Genre: Poetry

Mark My Words

9.24.19

The “Don’t have a bookmark?” meme began as a brand marketing tool on Twitter showing photos of objects—including Chex Mix, Oreo cookies and milk, and Vitaminwater—poured into the pages of books to use as bookmarks, which quickly ignited a storm of retorts. In one response, a librarian posted a photo depicting a soft taco that had actually been flattened into the pages of an edition of Edward Lear’s 1871 book, Nonsense Songs and Stories, found at her library in Indiana. This week write a poem inspired by this literal mash-up of food and words. How can you play with diction, line breaks, spacing, and typography to express humor, dissonance, and a mix of themes?

McNally Jackson Books: Seaport

The South Seaport location in lower Manhattan overlooks the East River and has two stories full of books—poetry, fiction, nonfiction, children’s, art—as well as magazines and stationary items. The bookstore hosts literary events regularly throughout the week.

Mixing It Up

I have been speaking to numerous venue owners in Detroit about what it means to host a series in the city. Open mics allow for a variety of artists to take the stage while I have seen other shows and reading series offer a workshop afterwards. These are the shows that introduced me to the world of poetry. It’s been enlightening to explore all the different literary series offered in Detroit and to see how they impact audiences.

Recently I had a conversation with Dan Wickett, a local poet and event organizer, about hosting the Brain Candy series. The series showcases one poet, one prose writer, a musician, and a visual artist performing together at the local comic bookstore Green Brain Comics. When asked about how he chooses the artists and curates events, Wickett says that his hope is for audiences to find something unexpected to enjoy. “I’m exposing different art forms to those that show up to see a painter or a musician,” he says. “I’m also hoping to develop a community of artists that helps each other, supports each other’s events, and that finds hints of their own work in those around them.”

Brain Candy is presented by Green Brain Comics and the Emerging Writers Network, and has shows every third Monday of the month. For more information on events in your area, and to post your own, visit the Literary Events Calendar.

A reading for the Green Book Comics Brain Candy series.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Applications Open for Black Mountain Institute Shearing Fellowships

Applications are now open for the Black Mountain Institute Shearing Fellowships. Hosted at the institute’s home at the University of Nevada, Las Vegas, the fellowships each include a $20,000 stipend, free housing in downtown Las Vegas, work space at the institute’s campus offices, and eligibility for health care coverage. The upcoming fellowships will take place during the 2020–2021 academic year; candidates may apply for residencies of one or two semesters. While the fellowship has no formal teaching requirements, incoming fellows will be expected to maintain a regular in-office presence and to engage with the Black Mountain Institute literary community.

The fellowship is open to emerging and distinguished writers who have published at least one critically-acclaimed book of poetry, fiction, or creative nonfiction. Recent fellows include Hanif Abdurraqib, Lesley Nneka Arimah, Tayari Jones, Ahmed Naji, and Claire Vaye Watkins.

Using only the online application system, submit a one- to two-page cover letter, a ten-page writing sample, and a résumé or curriculum vitae by November 1. Finalists will be asked to submit copies of their books. There is no application fee. Visit the website for complete guidelines.

The Beverly Rogers, Carol C. Harter Black Mountain Institute is “an international literary center dedicated to bringing writers and the literary imagination into the heart of public life.” Located within the College of Liberal Arts at the University of Nevada, Las Vegas, the institute is home to the Believer, a bimonthly magazine of literature, arts, and culture.

Photo: 2018–2019 fellow Claire Vaye Watkins

Expanding From the Personal

9.17.19

“I focused on myself all this time because that’s what I thought poetry was—personal narrative,” says poet Jake Skeets in an interview about his debut collection, Eyes Bottle Dark With a Mouthful of Flowers (Milkweed Editions, 2019), in the September/October issue of Poets & Writers Magazine. It was during his time with mentors at Santa Fe’s Institute for American Indian Arts that Sheets began to see the intersections between his personal life and broader explorations of the New Mexico reservation where he grew up. Jot down a short list of seemingly disparate topics you’ve written about in different pieces or projects, and write a poem that combines two or more of these themes. Consider both the natural intersections you land on initially, and perhaps some distant connections that require more of an imaginative stretch. 

Hot Houston Part One

¿Que dice mi gente? I’m really excited to fill you in on what went on here in Houston this summer. We do a lot. Seriously.

I celebrated with the nonprofit organization Inprint as they formally announced the readers for the 2019/2020 season of their Margarett Root Brown Reading Series. This is one of the city’s dopest reading series—always a treat—and they do it up. This year to unveil their line-up they hosted a happy hour mixer for the public at the Night Heron, a slick little spot in town.

The season runs from September 16, 2019 through April 27, 2020 and features ten renowned authors, including Colson Whitehead, Ta-Nehisi Coates, Elizabeth Gilbert, and Natalie Diaz. I plan to be in attendance and will bring you more on the series.

I also traveled back to my hometown of Galveston for Speak Up, Speak Out 2019, an annual regional youth poetry slam hosted by Iconoclast Artists. The daytime event kicked off the summer nicely. Al puro cien. I was invited to serve as a judge and witnessed a lively slam. Several teams from different parts of the state were on hand for the competition (shout-out to the slam team at César E. Chavez High School!). It is so refreshing to get a chance to see youth take the stage and show their poetic “teeth” in the literary world. This community is vibrant and I look forward to sharing more from Houston.

The 2019/2020 Margarett Root Brown Reading Series poster.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Citywide Poets at ArtBlock

Last week I helped organize InsideOut’s annual Citywide Poets orientation, which preps the writing mentors who will lead after-school sessions in local high schools and community centers in Detroit from October through May. This year the program is bringing together eighteen writers to participate as mentors, including Nadine Marshall, Jassmine Parks, Brittany Rogers, and Devin Samuels.

In addition to our growing numbers, what made this year’s orientation awesome was the place where we gathered, a new community arts center in the Northwest Goldberg neighborhood called ArtBlock. This space offers an outstanding first impression with its colorful mural on the north wall of the building. Inside the building, there are three separate mural-covered rooms fit for anything from readings to workshops to parties. ArtBlock is available for community groups and local nonprofits to use free of charge, which was a great help to InsideOut. I look forward to this year’s Citywide Poets programming and to seeing future events at ArtBlock.

ArtBlock mural by artist Fel3000ft. (Credit: Justin Rogers)
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

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