Sandra Beasley

“I had an unfettered year to work on my memoir. No excuses. Terrifying. So I watched bad TV and learned six new ways to cook chicken. My house was spotless; my chapters unwritten.
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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.

“I had an unfettered year to work on my memoir. No excuses. Terrifying. So I watched bad TV and learned six new ways to cook chicken. My house was spotless; my chapters unwritten.

“I spend ten minutes reading poetry before trying to write fiction. Poetry drags my lazy brain toward focus: on language, precision, rhythm. It’s like pushing in the clutch before I can start the engine. I also use an idea box. I scribble notes on scraps and throw them into a Payless shoebox and forget them.

“Read the news. There are some strange things happening in the world. The New York Times is a huge part of my writing process. I rip out articles; I circle phrases from the science section, the business section, and sometimes (dare I say) the book review.

“I have a little metal pebble with the word ‘success’ on it that I slip into my bra (left side) when I go to a literary event, embark on a new novel, or start a new chapter. I always forget about it and at the end of the day it clunks onto the floor as I change into my pajamas,

“Sometimes even returning to the favorite books doesn’t work. There’s no inspiration to be found in the pages of Hopscotch, Pale Fire, or My Loose Thread. Words just seem stifling. Reminders of what I can’t seem to do.

“I write fiction but I find inspiration in stray facts, mostly when I’m not looking for it. I wander in books, in magazines; I go to odd exhibits and miscellaneous lectures; I try to stay open and curious. I learned about Isaac the Jew from a book that caught my eye in some library stacks:

“When I lived in NYC, my writing ritual was to ride the city bus. My favorite was the M104, which had both an uptown and a crosstown leg. Sometimes I’d ride all the way to the end of the line and back. I loved being on a journey to nowhere, a little higher than the other cars and pedestrians, completely free of the usual to-do-list urgencies.

“When the well is dry, for me, it’s usually more about attitude than inspiration or lack of inspiration. It seems to me so much of writing is about courage, writing something so raw you don’t want to say it aloud. That’s how I felt writing unmotherly thoughts in my first novel, and feel now writing about desperation in my second.

“This does not count as writing time: e-mail, Facebook, ordering another J. Crew cardigan, watching YouTube videos of that cute heavy metal band of eleven-year-old kids in New York, or anything involving cat pictures.

“I read aloud. This can make writing anywhere besides at home nearly impossible. I envy those who write in cafés, but each time I try it myself, I only eavesdrop. Reading aloud, I become more emotionally invested in the moment I’m trying to create;