Vanessa Blakeslee

“When I was in the thick of writing my novel, Juventud, I took dance classes two or three times a week. This provided obvious physical benefits,
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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
“When I was in the thick of writing my novel, Juventud, I took dance classes two or three times a week. This provided obvious physical benefits,
“When in doubt, go further, deeper, weirder. Take the elements that make your story unique and double down on them. There's a tendency in writing classes and craft essays to suggest that writers work on their weaknesses and round out their skills.
“Like most writers, I prefer to write in silence, but I’m not always free to enable it. Sometimes circumstances pull you on the road, out of the house
“Often when two of my characters are in a room together, they’ll reach a point at which neither wants to converse with the other anymore. They’ve talked and talked, and though they can’t advance the dialogue, they are forced to remain in the same space. Maybe it’s a home or a job or an airplane.
“I write best from a place of stillness and quiet. I also live in New York City, a place known for neither of those things. That means I tend do a lot of writing in the middle of the night. It’s the closest thing to silence I can find in the city. The rest of the time, I collect.
“Begin with bleakness. Bring yourself to the bare room.
“The solution to being stuck almost always lies outside the writing itself. Creativity arises from playfulness, not from relentless concentration. It’s more powerful to look at a problem askance than head-on.
“I am in debt. I owe the world an unpayable sum, and yet each morning at my desk with the sun rising in the long distance—some mornings it blazes and on others it is a distant bulb barely able to raise smoke from the cold black tar of the roof—I sit down to repay that debt. My debt is simple.
“I am fascinated by two types of characters: those who are deeply flawed—the morally ambiguous character who is looking for redemption or spiraling into a deeper chaos, and those who are on the brink of a life-altering epiphany. When I first began writing, I only wrote short stories.
“I’m fortunate that I don’t often feel stuck, but I have plenty of days—most days—when I don’t feel like writing.