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Publish Your Writing

Agents & Editors Recommend

A dependable source of professional and creative advice, this regular series features anecdotes, insights, tips, recommended reading and viewing for writers, and more from leading agents and editors.

Saba Keramati of Sundog

8.14.24

“Editing is an open dialogue: I suggest a line break or title change because I am rooting, deeply, for your work. I want it to be understood and seen. Feedback is a form of love, and it is through love that we strive to make things into the best versions of themselves.

Sean Wai Keung of Gutter and Middleground

7.31.24

“Ask yourself why you want to submit a particular poem to a particular magazine, as well as who you imagine will encounter it.

Darlene Chan of the Linda Chester Literary Agency

7.17.24

“I recommend something quite simple: rewriting.

Alia Hanna Habib of The Gernert Company

7.3.24

Alia Hanna Habib

“I often advise writers to avoid opening their proposals with a description or synopsis of the book, which is the format you usually see when you Google ‘book proposal.’

Sean Sam of 128 Lit

5.29.24

Sean Sam

“Consider how you might sidestep tired tropes...and create a text that resists oppressive tradition while pulsing with joy and its painful entanglements.

Sarah Ghazal Ali of West Branch

5.15.24

Sarah Ghazal Ali

“Write into what compels you, but reach behind your initial thought, behind the initial impulse toward a certain image or phrase.

Nicole W. Lee of Four Way Review

5.1.24

Nicole W. Lee

“The most vital element is that you’ve spent the time to percolate your voice and your poems...

Susan Antolin of Acorn

4.17.24

“Haiku that hint at a connectedness between the outer and inner worlds, elevate a sense of awe or wonder, and draw our attention to small details of everyday life...are all qualities of great haiku.”

Dominick Knowles of Protean

3.27.24

“We are all writing and editing in a time of ongoing political, economic, and—by extension—literary crises.

Max Pasakorn of Kopi Break

3.13.24

Max Pasakorn

“I’d likely warm up to a poem that is aware of its potential synergy with other poems in the magazine or with contemporary global conversation.

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