Jump to navigation Skip to content
Sam Savage wrote for decades and eventually gave up completely before his debut novel was published when he was sixty-five. Now he’s an international best-selling author with a third novel, Glass, published by Coffee House Press, and one simple message for all of us: Art can save you.
Patti Smith honored for the poetry of her music; Russia's most famous inmate pens prison stories; Seattle faces a week without libraries; Pride and Prejudice and Zombies has Austen at its heart; and other stories.
In this regular feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy. This issue’s 3 for Free features the Poetry Foundation’s new app, Google’s online Art Project, and Project Gutenberg.
Answers to the most commonly asked questions about our rankings of full-residency, low-residency, and doctoral programs in creative writing.
The top fifteen creative writing doctoral programs in the United States, from the University of Denver in Colorado to the University of Tennessee in Knoxville.
We’ve compiled this annual guide to graduate creative writing programs—which includes our rankings of the top full- and low-residency MFA programs (with honorable mentions) and, new to this year, doctoral programs—to provide a spark for the deep thinking and serious consideration that the process of choosing a program requires.
Attorney, poet, editor, and freelance journalist Seth Abramson explains the methodology used to compile the Poets & Writers Magazine 2012 rankings of postgraduate creative writing programs.
Despite the recent collapse of book review sections in newspapers and magazines, the form is still thriving across a variety of venues, from web-savvy publications to local papers.
The top ten low-residency MFA programs in the United States, from Warren Wilson College in Swannanoa, North Carolina, to Goddard College in Plainfield, Vermont.
Recently released amplified editions of classics such as Jack Kerouac’s On the Road and T. S. Eliot’s The Waste Land indicate that the hybrid format may finally be coming into its own.
