Giller Prize. Ismet Prcic, who fled war-torn former Yugoslavia in the nineties and now lives in Portland, Oregon, won for his semiautobiographical debut novel, Shards (Black Cat). Prcic's novel was also shortlisted for a major award last year, the Center for Fiction's Flaherty-Dunnan First Novel Award.

Washington author Jonathan Evison, whose first novel, All About Lulu (Soft Skull Press, 2008), received the Washington State Book Award, won for his second novel, West of Here (Algonquin Books). Portland-based graphic novelist Craig Thompson, author of Blankets (Top Shelf, 2003) and Goodbye, Chunky Rice (Top Shelf, 1999), won for Habibi (Pantheon Books).

In nonfiction, memoirist and lifelong swimmer Lidia Yuknavitch of Portland was honored for The Chronology of Water, published by Portland indie press Hawthorne Books. Washington State biologist Thor Hanson won for Feathers: The Evolution of a Natural Miracle (Basic Books).

The book awards have been given annually since 1984 and judged by representatives from regional booksellers. For the 2012 award, the nine-person jury considered more than two hundred ninety nominated titles.

The video below is a book trailer for Yuknavitch's winning memoir.

Adopt a Typewriter

From the founders of Ashland Creek Press comes this public service announcement about the writer's most cherished yet endangered object: the typewriter.

They Fly: Dorothy Randall Gray Helps Homeless Writers See Possibilities

On November 30, 2011, Urban Possibilities held a culminating reading for Dorothy Randall Gray’s nine-week, P&W-supported poetry workshop, which served men and women living at the Los Angeles Mission on Skid Row.

Urban Possibilities, a nonprofit organization that brings inspiration and a variety of services to homeless men and women, held a reading for their Published Writers Program, taught by Dorothy Randall Gray. The event began with a warm reception and an introduction by Eyvette Jones Johnson, founder and executive director of Urban Possibilities.

There is a “sea of untapped potential in the inner-city,” Johnson said. “No matter where you are or what you’ve been through, [you] have gifts and talents to share.”

To write about their struggles, Johnson said, the participants had to have their “hearts wide open.” She asked that audience members reciprocate.

Gray was so proud of her students and the writing they produced that she said, “I feel like I almost gave birth.” She dedicated the piece she read, “You and Me, Me and You,” to her students. She described being “stranded at the corner of walk and don’t walk” and “invisible to those who will not see.” The poem repeated the phrase “they fly.”

All of the workshop participants came to the mission after living on the streets. Many have dealt with substance abuse, gambling, addiction, prison, and abusive relationships. “I felt like I was failing life,” participant Anthony Tate said. Another student said of the workshop: “It just sort of woke up my dream…I had put it on a shelf.”

To close the reading, the students stood together on stage and had the audience participate in an exercise. Each student said one word or phrase, and the audience said it back. After reciting the phrase “carpe diem” back, the whole auditorium burst into laughter when the voice of one young child echoed the phrase back a few moments afterward, provoking a whole new meaning and a sense of hope.

At the reception, participant Michael T. Williams reflected, “I was sleeping in graveyards, ‘cause I thought that was the safest place to be. Now I feel like Pinky and the Brain, and I’m ready to take over the world.”

Photo: Dorothy Randall Gray (center) with workshop participants. Credit: Craig Johnson Photography.

Major support for Readings/Workshops events in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.

Ardency: A Chronicle of the Amistad Rebels

by
Kevin Young
Contributor: 
Lynne Thompson

Location

Los Angeles, CA
United States
California US

"In 2011 my reading list included, as always, primarily poetry. A longtime admirer of Kevin Young’s work, I am excited to report on his latest offering—twenty years in the making, according to interviews—Ardency: A Chronicle of the Amistad Rebels (Knopf, 2011).

Anatomy of a Book

This helpful video from AbeBooks demystifies the terms used to describe the physical parts of a book, including boards, hinge and joint, leaf, endpapers, book block, and plates.

Write the Small Print

In honor of Robert Walser's Microscripts, write a story (in as small as print as possible) on previously used paper, allowing whatever use the paper previously served (letter from a family member, etc) be the inspiration for the new story.

Pages

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