For the first time in the United States, bees—seven species that are native to Hawaii—have been placed under protection on the endangered-species list. Write a short story in which a seemingly commonplace animal species suddenly becomes endangered or extinct. Do your storytelling instincts take you to environmental activism, a futuristic sci-fi universe, or an adventure in the wilderness? Or perhaps, to an apartment scene in which this news seems, for the time being, to have no bearing on the characters?
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
Taking inspiration from the “Dear President” feature in the September/October issue of Poets & Writers Magazine, in which fifty American poets and writers were asked to write several sentences addressing the next president, write a short poem of address that starts with the words, “Dear President.” Touch upon one or two of the most important issues to you about contemporary society and/or government. Share any advice, wisdom, wishes, or requests.
This past weekend, the New York Review of Books published an exposé in an attempt to uncover the true identity of the Italian novelist Elena Ferrante, provoking anger and criticism from those in support of the writer’s wish to remain anonymous. Have you ever wished for anonymity, or do you imagine that you might in the future? Drawing examples from your own experiences with writing and private versus public life, write a personal essay about the issues at stake in this situation, such as celebrity authors, sexism, and the changing relationship in contemporary culture between artist and audience.
Last week, after a swarm of almost one hundred small earthquakes in the Salton Sea region, California’s Office of Emergency Services issued an earthquake advisory to Southern California residents warning of the potential of a larger earthquake occurring on the San Andreas fault. Write a short story in which the main plotline’s background includes the looming threat of a major earthquake. How does this create tension in the atmosphere and bring out different personality traits in each character?
The first Nobel Prize winner of 2016, announced in the Physiology or Medicine category this week, was awarded to Japanese scientist Yoshinori Ohsumi. Ohsumi is a cell biologist who won the prize for his studies of autophagy, Greek for “self eating,” a process in which the cells in our body break down or destroy, and then recycle, certain component parts. Write a poem inspired by the workings of the human body at a cellular level. You may find ideas by looking at different vocabulary and terminology, or drawing connections between cellular functions and processes to situations in your emotional life and interpersonal relationships.
Banned Books Week is an annual celebration led by a coalition of diverse organizations and foundations to encourage awareness of book censorship and recognize the freedom to read. Browse through the American Library Association’s lists of top banned books—organized by decade, classic titles, young adult authors, and more—and select a book you’ve read that strongly resonates with you. Write an essay that examines your response to the censorship or challenging of this book, drawing on your own memories of reading it and exploring the idea of an appropriate audience for this literature.
This week, write a scene in which the main character is watching the presidential debates on television with another character and a confrontation arises over a disagreement of opinions. Have these characters just met, or are they old friends? Do their differing politics come as a surprise to the reader, or to each other, or are they expected? Politics aside, what does the disagreement reveal about the characters’ respective personalities, emotional states, and motives in relation to the narrative? Consider incorporating this scene for a short story you’ve written in the past or are currently working on in order to deepen a relationship.
Hollywood has a long tradition of remaking films and television shows from decades gone by, including recent or forthcoming reboots of The Magnificent Seven, Die Hard, Full House, The Fresh Prince of Bel Air, Point Break, MacGyver, Twin Peaks, Splash, and Mary Poppins. Write a remake of a poem written between the 1960s and 1980s. Select two major elements to retain from the original poem such as setting, narrative voice, overarching formal structure, or emotional progression, and then give it a fresh, new spin by altering other aspects of the poem.
“I think if you say that art and politics, or religion and politics, mustn’t mix, don’t mix, that is itself a political statement,” novelist Mohsin Hamid said in an interview in the Financial Times in 2011. While there are many writers who choose not to overtly link their creative work to politics, there is also a long history of political art: work that engages with patriotism or protest by poets such as W. H. Auden, Adrienne Rich, Wole Soyinka, and Walt Whitman. Do politics ever figure into your own creative writing? Why or why not? In this presidential-election season, whether you are engaged and informed by politics or try to avoid the topic altogether, take a moment to examine the history of your personal relationship with politics. Write an essay that explores how your interest in or aversion to the topic might have been affected by your childhood upbringing and environment—family, friends, or local groups and organizations—and the reasons behind your choice to either integrate or separate politics from your creative work.
In Washington Irving’s story “The Legend of Sleepy Hollow,” Ichabod Crane attends an autumnal harvest feast, where he listens to local townspeople recounting ghost stories. Later that night, on his fateful ride home, he encounters the Headless Horseman. The ending of the story is left open to interpretation: Is the Headless Horseman a ghoulish spirit, or is it actually Crane’s rival in love, dressed in disguise and further exaggerated by Crane’s haunted, overactive imagination? Write a ghost story in which you play with this ambiguity between the mundane and the supernatural, perhaps manipulating the observations and emotions of your main character, the stability of the story’s setting, or the sequence of events that unfolds. How does blurring the lines between human folly and otherworld menace imbue your storytelling with a sense of dread or horror?
Pine, oak, cedar, birch, aspen, fir, maple. Joshua, jacaranda, palm. There are thousands of species of trees in the world; some are found in many regions and some in only one place. There are trees that grow fruits and nuts; there are desert trees and tropical trees. Robert Frost, H. D., Denise Levertov, Federico García Lorca, William Shakespeare, and many others have all written poems about trees. Spend some time studying a specific tree in your neighborhood, paying close attention to its shapes and sounds, its colors, smells, and textures. Perhaps make a sketch of it, or research it online or at the library. Then write a series of short poems about this one tree, trying to approach each poem from a different angle—exploring rhythm and sound, for instance, or your personal memories and associations.
The New York Times series “36 Hours” provides profiles and thirty-six-hour itineraries for must-see sights and spots in cities all over the world. Write your own “36 Hours” piece about the city you live in now, or one in which you became well-acquainted with in the past. Include main attractions, little-known locales, shops to browse, and places to eat or find entertainment, connecting each of your recommendations to a personal anecdote or memory. For some literary locale inspiration, visit our City Guides.
In mid-July, a young man caught an alligator gar—an extremely unusual, sharp-toothed, prehistoric-looking fish—while fishing from a lake in Schenectady, New York. He took a photo of the megafish to post on social media, and then let it go, in accordance with his catch-and-release policy. His mother subsequently shared the post, and her colleague then contacted the U.S. Geological Survey, which in turn contacted the New York State Department of Environmental Conservation, whose agents confirmed that it was an invasive species. This led to the mayor of Schenectady offering a one hundred dollar award to anyone who managed to catch the fish. Write a short story that unfolds in a similar fashion, beginning with the small action of one individual, which then puts into effect a chain of events involving a whole town.
There have been several notable recent occurrences of museumgoers from all over the world breaking or damaging artwork. In a video widely shared on the internet last year, a boy tripped in a museum in Taiwan, and in bracing his fall, accidentally smashed a hole through a seventeenth-century Italian oil painting valued at over one million dollars. Using this image or concept of the physical defacement of art, write a poem that experiments with the idea of broken surfaces with the use of fragments or erasure. What are some ways of inserting literal or figurative holes into the body of a poem?
Every year more and more people enroll in continuing education, adult learning, and extension courses covering diverse topics ranging from real estate to metalworking. What’s an elective you missed out on when you were a kid in school, or a skill you’ve always secretly coveted? Write a personal essay about the classes you would want to enroll in if you had the chance to return to school now; or if you’re currently taking courses, what additional subjects are you interested in? Explore what your choices might reveal about your priorities and values, and how this new skill set would fulfill you.
Americans spend more money per year on lottery tickets than on sports tickets, movie tickets, books, video games, and recorded music, with lottery players split between those who play for money or for fun. Write a short story with the focal point on a character buying a lottery ticket. How would she spend the prize money if she won? What does the lottery reveal about your character’s perspectives on luck and money? Whether your character plays often or rarely, whether she wins or loses, what makes this specific lottery purchase remarkable in the context of your story?
While at Omi International Arts Center in Ghent, New York, artists Alex Schweder and Ward Shelley built a house that spins and tilts in accordance with the wind, and the shifting weight of its inhabitants. Then they resided in the structure for five days; and will spend another several days living there this fall. Write a poem inspired by the image or idea of living in a structure that is constantly spinning, and which tilts up or down as you walk through it. What kind of vocabulary or pacing might mimic or reflect the sensation of spinning? How can you play with emotional weight or levity to create shifting feelings throughout your poem?
“Through the act of writing, I was able to find out what I knew about these things, what I was able to know, and where the limits of knowing lay….” In the preface to his new essay collection, Known and Strange Things (Random House, 2016), which is excerpted in the September/October issue of Poets & Writers Magazine, Teju Cole speaks about the way writing deepened his interests in photography, literature, music, travel, and politics. Choose a broad subject that you’ve long been interested in, perhaps related to arts and culture, nature and science, language and travel, or politics and technology. Write an essay that explores the history and evolution of your personal knowledge about the subject, and where you feel the limits of your knowledge lie.
“I remember very vividly where I was when I saw my very first big Surrealist exhibition...It was sort of a Tarzan-and-the-giant-spider moment. I absolutely see it as a hinge. There’s a pre-that-picture me and a post-that-picture me. And I’m very glad to be the post-that-picture me,” China Miéville says about the Max Ernst painting “Europe After the Rain” in a New Yorker article. Write a short story in which a character encounters a work of art that changes his life in a similarly noteworthy way. What resonates with the character to have such a lasting impression? How does his life change post-that-picture?
British music critic, librettist, and author Paul Griffiths’s novel Let Me Tell You (Reality Street, 2008) is told from the point of view of Ophelia, the character from Shakespeare’s Hamlet. Using an Oulipo type of constraint, the novel uses only the 483 words spoken by Ophelia in the original play. Choose one of Shakespeare’s plays, and make a list of words spoken by one character in a pivotal scene, or part of a scene. Write a poem inspired by this list of words, allowing your creative impulses to dictate whether you use only words from the list, or include a few additional words of your own.
The Pageant of the Masters is a tableaux vivants—or “living pictures”—event held every summer at Laguna Beach’s Festival of the Arts in Southern California. The long-running tradition features hundreds of costumed volunteers who stand still for ninety-second intervals posing in elaborate re-creations of masterpieces of art. Write an essay describing the artwork—classical or contemporary—you would choose to “live” in. What would your role and pose be? Who would be your supporting cast of posers? What narration and music would accompany your tableau vivant?
In “Return and Repeat, Culminate and Continue: On Crafting the End in Fiction” in the September/October issue of Poets & Writers Magazine, Jennifer De Leon draws a connection between the sestina poetry form—in which six words are repeated throughout—and John Gardner’s “return and repeat” method of ending a fictional piece by returning to key elements of the story. Find a short story you’ve written in the past and select six important aspects of the story, such as characters, words, and images. Write a new, alternate ending by reiterating or revisiting these motifs on the last page.
Have you ever stepped onto foreign soil—whether it be another town, state, or country—and immediately felt like you were in a different galaxy? Or conversely, have you traveled to a seemingly faraway place only to find that it felt surprisingly just like home? Write two short poems about places you have visited or passed through, and explore your expectations and feelings of familiarity or strangeness in each one. For inspiration, read about Baarle, a small European village situated partially in Belgium and partially in the Netherlands, with its international borders actually cutting through the middle of shops, living rooms, and backyards.
If a statue in your likeness were to be someday erected in your honor, would you want to be rendered realistically, cartoonishly, or in abstract? Do you envision a marble bust or a whimsical woodcarving or perhaps to be cast in bronze? In what pose or action would you want to be commemorated? Write an essay describing what you imagine as the most suitable representation and location for your hypothetical statue, and include an examination of the reasons for your specifications. For inspiration, read about the recent hubbub over a Lucille Ball statue.
Last week, a young man from Virginia used suction cups to climb up the exterior of the sixty-eight-story Trump Tower building in midtown Manhattan, drawing the attention of eyewitnesses as well as millions more who watched live streaming videos on social media. Write a short story in which a character pulls off a risky and unusual stunt in an effort to communicate an important message to someone. Is the outsized gesture effective? What does his choice of action reveal about his personality? Are there unintended consequences involving the spectators?
Instead of using GPS coordinates or traditional street numbers and names, a postal mail service in Mongolia will begin using a new address location system, created by a British tech start-up, in which the world map is divided into trillions of nine-square-meter patches and assigned a unique three-word code. Find the code for your own address at the What3Words website or create your own code. Then write a poem inspired by the combination of these three random words and how they connect to your concept of home.
This Summer Olympics season, many U.S. fans look forward to cheering on the country’s swimming, gymnastics, and decathlon athletes. In other countries, the most closely watched competitions are sports like canoeing, handball, rugby, table tennis, and trampoline. Look over the list of sports at the Rio Olympic Games, and choose one you’ve had an established connection with, or one that seems newly fascinating. Write an essay that explores your attraction to this sport. What are your opinions about the extreme athleticism and discipline of the competitors? How do your memories of past Olympics differ from today’s games?
Setting up a lemonade stand in the neighborhood has long been a popular way for kids to have fun in the summertime, and learn some basic skills about operating a business. Write a short story in which a lemonade stand plays a pivotal role. Is your main character one of the kids, or one of the customers, or perhaps just a passerby for whom the sight of the stand catalyzes another inciting action?
Cargo shorts, which rose to popularity in the 1990s, have recently sparked heated opinions and reignited the debate of whether the fashion item should exist. Is there a particular style or article of clothing you have grown so attached to over the years that you refuse to part with regardless of new trends or the disapproval of loved ones? Write a poem inspired by the comforts of dressing in a familiar way. Include reminiscences about well-worn and long-cherished items from your wardrobe, and the people and events associated with them.
Last month, French president Francois Hollande’s hair made the news when it was revealed that its maintenance requires a personal, on-call hairdresser who is paid a salary equivalent to almost eleven thousand dollars per month. Write an essay about the care—whether it’s a lot, a little, or none—that you put into your own hair. Do you prioritize practicality or aesthetics? Have there been phases in your life when you had particularly memorable haircuts? Are your hairstyles representative of that time in your life?
This week, find a short story you wrote in the past and reread it, making note of new observations about the characters and their actions, as well as pacing and style. Then, write a sequel to the story that either takes place immediately after the ending of the original or far off into the future. Use the experiences and wisdom you yourself have gained in the window of time since writing the original story to imbue your characters with newfound maturity, insight, and energy as they face fresh challenges.
Heat dome, corn sweat, thundersnow. Meteorologists and weather reports often coin new words and phrases for the purposes of both explaining and entertaining. Learn some new weather-related terminology, or create your own phrases that explain existing and made-up weather phenomena. Select one of these terms as the title of a poem, and allow it to guide your imagination as you write your lines. Do you end up with a poem that is somehow connected to meteorology, or does the title lead you toward a completely different direction?
In the “First Fiction” feature in the July/August issue of Poets & Writers Magazine, Yaa Gyasi, author of the debut novel Homegoing (Knopf, 2016) says, “I was interested in the idea that people can inherit something invisible. These invisible inheritances could be personal, small, familial, like someone’s tendency toward rage or compassion in difficult circumstances, but they could also be large and political, a historical inheritance that is not tied to family per se, but to an entire generation of people who lived before you.” Write an essay about something invisible that you’ve inherited—it can be a personality trait or habit, or a larger cultural inheritance from ancestors. Conclude your essay with a conjecture about what invisible inheritance—however big or small—you and your generation may be passing on to the future world.
In 2012, New Zealand courts granted legal standing to the country’s third largest river, the Whanganui River. The agreement, signed by the government and the local Māori people, allows for the river to be recognized as a person in the eyes of the law—similar to the granting of corporate personhood to businesses—and for its rights and interests to be protected by appointed guardians. Write a short story in which your main character’s primary opponent is a body of water, forest, or other natural entity, which may manifest in a plot that involves environmental and cultural concerns, or perhaps more mystical and fantastic elements. What emotions, voices, and relationships will you explore in your depiction of this man versus nature story?
Did this past winter seem to drag on interminably, while spring was over in the blink of an eye, and the summer months keep zipping on by? Sometimes days, weeks, and months feel like they pass at varying speeds, depending on factors such as the weather, travel obligations, school or work schedules, and personal tastes and moods. Write a poem that explores two or more distinctly paced periods of time that occurred in the past year or so. Manipulate the sound and rhythm of your language—as well as the expository or emotional content of your lines—to reflect the drag or rush of each period.
Summer eating competitions in New York earlier this month included both the long-running hot dog eating contest in Coney Island, and a kale eating contest in Buffalo. Imagine that you have to consume one type of food for a ten-minute all-you-can-eat contest—what food would you choose? Write a short essay about how you would prepare physically and psychologically, and recount your favorite memories that involve this food.
Over the past two weeks, the popularity of the new mobile video game Pokémon Go, which incorporates cartoon characters into the real world using GPS maps, has resulted in conversations about many related issues and consequences—from privacy and surveillance, to sore legs and outdoor exercise, to city engagement and the future of technology. Write a short story that takes place in a world in which all citizens have integrated augmented reality software, games, and apps into their everyday lives. Does the story’s main conflict arise from a societal shift due to the new technology or from the lack of human interaction?
This week, look through some photographs you’ve taken while you were on a trip, either from recent summer travels or a long-ago vacation. To what extent does the photograph encapsulate that locale and your memories of that trip with emotional accuracy? Write a poem that explores the distance between your current self and that photograph, and between an image and a feeling or memory.
The new animated film The Secret Life of Pets explores the idea that when human owners are away, household pets shed their conventional façades and get into all sorts of mischief. Think about a pet you’ve owned or one you’ve been acquainted with through someone else, a movie, or a book. Write an essay that first notes the pet’s most readily apparent, idiosyncratic traits and habits, then imagines its secret life. What does the secret life you’ve imagined for the pet reveal about your own behavior when nobody's watching?
In “Superpowered Storytelling” in the July/August issue of Poets & Writers Magazine, Benjamin Percy refers to Tony Earley’s quote: “Every story is about the thing and the other thing.” Percy explains by citing two examples of fiction in which the story is about a character working a job, and an added layer about that character in a developing relationship. Write a short story in which the exterior plot follows the day-to-day actions of your main character at work, while the interior landscape is about her evolving relationship with a secondary character. How can you manipulate the details about the job to serve as a metaphor for the relationship?
Last week, a bunch of Ruby Roman grapes sold at an auction for almost eleven thousand dollars in Japan, where highly valued seasonal fruit can serve as an important status symbol. While money may not be the most obvious choice for poetic lyricism, it can reveal a lot about our society and human nature. Write a poem about a situation in which you had to make a sizable financial decision—saving or spending, dealing with a sudden gain or loss—and examine how your personal value system is intertwined with money.
The Irukandji jellyfish, mostly found off the coast of Australia, are the most poisonous box jellyfish, and at one cubic centimeter, also the smallest. Another distinguishing feature is its sting, which produces what scientists call a “feeling of impending doom,” partially caused by venom triggering hormones connected to anxiety. Write a personal essay about a time in your past in which you felt intensely anxious about a situation, and were unfailingly convinced of a negative outcome. What were the circumstances and external factors that led you to this perspective? Did you overcome your fears and emerge from the other side with a new outlook?
A high school in Maine recently celebrated the forty-year anniversary of a Twinkie that has been on display on campus, still intact, since 1976, when a science teacher unwrapped one of the snack cakes and set it out for a spontaneous lesson on chemistry, food additives, and decomposition. Write a short story in which your main character makes a comparably spontaneous decision or gesture, and then fast-forward forty years later to reveal how that seemingly small action becomes far-reaching, or perhaps even life-changing.
The higher temperatures, longer days, and more time spent outside in the summer months propel many of us toward beach reads and dramatic blockbuster films. Oftentimes, these forms of entertainment are filled with exciting, action-packed scenes, plots that twist and turn, and sequences that keep us on the edge of our seats. Write the summer blockbuster version of a poem. Try to balance the use of easily accessible, widely appealing language and images with emotions that are both universally recognizable and unique to your personal sensibilities.
Every summer there’s that one song—or maybe two—that you just can’t escape at barbecues, pool hangouts, beach bonfires, on car radios, and in air-conditioned malls. Eventually you find your memories of that summer are inseparable from the ubiquitous song. Write an essay about a recent summer and the song that played throughout the season that stuck with you. You might decide to take a closer look at the lyrics of the song, and recount specific events and memories to help you process their harmonious connection.
Fireworks were first invented in the seventh century, during the Tang Dynasty in China, and were traditionally set off at special occasions—such as births, deaths, weddings, birthdays, and holidays—to channel good luck and scare away evil spirits with their bright lights and loud sounds. Write a short story that takes place at a celebration with fireworks. Do the pyrotechnics heighten the scene with a sense of wonder and drama? What do your characters hope to exorcise or gain, as they watch the fireworks display?
More and more cities are displaying poems on subway cars, in train stations, on buses, and even in coffee shops. In “Traveling Stanzas” in the July/August issue of Poets & Writers Magazine, Andrew McFadyen-Ketchum reports on an initiative created by the Wick Poetry Center at Kent State University to showcase poetry in public spaces throughout Northeast Ohio. Write a poem with a specific local spot in mind, such as a cafe, library, bus stop, or park bench—the poem’s content may be directly or indirectly related to your choice. If it’s permitted, post a copy of your poem at the intended location, or perhaps hand out copies or stage an impromptu reading there. For inspiration, watch Fatou M’Baye read her poem “Thank You, Tree” in a video produced by the Wick Poetry Center.
For a couple of months this past spring, anyone in the world with a phone connection could dial a Swedish phone number and “be connected to a random Swede, somewhere in Sweden” for a brief chat about anything under the sun. The Swedish Tourist Association created the “Swedish Number” to draw interest in the country by allowing everyday Swedes to act as ambassadors of that nation. Choose a country you’ve never visited before but are interested in, and write a personal essay exploring what you would ask if given the opportunity for a ten-minute chat with one of its citizens. Then turn the focus on yourself, speculating on the specific reasons for your curiosity. Would you instinctively approach the conversation as an opportunity for a political discussion or a personal one? What would you say if you were called to be an ambassador of your own country?
As important as it can be to develop regular writing routines, it can also be valuable to break out of them and discover new modes of inspiration and productivity. Try to actively disrupt your own process and write a short story that takes your habitual approach and turns it on its head: If you usually draw up precise outlines, jump immediately into the start of your story with some stream-of-consciousness writing. If you usually write at night, alone at an office desk, try writing during the day, outside on a public park bench. Instead of a pen or computer, write with a pencil. Get creative with your process. How does the change in the time of day, surroundings, or physical act of writing affect your ability to develop new ideas about plot or character? A little variety could go a long way.
“By entering a found text as a poem, the poet doubles its context. The original meaning remains intact, but now it swings between two poles," Annie Dillard wrote in Mornings Like This: Found Poems (Harper Perennial, 1996). "The poet adds, or at any rate increases, the element of delight." Many twentieth-century writers have experimented with found poetry, whether composing entire poems that consist solely of outside texts collaged together (David Antin, Blaise Cendrars, Charles Reznikoff) or incorporating pieces of found text into poems (T. S. Eliot, Ezra Pound, William Carlos Williams). Using these poets as inspiration, create a found poem using materials from street signs, newspapers, product packaging, legal documents, or e-mails. Play with different rearrangements and line breaks to form a new meaning that may be an unexpected juxtaposition to the original text.