French director and screenwriter Tran Anh Hung’s Oscar-nominated film The Taste of Things, adapted from a 1924 novel by Swiss author Marcel Rouff, opens with a scene that takes place in the ground-floor kitchen of a late-nineteenth-century estate in France. The scene, which lasts for nearly forty minutes and contains little dialogue, consists primarily of shots of a chef and his cooks preparing a sumptuous feast as they maneuver around one another, handling and arranging various ingredients for each dish. The camera zooms in on the pots and pans, and precise sounds of sizzling, sauteing, crackling, rinsing, stirring, bubbling, and steaming are captured. Write a scene or portion of a short story that focuses in on the sounds of a particular room in your setting. When you subtract human voices, does a chronicle of meticulous details emerge?

Can what was once lost still be found? The Search for Lost Birds, a global partnership between the American Bird Conservancy, Re:wild, and BirdLife International, was founded in 2021 to shed a light on species of birds that are deemed “lost,” meaning that there has been no documented evidence of them in over a decade, but that they may still exist. Researchers from the organization recently published a paper in the journal Frontiers in Ecology and the Environment citing over one hundred “lost” bird species with the majority in danger of extinction. Jot down a list of items that have been lost to you over the years, perhaps including both physical objects and intangible things, and compose a poem that incorporates your list. How might you play with the order of items, punctuation, line breaks, sound, and rhythm to express the experience of loss?

How do best pals become worst enemies? In the television fantasy drama series House of the Dragon, created by Ryan Condal and George R. R. Martin, childhood best friends Rhaenyra Targaryen and Alicent Hightower become mortal enemies, each at the head of a household vying for the power to rule the Seven Kingdoms. Compose a personal essay that ruminates on a complicated friendship or relationship you’ve had that has transformed significantly over time. Was there one catalyzing incident or many gradual shifts that caused your relationship to change direction? Consider the ways in which the relationship changed in parallel, or in contradiction, to how each of you have evolved as individuals.

In the documentary Yintah, directors Jennifer Wickham, Brenda Michell, and Michael Toledano chronicle how Wet’suwet’en First Nation have been fighting to protect their unceded territory in northern British Columbia for decades, most recently in protests and blockades against pipeline developments. The film spanning more than a decade of conflict captures the spirit of Wet’suwet’en resistance in the face of Canadian government policies and police invasions, and their fight for the survival of the land itself. Write a short story that revolves around a group of people who are beset upon by unjust policies, and explore the values and priorities of each side. How do strengths, weaknesses, advantages, and disadvantages play out?

In the 1960s, a string of songs about crying hit the air waves, from Roy Orbison’s “Crying,” to “Big Girls Don’t Cry” by The Four Seasons, to Lesley Gore’s song that begins with, “It’s my party, and I’ll cry if I want to.” Crying has carried on as a theme in popular songs throughout the decades with Prince’s 1984 ballad “When Doves Cry,” Aerosmith’s 1993 hit “Cryin’” and The Weeknd’s 2020 song “Save Your Tears.” This week, take a cue from tunes about shedding tears and write a poem that incorporates crying in some way, whether about sorrow or joy, letting the waterworks flow or attempting to hold them back. Consider using unique diction or imagery to put a fresh spin on conventional tropes. What can you say about crying that hasn’t been said before?

In Stories Are Weapons: Psychological Warfare and the American Mind, published by W. W. Norton in June, author and journalist Annalee Newitz chronicles the ways storytelling can be wielded as a manipulative tool to further political agendas and steer cultural perspective, through advertising, influence campaigns, and mass media. In the first chapter Newitz discusses how Sigmund Freud’s theories help sell products: “Advertisers began to study psychology to figure out ways to manipulate the unconscious minds of consumers,” she writes. “They would lure consumers in with emotional appeals or by associating a product with some political ideal like freedom.” Write a personal essay about a time when you were persuaded by a narrative—whether it be a story told to you by a friend, foe, colleague, family member, or even an advertisement. Were you able to separate from your unconscious mind and gain a fuller perspective on the situation?

Is it science fiction or simply the state of advanced, contemporary science? Hiromi Kawakami’s latest novel, Under the Eye of the Big Bird, forthcoming from Soft Skull Press in September and translated from the Japanese by Asa Yoneda, takes place thousands of years in the future when humans are near extinction. Children are created in factories from the cells of animals including cows, dolphins, horses, and mice. Kawakami’s magical realism blends scientific advancements with real-life phenomena such as population aging, as well as the existing technologies of cloning and xenotransplantation. Using an idea or a concept derived from scientific studies or your own research, write a speculative fiction story that builds on existing technology to achieve the fantastic. In your invented future what fundamental issues of ethics, traditions, and mortality arise?

William Carlos Williams’s multi-volume, mid-twentieth-century poem Paterson is purportedly inspired by the works of his contemporaries: James Joyce’s Ulysses, Ezra Pound’s The Cantos, T. S. Eliot’s The Waste Land, and Hart Crane’s The Bridge. Through his subject—the former mill town of Paterson, New Jersey—Williams provides a voice for American industrial communities. A launching pad for other artists’ work, the book inspired Jim Jarmusch’s 2016 film Paterson, about a bus driver and poet named Paterson in the city of the same name, and Robert Fitterman’s book Creve Coeur (Winter Editions, 2024), set in the segregated suburbs of his eponymous Missouri hometown—an illustration of contemporary America that mirrors the structure of Williams’s postwar epic. Write a poem that draws on specific observations of your neighborhood to express a wider perspective on life in the twenty-first century. Incorporate street names, local landmarks, and history as well as tidbits of everyday conversation.

When you picture sea otters, you might think immediately of the many photos and videos of fuzzy otters holding hands while floating in the water, but do these images of cuddly creatures represent their true character? In a 2013 Slate article titled “Sea Otters Are Jerks. So Are Dolphins, Penguins, and Other Adorable Animals,” the violent behavior of these animals and their instinctive modes in the wild are described in detail and contradict the cute and cuddly depictions humans often project onto them. Write a personal essay that explores the theme of deceptive appearances, perhaps drawing on experiences you’ve had in which you misjudged someone and found your first impression contradicted other facts. Or you might think back to a time when someone else made assumptions about you based on superficial traits. What social conditions or cultural expectations contributed to those first impressions?

In Michael Ondaatje’s 1992 Booker Prize–winning novel, The English Patient, four main characters—a young Canadian army nurse, an Indian Sikh working as a British military engineer, a thief, and the eponymous patient—find themselves at a bombed-out Italian villa toward the end of World War II. Through a convergence of sections that weave in and out of time, between the past and present, and told through the characters’ various points of view, the story comes into focus. Write a short story that takes place in a vivid locale where a small group of characters has converged. Experiment with telling the story from multiple perspectives, and alternating chronology. In Ondaatje’s novel, the nonlinear storytelling reflects the effects of war trauma—how might time in your story work on a thematic level?