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In our column debunking the myths of the publishing industry, a veteran agent explains why selling a story or essay collection can be difficult (but not impossible) in today’s book market.
For some, hybrid publishing provides a more accessible path to publication, allowing authors to have a greater say in the production and marketing of a book—but it may come at a cost.
In our column debunking the myths of the publishing industry, a veteran agent explains how advances are determined and encourages readers with the truth that there’s no single indicator of an author’s next book deal.
In our new column debunking the myths of the publishing industry, a veteran agent advises authors to consider less the name recognition of a given agent and more the best agent match for their book.
More than just a list of names, an acknowledgments page is about showing gratitude to the people who have helped you along the way. The author describes the value of starting her acknowledgments page early on in the publication process.
The author of Blithedale Canyon analyzes why publishers, e-tailers, and bookstores keep tabs on preorder numbers and suggests several ways authors can tailor their preorder campaigns to play to their strengths.
The publication process doesn’t end at signing the book deal. The author of The Apology shares her and other writers’ experiences with what comes next, charting a book’s journey from manuscript to finished copy.
The debut author speaks with Brian Gresko about climate fiction, cultural identity, and the people who supported her on the journey to publishing her first novel, Sea Change.
Book contract language can be dense, but it’s key for writers to understand what they’re agreeing to when signing on the dotted line. The author of Blithedale Canyon breaks down the essentials of rights, restrictions, and deadlines.
Tax season is coming up, but it doesn’t have to be intimidating. The author explains how writers can follow the rules to their advantage to protect their earnings.
