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"All relationships between writers and readers are love stories," says Ruth Ozeki, author most recently of the novel A Tale for the Time Being (Viking, 2013), whose article "A Crucial Collaboration: Reader-Writer-Character-Book" appears in the current issue.
"If your fidelity to perfectionism is too high, you never do anything," said David Foster Wallace in this March 1996 interview with Leonard Lopate, animated by Patrick Smith.
The Butler University–based literary magazine Booth is currently accepting short story submissions for its annual literary prize. The winner will receive $1,000 and publication in Booth. The deadline is May 31.
Using the online submission system, writers may submit a story between 500 and 7,500 words with a $20 entry fee. All entries will be considered for publication. One runner-up will receive $250. Roxane Gay will judge. Butler University students and staff, as well as friends and students of the judge, are not eligible to enter.
Established in 2009, Booth publishes two print issues per year, and features one author or new piece of writing on its website every week. The staff is comprised of students in the MFA program at Butler University in Indianapolis. The annual prize alternates genres each year, and the editors accept general submissions, including poetry, fiction, nonfiction, and comics, from September through April.
Visit the website for more information and complete submission guidelines, and check out the current installation of Poets & Writers Magazine's Literary MagNet to hear more from the Booth editors about future plans for the journal.
The current issue of Booth, above, features cover art and interior comics by Dustin Harbin.
What if you could live again and again, until you got it right? That is the tantalizing premise of Kate Atkinson's latest novel, Life After Life, published this month by Reagan Arthur Books. The novel has already been shortlisted for the Women’s Prize for Fiction, better known by its previous name, the Orange Prize.
There are two men sitting in the booth of a diner eating dinner together and talking. A woman sits outside in a parked car, watching them through the window. Who are they? What is their relationship to one another? What are the men discussing? What is the woman thinking? What does she do next? Write a story that opens with this scene and explores these questions.
The author who yesterday won the Pulitzer Prize in fiction for his novel The Orphan Master's Son (Random House, 2012) appeared on the PBS NewsHour shortly after the publication of the book to discuss his fictional interpretation of North Korea and its late dictator, Kim Jong-il.
The Pulitzer Prize board announced the winners and finalists of the 2013 Pulitzer Prizes today in New York City. Of the twenty-one categories, the prizes in letters are given annually for works published in the previous year by American authors.
The winner in fiction is The Orphan Master’s Son (Random House) by Adam Johnson. The finalists were Nathan Englander's What We Talk About When We Talk About Anne Frank (Knopf) and Eowyn Ivey's The Snow Child (Little, Brown). The winner in poetry is Stag’s Leap (Knopf) by Sharon Olds. The finalists were Collected Poems by the late Jack Gilbert (Knopf) and The Abundance of Nothing by Bruce Weigl (TriQuarterly). The winner in general nonfiction is Devil in the Grove: Thurgood Marshall, the Groveland Boys (Harper) by Gilbert King. The finalists were Katherine Boo’s Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Undercity (Random House) and David George Haskell’s The Forest Unseen: A Year's Watch in Nature (Viking).
Pulitzer Prize Administrator Sig Gissler announced the winners and finalists today at Columbia University. At a ceremony on May 20, each winner will receive $10,000.
The prize board caused a stir last year when it failed to select a winner in fiction, leaving many in the literary world—including Denis Johnson and Karen Russell, who joined the late David Foster Wallace as fiction finalists—feeling slighted, and wondering if this year’s awards would prove different. The 2013 awards were given in all twenty-one categories; visit the website for a complete list of winners.
The Pulitzer Prizes were established in 1911 by Joseph Pulitzer, a Hungarian-American journalist and newspaper publisher. A portion of his bequest was used to found the Columbia University School of Journalism in 1912 and establish the Pulitzer Prizes, which were first awarded in 1917.
Submissions to be considered for the 2014 prizes will open in May.
In Writers Recommend, author Alix Ohlin writes: “When I’m in direst need of inspiration, I do what I call ‘sentence stealing.’ I find a sentence from a writer I admire and write it down. ‘In the beginning I left messages in the street.’ Or, ‘Mrs. Dalloway said she would buy the flowers herself.’ Then I write my own version of the sentence, focusing only on its rhythms: by which I mean, replacing a noun with a noun, a verb with a verb. What’s left is a ghostly echo of the original sentence with no relationship to its actual content. And I follow that new sentence wherever it takes me, down the road to an unfolding story.” Using Ohlin’s method, write a story of your own.
The author of three novels, including The World Without You, which was just released in paperback by Vintage, talks about the importance of reading (books you love and even those you don't) in your life as a writer.
The PEN/Faulkner Foundation has announced that George Saunders will receive the 2013 PEN/Malamud Award. Given annually for a “body of work that demonstrates excellence in the art of short fiction,” the award comes with a five-thousand-dollar purse.
Considered a master of the short story, George Saunders’s most recent collection, Tenth of December, was published in January by Random House. A professor of creative writing at Syracuse University, his previous works include the story collections and novellas CivilWarLand in Bad Decline (1997), Pastoralia (2001), The Very Persistent Gappers of Frip (2005), The Brief and Frightening Reign of Phil (2005), and In Persuasion Nation (2007), and an essay collection, The Braindead Megaphone (2007). He is a regular contributor to the New Yorker, Harper’s, Esquire, GQ, and the New York Times Magazine. Saunders has received a MacArthur Fellowship, a Lannan Literary Fellowship, and four National Magazine Awards.
“Saunders is one of the most gifted and seriously comic short story writers working in America today,” said Alan Cheuse, a member of the Malamud Award selection committee, which is comprised of a panel of PEN/Faulkner directors. “And his comedy, like most great comedy, is dark….He's a Vonnegutian in his soul and, paradoxically, a writer like no one but himself.”
In addition to the prize money, PEN/Malamud Award winners are also invited to give a reading as part of the PEN/Faulkner Reading Series at the Folger Shakespeare Library in Washington, D.C. This year’s reading will take place in December.
Established in 1988, the PEN/Malamud Award honors the late writer Bernard Malamud. Past winners have included, among others, John Updike, Saul Bellow, Eudora Welty, Grace Paley, Stuart Dybek, Joyce Carol Oates, Alice Munro, Junot Diaz, Lorrie Moore, Tobias Wolff, Amy Hempel, Nam Le, Edith Pearlman, and James Salter.
Listen below as George Saunders discusses Tenth of December for the WNYC talk show Soundcheck.
