The fright-seekers are gearing up to get scared this week, visiting haunted houses, riding haunted hayrides, and stumbling through cavernous corn mazes. Imagine one of your characters is hired to be a monster for one of these frightful events. Why does she take the job? Does she like scaring people, or does she just need the money? What does her costume look like? Does she feel guilty about frightening people?
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
Is there a celebrity that you think one of your characters is destined to meet? Write a scene in which he or she has a chance encounter with this famous person. Have the two carry on a normal conversation before your character recognizes this person is a celebrity. Perhaps this star has some words of wisdom to impart to your character (or the other way around), or maybe he or she is just looking for a friend. For inspiration, watch this video in which recording artist Jay-Z meets a woman named Ellen in a New York City subway car.
Most songs have a story to tell. It could be a simple message, such as “I Wanna Hold Your Hand” by the Beatles, or more complicated and personal. This week, think of a favorite song and write a story from it. You can invent new characters, settings, and plot points, or stick to the information provided in the lyrics of the song.
Many people believe that bigger is better, and when it comes to food, a giant-sized version of your favorite treat can be more exciting than the normal-sized version you encounter on a daily basis. But as humans, we can only eat so much in one sitting. Though delicious, a sofa-sized jelly doughnut is just not practical. This week, write a scene in which one of your characters wishes for a giant version of his favorite food. What happens when the wish comes true, and the delivery person shows up with, for example, a pizza the size of a small swimming pool?
The soothing sound of water pouring over rocks, the spray that mists your face as you stand at the bottom looking up—waterfalls have such power and grace. This week, write a short scene in which one of your characters discovers a waterfall on a walk through the woods. What’s her first instinct? Does she dive into the pool at the bottom for a swim? Or does she stand back in awe?
Ideally, people become accustomed to fire drills so that when there is a real fire, they will calmly gather their things and exit the building as practiced. After all, this is the point of such drills. But what if one person in the group consistently reacted in the opposite fashion? Write a situation in which a routine fire drill decends into chaos because one person insists, against all information provided by those in positions of authority, that everyone is in grave danger.
Does one of your characters have an obsession with their appearance? Is she the type that habitually glances at every reflective surface in order to catch a glimpse of herself? Does this behavior have a negative effect? This week, write a story in which this character can no longer examine her appearance. Perhaps she goes on a camping trip, or decides to take down all the mirrors in her house. Think about how this change in circumstance can impact the character’s mood, confidence, and outlook on life.
Think back to your childhood, to the stories you remember being told. Was there a particular story you wanted to hear over and over again? This week, try and remember that story, and choose one of the characters from it. Take that character and write an entirely different story centered around new obstacles. For example, if you choose Pippi Longstocking, write a story in which she is raising her own family, or has become the captain of her father's ship after his retirement.
As everyone recovers from, and reacts to, the shocking announcement that the popular cartoon character Hello Kitty is not a cat but a human girl, take a moment to think about how leaving certain details ambiguous could enhance or detract from a character’s impact in a story. Do you have any characters that have elements of their backstory, or ambiguous qualities, that are never explained? If you have a character whom you feel is hiding something for whatever reason, write a scene in which this secret is revealed.
Some people, once they find a place they like, really make themselves at home. This week, write a story about a regular at a local bar, restaurant, or coffee shop. Why has this person latched on to this particular place? Does he or she always order the same thing? How do the other patrons feel about this person? Try to have all the action in the story take place inside the establishment.
Usually if someone’s in love, they know it. Love is an all-encompassing emotion, often casting a person’s life in a pleasant, rosy glow. But as with most emotions, love can be confusing. This week, write a story in which your character doesn’t realize she is falling in love. Do her friends notice the development and try and make her see what’s happening? Does she remain completely oblivious, or does she adamantly deny any affection towards her love interest? Is she even aware of her love interests’ feelings towards her? Consider the fine line between close friendship and romantic love, and how difficult it is to tell whether that line has been crossed.
News and social media channels are buzzing about the recent outbreak of the deadly Ebola virus. This week, write a story in which one of your characters is a doctor responsible for treating patients that have contracted a highly contagious virus. Think about how she handles the risks involved, and what emotions she’ll struggle with. Maybe there is a lack of proper medical equipment or limited space in hospitals and treatment facilities. Is there information on this virus, or is it something doctors have never seen before?
Farming as an occupation isn’t nearly as common in the United States now as it was a century ago, but there are still some people who feel compelled to live a simpler, more self-sufficient lifestyle. This week, write about a character of yours who comes to the decision to give up her more modernized way of living and commits to living “off the grid”—growing all of her own food, raising livestock, collecting sunlight for electricity (or forgoing electricity altogether). How difficult will this be for her to pull off? Is it still feasible for people to live this way in the twenty-first century—especially city dwellers and suburbanites—or is this type of lifestyle too strenuous and time-consuming for the average person to manage?
There are few things more pleasant than finding a beautiful spot on a sunny afternoon to have a picnic lunch. That's if everything goes according to plan. This week, write a story about one of your characters planning an important picnic lunch. The occasion could be a family gathering, a first date, or a holiday celebration. How does this character handle the task? Do things end up going smoothly, or does everything fall apart? Maybe another character needs to step in and offer assistance, or maybe something beyond anyone's expectations occurs and the plans change completely.
Some people slow down in their golden years, taking it easy and enjoying the family and friends they've gathered around them in the comfort of their community, while others try to continue to live like their younger selves. This week, write a story about an older person who still has the mindset and physical stamina of a twenty-something. How does this affect her interactions with her peers? What are her secrets? Is she one of those people who wishes to live forever, or does she simply make a habit of staying healthy? Think about how a person's biological age and true age are related and what happens when they are in conflict.
We've all heard the advice "write what you know," which encourages us to write characters like ourselves or people who are close to us. This week, write from the perspective of a character that is your complete opposite. First, make a list of all the qualities you identify with yourself, and then make a list of qualities on the other end of the spectrum. For example, if you are a woman who lives in the country, write from the point of view of a man who lives in the city. Try to avoid using stereotypes to describe this character's actions or ideas, and instead try to embody this character—climb inside his or her head and live there a while.
Do you live in a tourist town, or a town that sees a surge in population during a particular season? Maybe there is a town you visit when you're on vacation. Have you ever wondered what it would be like to live there year-round? This week, write a story set in a tourist town, trying to write from the perspective of a local. How does this character, or the locals in general, feel about the tourists? Is this really a friendly town, or does it just seem friendly to vacationers?
Even if you're not a big fan of the Transformers movies, consider the basic idea of everyday machines transforming into some sort of robot or creature. This week, write a story in which one of your characters discovers a household appliance that has transformed itself into something else. For example, when making her morning toast, your character notices the toaster has morphed into a small flying machine, and is stuck in a tree in the backyard. Write about how your character feels upon discovering this machine has a mind of its own, and how her relationship with the machine in question, as well as the world around her, is altered after this experience.
This past Friday a South African couple finished a sixty-five-hundred-mile journey by rowboat from Morocco to New York City. It took them six months to paddle their twenty-three foot vessel, named Spirit of Madiba in honor of Nelson Mandela, across the Atlantic Ocean. This week, write a story about what you imagine such a journey would be like. Consider the dangers of crossing such a massive body of water, and what it would feel like to spend that much time sharing such a small space with another person.
Descriptions offer clarity, and the more detailed your descriptions of events, places, and people, the more fully the reader can experience the emotion and ambiance you are trying to establish. This week, make loads of detailed lists. Make them everywhere you go: the supermarket, your car, the park, your bedroom. Use all five senses to classify where you are, how you're feeling, and what those feelings make you think of. When you're writing a scene about a sticky summer morning on the bus, you'll be able to look back at your list and use the notes you made about the condensation on the windows, or the crying child in the seat behind you.
This week the oldest man on earth, Alexander Imich, passed away at the age of 111. Although he was certified as the world's oldest man, there are sixty-six women who are older than he was. This week, create a character who is one of the oldest people on earth. You could choose to write about the passing of the torch to the new oldest man in the world, or you could focus on one of the sixty-six oldest women. Consider how this person feels about being over a century old, how many historical events this character has lived through, and how this character has managed to live so long.
Most of us associate the phrase "Wheel of Fortune" with the popular television game show. There is, however, another wheel of fortune—the tenth card in the tarot deck. This wheel isn't as glamorous as its television counterpart, but it can be equally exciting; the card represents a pivotal point in your life when new options become possible and which signals that luck is on your side. This week write a short story about a character spinning the wheel of fortune. She could be on the game show, in a casino spinning a roulette wheel, or at a summer carnival. Include some element of dramatic change once the wheel is spun, whether it's winning the grand prize, or taking the first step on a new and unfamiliar path.
There's an old adage that people tend to resemble their pets. This could be due to the law of attraction, which many people believe is at play when we look for a partner, and which suggests that we tend to feel more comfortable with those with a similar appearance and who share similar interests. What if there was a service available for people looking for their perfect pet match? Write a scene in which a character visits a "pet matchmaker," a professional who consults with clients on what they value most in a pet, and then conducts a search to help them find "the One."
Driving can serve several different purposes. In the most basic sense driving facilitates transportation from point A to point B, but it can also be a job, a sport, and even a form of relaxation. When highways sprang up across the U.S. in the 1950s and 1960s, so-called “Sunday drivers” cruised down these new open roads to decompress and take it easy—an activity that can be hard to fathom in the age of road rage. This week, try writing a scene with two or more characters in the car together on a Sunday drive. Maybe the drive doesn’t wind up as peaceful as the group expected. Or, maybe it gives them the perfect setting to work through a problem and come to a long-awaited solution.
Most of us have a place we go to when we need to rest, recharge, or recuperate. Does one of your characters need a break from her daily routine? Or did she just experience something traumatic? Send her somewhere to heal her mind and spirit. It could be a relative's home, a beautiful park, or a favorite restaurant — someplace calm and comfortable. Home may be where the heart is, but sometimes it helps to get away for a little while.
There's a beautiful scene in Markus Zusak's novel The Book Thief during which Max, who is hiding from the Nazis in the basement of a German family's house, asks Liesel, their daughter, to tell him what her eyes see when she goes outside. What he gets is an almost magical description: the view of the world through a child's eyes, beautifully unaffected by the dark cloud of World War II looming on the horizon. This week, try to describe something through the eyes of a child. It could be a day, a landscape, an object, a person — anything with a bit of hidden magic only a child can tap into.
Spring can at times seem like one long daydream. Does one of your characters have the habit of drifting off into a fantasy world? This week, write out one of these daydreams. Use plenty of surreal elements that make it clear this is a fantasy sequence and not just the character re-imagining a scenario working out a different way. "The Secret Life of Walter Mitty" by James Thurber is a perfect example.
In David Foster Wallace's Infinite Jest, mother Avril Incandenza is remarkably devoted to her houseplants, so much so that she calls them her "green babies." Does one of your characters have a green thumb? Or does she dislike being responsible for houseplants? Think about what this might reveal in terms of the character's personality. What drives someone to take something meant to live outside and bring it inside? Is it a desire to cultivate beauty in her life, or does she prefer a more controlled environment to the wilds of nature?
What if one day you woke up with a crippling phobia? What if the object of the phobia was something you once loved? This week, incorporate this scenario into an existing piece of writing, or use it to create a new character. Think about the nature of fear and how it shapes us, how it restricts us yet also protects us. For inspiration, visit phobialist.com.
Dieting is the most common New Year’s resolution, and the most difficult to stick to. Sure, we essentially know what’s healthy and what to avoid overindulging in, but when a doctor or nurse tells you to change your eating habits it weighs much heavier on your conscience. Does one of your characters have a diet that is putting his health in jeopardy? Try writing a scene in which that character is told by a healthcare professional to overhaul his eating habits. How does this character react? If this character can no longer have some of his favorite foods, how does this affect his mood and his day-to-day routine?
Reality television might not be that in touch with “reality," but it is still a source of entertainment for many people. Whether or not you enjoy The Real Housewives of New York (or Beverly Hills, Atlanta, etc.) or any other shows of that nature, there might be something to learn about characterization through watching these people battle it out on screen. This week, create a character that you think would be perfect for one of those types of shows. Then put your character in a scenario in which he or she must go through a dramatic, emotional struggle publicly, in front of millions of viewers, with another person or group of individuals. The key is to really amp up the drama and imbue the scene with as much nail-biting tension as you can muster.
This week, have your character either lose or find an object, pet, or set of directions. Explore how this event opens up unexpected possibilities for your story. Will two characters meet for the first time because of this mishap? Will your protagonist be late arriving somewhere as a result?
Parades are usually exciting occasions for children and a source of aggravation for commuters. This week, write a story or scene centered around a parade. Try to show contrasting reactions to the event. Draw from your own memories of parades at different times in your life.
Motels are frequently depicted in novels, TV, and film. This week, write a scene that takes place in a motel. Perhaps it's a seedy, roadside fleabag; a clean, well-maintained establishment with a dark history; or simply a familiar setting for a dramatic turning point in your narrative. You can weave it into a short story or use it as a starting point for a new piece. It can be inspired by your own experience or entirely imagined.
Seemingly random occurrences can often drive plot forward. Of course, the author curates these random acts—the accidental encounter, the winning lottery ticket. This week, try introducing an element of chance into a story whose plot you've struggled with. It can be as small as a coin toss, or an unexpected event that changes your protagonist’s plans. Be open to wherever it takes you.
"Spring is the time of year when it is summer in the sun and winter in the shade,” wrote Charles Dickens. As we prepare for a long-awaited spring, it’s interesting to reflect on the role that spring plays in literature. This week, try to write a scene that incorporates a spring tradition. It can be something as ancient as a maypole festival, as commonplace as “spring cleaning,” or it can be a new tradition, made up for the purpose of your story. If you need some inspiration, research how different cultures welcome the spring months.
The prospect of shopping excites some, while others find the experience tedious or even stressful. This week, write a scene in which your character is faced with a big purchase, perhaps one that requires some prior research. Is your character impulsive or thorough? Does he or she approach the experience with excitement or unease? What does your character ultimately end up purchasing?
“My business is to create,” wrote William Blake. This week, write a story whose protagonist is also in a creative enterprise. Your character can be an artist, or he or she can be involved in a field your typical reader may not initially think of as creative. Try to find and describe this creative impulse.
Some of the most revealing scenes in fiction occur when characters gather for an event. The Super Bowl offers an opportunity for friends, whether they are sports fans or not, to do just that. This week, write a scene in which your protagonist is watching the Super Bowl. Is he or she playing host? Begrudgingly attending an ex’s party? Which team does he or she root for? What happens during the commercials? Sporting events provide wonderful opportunities for tension and elation. How will your characters engage with this event?
Think of a deceased historical figure and make a list of his or her qualities and attributes. Then try to conjure a modern version of this person in a five-hundred-word story. For instance, a character based on Jean-Jacques Rousseau might be on a walking tour of a city; a character inspired by Marie Curie could be working in a lab. Make this figure your own by weaving in imagined details and context.
“Forgiveness is not an occasional act, it is a constant attitude,” said Martin Luther King Jr. Imagine a character who needs to forgive someone. Who does he or she need to forgive? What was the nature of the injury? What were its implications? Does forgiveness come easily to your character, or is retaliation a more natural impulse? Does your character try and fail to forgive initially? See how your character’s desire to forgive creates obstacles and ultimately fuels your plot.
Effective listening is imperative to effective writing. Listening carefully while sitting on a crowded subway, drinking coffee in a lonely diner, or asking a stranger for directions can lead to new characters, settings, and story lines. It is also important to listen to your own characters. Make a list of ten questions to ask a character you are developing. Listen to your character’s answers, diction, and inflection, and write down what you hear and see in your imagination. Most people, including fictional characters, will tell you who they are. You just have to ask.
“In literature as in love, we are astonished at what is chosen by others.” This quote from French author André Maurois underscores the importance of knowing who you are as a fiction writer. As in love, readers can’t genuinely fall for an author’s work unless the writing is sincere, open, and truthful. Clear your head. Forget about your significant other, your editor, and your audience. Place your protagonist and antagonist in a location familiar to you, and write six hundred words about their interaction. The characters are people unto themselves, but your mind creates the attitude, style, and tone of the world in which they live. In fiction, the writer is nowhere, and everywhere, at all times. This is the authorial being that readers come to love.
The promise of a new year is laden with expectations. Much of the conflict and drama that propels stories forward stems from a character’s passions and expectations. Some of those expectations are achieved, others bring heartbreak and despair. Write a scene in which your protagonist deals with unfulfilled expectations. Describe in detail his or her reaction, whether it is expressed by a simple downward gaze or a violent tirade. Contending with failed expectations reveals much about the inner worlds of our characters.
This is a difficult week for fiction writers. Like athletes, writers must maintain a disciplined daily regimen to ensure their creative muscles are strong, productive, and functioning at peak levels. The holidays, however, can derail even the most committed writers as our lives submit to the drama of meddling family members, long lines at airport security, or a lovingly made apple pie dropped on the front steps. Give yourself the gift of time this holiday. Take twenty minutes to disappear and write. Hide if you must. Report from the eye of the holiday storm. Create characters from the people around you. Develop fictional stories from their real experiences. Stay creative.
"I read newspapers avidly. It is my one form of continuous fiction." This humorous quote from Aneurin Bevan, the architect of Britain's National Health Service following World War II, is also packed with advice for fiction writers. Newspapers—whether online or print—offer a wealth of story ideas, inspiration for character development, and engrossing portrayals of humanity and inhumanity. Read the local section that highlights everyday people confronting the ordinary trappings of life. Choose a person, event, or experience that captures your attention. Begin your next story there.
Tension is critical in fiction. Tension is the difference between a story about a boy flying a kite and a story about a boy flying a kite in an electrical storm. Tension often is created through conflict—which means your character must want something desperately: an apology from a lover, respect from a father, a cup of water on a crowded lifeboat. Revisit your writing and read it carefully for tension, which keeps readers engaged and propels the story forward. If you stop reading, check for lapses in tension.
“I still maintain that the times get precisely the literature that they deserve, and that if the writing of this period is gloomy the gloom is not so much inherent in the literature as in the times.” This quote from author William Styron, who died in 2006 at age eighty-one, addresses the role of tone in fiction. People are the products of their times; they are influenced by the economic, political, and cultural climate that surrounds them. Write five hundred words that bring to life the mood of the society your characters inhabit. A bloody sunset, a tarnished silver fork, or a character’s stoic posture can make vital intangible forces accessible to your readers.
Details are critical to character development, especially when describing a character’s face. A glass eye, a crooked nose, or thin lips can convey more meaning than exposition or action. Describe the face of your protagonist, and then describe the face of your antagonist. What qualities do they share? How are they different? Write so that a comparison of the characters’ faces provides both symmetry and juxtaposition that symbolizes the nature of their relationship.
Sleep deprivation can make any person act strangely. A barking dog, a leaky faucet, or a loud and unruly neighbor can own the night, turning pleasant people into frazzled malcontents. Write five hundred words about a protagonist who is prevented from sleeping by an outside force, and describe how this character handles the stress and resolves the challenging situation.