Sarah Tomlinson
“I’m a big believer in snacking for inspiration. When I’m really struggling with a piece of writing, I get up and make myself a snack. I don’t mean something healthy or practical. I mean a treat that is pleasurable.
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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
“I’m a big believer in snacking for inspiration. When I’m really struggling with a piece of writing, I get up and make myself a snack. I don’t mean something healthy or practical. I mean a treat that is pleasurable.
“Writing things down can be dangerous. If I sit at the desk without a clear idea of what I want to say, I can get into all sorts of trouble. I love the physical act of writing, like a kid who’s just learned to whistle loves whistling, and before I know it, I can generate pages of prose.
“I think the most valuable resource for writing is confidence, since everything from the vagaries of publishing to writing itself can wear you down.
“I’ve told my students in the past that writing is 90 percent procrastination. Very little of it involves actually sitting at a computer or scratching letters into a notebook; the thinking part comprises the majority of the work.
“Temperamentally, I set great store by orderliness for inspiration. I like a clean kitchen, a well-made bed, and a tidy desk before I start writing.
“Look, I’m far from military material. Undisciplined, hate authority, my ethics—perverted. But there is one military tenant I can and do get behind every time I sit down to write, and you probably know it already: ‘Embrace the suck.’ It’s going to suck, you guys. Big time.
“If you were to glance over the chaos across my desk—inkless pens, paperbacks, an infant toothbrush—you might miss the object I count most valuable: a plastic rainbow-colored slinky.
“Above my desk, some talismans: ‘The Floor Scrapers’ by Gustave Caillebotte. I saw it when I was fourteen at the Musee D’Dorsay.
“My reality consists of full-time work, parenting, family, friends, and a laptop full of clients. When to write? One shift I made was to identify my ‘golden hour,’ the most conducive time of day for creative risk-taking, making, and doing.
“Years ago, a friend told me that she thinks of writer’s block as ‘fallow time,’ the season the farmer leaves the field unsown so that crops can grow more productively (I’m a city girl; I had to look it up).