Jump to navigation Skip to content
In one of the more disturbing book trailers released in recent months, director James Lees presents his vision of David Whitehouse's debut novel, Bed, forthcoming from Scribner in August. Described as "masterful" by Publishers Weekly, the novel tells the story of two brothers, one of whom refuses to leave his bed on his twenty-fifth birthday.
On a recent Tuesday night, a group of budding poets squeezed around a plate of chocolate chip and circus animal cookies in the soon-to-be-remodeled West Hollywood Library in California. They were there for The Poetics of Your Life, an autobiographical poetry workshop led by P&W-sponsored writer Steven Reigns and founded on the premise that a safe writing space is the best place to excavate memories.
“I’ve used my own writing to make sense out of things that have happened in the past,” he explained. He laid down his class rules, which included “No criticism of anyone’s writings…even your own” and “What happens in class, stays in class” or “the Vegas Rule.”
After reading and reflecting on poems by Dorianne Laux and Deborah Paredez, and warming up with a group erasure poem, he issued the first prompt: Write about a fire in your life. The responses were both literal and metaphorical, ranging from a car fire to a self-inflicted iron burn to a dancer’s internal fire.
Following his reading a poem called “Wedding Dress,” in which poet Michael Waters warmly recalls wearing his wife’s bridal gown for Halloween, Reigns asked the group to write about a time they’d cross-dressed or worn an item of clothing belonging to the opposite gender. Whether it was about slapping on a fake mustache for a costume party or falling in love with previously off-limits designer ball gowns, everyone produced poems of self-discovery.
With just a few minutes left of the two-hour workshop, Reigns encouraged anyone who wanted to share but had been too shy to step forward. A small handful did, and their poems clearly moved the group. Reigns then issued a last, last call, and it happened again.
Major support for Readings/Workshops events in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.
Photo: Steven Reigns with workshop participants. Credit: Cheryl Klein.
Canada's Griffin Poetry Prize, which awards an international and a Canadian poet sixty-five thousand dollars Canadian (roughly sixty-six thousand American dollars) each, was announced last night in Toronto. The city's poet laureate, Dionne Brand, took the national prize for her long poem Ossuaries (McClelland & Stewart), and Tacoma native Gjertrud Schnackenberg won the international award for Heavenly Questions (Farrar, Straus and Giroux).
The judges, Tim Lilburn of Canada, Colm Toíbín of Ireland, and Chase Twichell of the United States, selected the winners from four hundred fifty collections representing thirty-seven countries. Twenty translations were among the entries, which are required to be written in English.
"Reading this book is like reading the ocean," said the judges of Schnackenberg's winning collection, comprised of six long poems, "its swells and furrows, its secrets fleetingly revealed and then blown away in gusts of foam and spray or folded back into nothing but water. Heavenly Questions demands that we come face to face with matters of mortal importance."
Of Brand's sprawling text, the judges said, "The most remarkable part of her achievement is that in fulfilling the novelistic narrative ambition of her work, she has not sacrificed the tight lyrical coil of the poetic line. The story vaults us ahead with its emerging and receding characters, its passions and dramas, which include a violent bank robbery and tense escape, while each line holds us and demands we admire its complex beauties."
The finalists for this year's prize, each of whom received ten thousand dollars Canadian, are Canadian poets Suzanne Buffam for The Irrationalist (House of Anansi Press) and John Steffler for Lookout (McClelland & Stewart); Seamus Heaney for Human Chain (Farrar, Straus and Giroux), Khaled Mattawa for his translation from the Arabic of Adonis's Selected Poems (Yale University Press), and Philip Mosley for his translation from the French of François Jacqmin's The Book of Snow (Arc Publications).
In the video below, two students interpret international winner Schnackenberg's poem "Darwin in 1881," from Supernatural Love (Farrar, Straus and Giroux, 2000). Listen to a reading of the poem here.
A literary look at Marilyn Monroe; a student poet goes on trial in Bahrain; Glenn Beck ventures into publishing; Borders may have a U.S. buyer; and other news.
Take a character from a story you've written or choose a character that you'd like to write about. Create an object that you imagine the character owns--a purse, for example, filling it with a wallet, lipstick, a notepad, a flashlight, keys, etc.; or a desk drawer or a check register. Write about each of the items contained within the object. What color is the lipstick? Is it the character's favorite color? Why? What's in the wallet? If there are receipts, where are they from? Explore your character through the object you've created.
According to Salman Rushdie, the key to writing is concentration, not inspiration. He tells the fine folks at Big Think that writing "requires deep attention to your characters, to the world they live in, and to the story you have to tell."
A handshake between authors fifteen years in the making; Margaret Atwood is the first choice for a global book club; Laura Miller says the world is full of well-read jerks; and other news.
Fiction International, a California-based journal emphasizing both literary innovation and progressive politics, has pushed its June 1 contest deadline to August 31. Through the remainder of the summer, the magazine is accepting submissions of short stories on the theme of "Blackness" for a one-thousand-dollar prize, and all entries will be considered for publication.
According to contest coordinator Joel Cox, the theme is "deliberately elastic," encompassing, for instance, "skin; sleep; death; meditation; apocalypse; birds falling from the sky, blanketing the sun; love unloved; the obverse of white."
"Contestants can take 'Blackness' wherever they choose," Cox says. The editors, including final judge Harold Jaffe, "will cede to them."
In the video below, Jaffe presents one of his latest texts, Anti-Twitter: 150 50-Word Stories (Raw Dog Screaming Press, 2010) at Google's San Francisco office.
Melville House Publishing has announced the finalists for the 2011 Moby Awards, which honor the best (and worst) book trailers produced in the previous year. The awards are given in eight categories, including Book Trailer as Stand Alone Art Object, in which the trailer for Lisa Dierbeck's The Autobiography of Jenny X (OR Books, 2010) is a finalist. The winners will be named tomorrow night.
Camille Rankine, program and communications coordinator at Cave Canem Foundation, gives us the rundown on the organization's partnership with Willow Books, imprint of P&W-supported Aquarius Press in Detroit.
Each year since its founding, Cave Canem has published commemorative anthologies of poems produced by fellows and faculty attending the organization’s annual retreat. In 2006, this endeavor culminated in Gathering Ground: A Reader Celebrating Cave Canem’s First Decade, published by University of Michigan Press. This year marks the start of a new take on this tradition: Cave Canem will partner with Willow Books to produce the Cave Canem Anthology series, which will be published biennially, revitalizing a tradition of showcasing exciting new directions in American poetry.
Willow Books, the literary imprint of P&W-supported Aquarius Press in Detroit, Michigan, develops, publishes, and promotes typically underrepresented writers. “We’re looking forward to adding the many voices of Cave Canem poets to our growing list of excellent literature by African American writers,” says Aquarius Press publisher Heather Buchanan. “This new venture is at the heart of our mission to expand opportunities for African Americans in the literary marketplace.”
Alison Meyers, executive director of Cave Canem, is excited about the prospect of bringing these collections to a wider audience. “This partnership with Willow Books adds a significant, public dimension to the body of work produced every year at our retreat. Over time, we believe the Cave Canem Anthology will become essential reading for educators, students and poetry lovers, and a standard title on the shelves of well-stocked bookstores and libraries across the country.”
The series will be inaugurated with the publication of Cave Canem XII: Poems 2008–2009, slated for release in fall 2011 or spring 2012.
Photo: (Left to right) First annual Cave Canem Poetry Prize winner Natasha Trethewey and Cave Canem Fellow Donika Ross. Credit: Rachel Eliza Griffiths.
Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.
