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Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.
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Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.
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My rent is exempt from increases I, as a senior citizen, accept this The devil who disguises himself as A landlord does not Certified mail to landlord No response from Landlord Lawyer calls him No response from Landlord Letter written to him No response from Landlord Is it personal? I think not Is it greed? Absolutely Housing court here I come.
How authors strategize to sell books; Jaipur Literary Festival sparks debate; Bob Dylan signs six-book deal; Canadian readers pick up millions of books weekly; and other news.
Write a story about the worst moment of your life (such as a loss or a betrayal) as though it happened to someone else. Instead of focusing on the moment itself, set the story the day before it happened and create a character very different from you to stand in for yourself. Write the story using a third-person omniscient narrator to exploit the tension between the reader’s knowledge of what’s to come and the protagonist’s complete lack of awareness of what’s to come. Consider ending the story before the impending doom arrives.
Chicago poet Steve Roggenbuck created this video in celebration of the "three-month birthday" of his self-published chapbook i am like october when i am dead. The surreal mix of video and sound features a reading of the e. e. cummings poem "somewhere i have never travelled, gladly beyond" and thirteen overlapping MP3s.
The International Jerusalem Book Fair has announced the twenty-fifth winner of the ten-thousand-dollar Jerusalem Prize, given biennially since 1963. Novelist and short story writer Ian McEwan will be given the award honoring "freedom of the individual in society" at the festival this February.
"McEwan’s protagonists struggle for their right to give personal expression to their ideas and to live according to those ideas in an environment of political and social turmoil," the prize jury said in a statement. "His obvious affection for them, and the compelling manner in which he describes their struggle, make him one of the most important writers of our time. His books have been translated into many languages and have enjoyed world-wide success—particularly in Israel, where he is one of the most widely-read of foreign authors."
McEwan, who lives in London, joins previous honorees—all male with the
exception of Simone de Beauvoir and Susan Sontag—including Jorge Luis
Borges, Mario Vargas Llosa, and Haruki Murakami. Author of the Booker Prize–winning novels On Chesil Beach (Nan A. Talese, 2007) and Amsterdam (Nan A. Talese, 1999), his most recent novel is Solar (Nan A. Talese, 2010).
In the video below, McEwan discusses his latest work.
Ugly fonts may boost reading comprehension; to double space or not to double space; the 202nd anniversary of Edgar Allan Poe's birth; origins of modern physics in Dante's Inferno; and other news.
Checking out every single book in England's Stony Stratford library; today is Thesaurus Day; app is the American Dialect Society's word of the year for 2010; Black Ocean tattoos its customers with free lifetime subscriptions; and other news.
In this clip, produced by Emerson College, National Book Award-winning poet Terrance Hayes talks about his experience as guest editor of the Winter 2010 issue of the literary journal Ploughshares.
Poet Mary Oliver tells of the basic ways a poem is built, including meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver gives clear instruction on how to approach poetry.