Alissa Wilkinson of the New York Times considers a new documentary, Kerouac’s Road: The Beat of a Nation, directed by Ebs Burnough, which takes as its subject Kerouac’s famous novel On the Road and follows three threads of inquiry: the author’s early life; the 1957 novel’s influence on writers, actors, storytellers and artists; and examples of Americans who could be said to be following in the footsteps of the famous author, who died in 1969 at the age of forty-seven. According to Wilkinson, the doc “crams too much into its run time but not without cause: There’s just a lot to cover.”
Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.
Kelly Jensen of Book Riot offers an overview of the anti-book ban laws that have passed in a number of states in 2025, including examples of the four Rs of book censorship (a term and classification coined by Emily Knox): Restriction, Redaction, Relocation, and Removal.
Publishers Weekly reports on a new e-book platform called Briet that invites publishers to sell their e-books to libraries outright, providing universal, perpetual access to titles while avoiding the thorny issues of licensing and hold times. The new digital platform is an initiative of the Brick House publishing cooperative and the Flaming Hydra collective of journalists and artists.
Shira Perlmutter, the former copyright office director, has been denied temporary reinstatement as the lawsuit over her firing by the Trump administration continues, Publishers Lunch reports.
In interviews with T: The New York Times Style Magazine, nine artists reflect on how American censorship transformed their work and their lives. Among the artists interviewed are Khaled Hosseini, who discusses his novel The Kite Runner (Riverhead Books, 2003); Geraldine Brooks, who discusses two of her books, Year of Wonders (Viking, 2001) and Horse (Viking, 2022); and the graphic novelist Art Spiegelman, who reflects on Maus (Pantheon, 1986–1991).
The Academy of American Poets has awarded $1.1 million to twenty-three poet laureate fellows across the United States. As part of the initiative, Lester Graves Lennon and Sehba Sarwar, the poet laureate fellows of Altadena, California will launch “After the Fires: Healing from Histories,” a poetry project that seeks to provide space for the Altadena/Pasadena community to document history and heal from the devastation caused by the 2025 Eaton Fire. Lennon and Sarwar will collaborate with the library district and local arts organizations to offer monthly workshops and readings that will culminate in a publication and daylong literary festival.
Forty European and international organizations, including the Federation of European Publishers, have written a joint statement criticizing the provisions for the European Union AI Act, Publishers Weekly reports. The coalition, which represents millions of authors, performers, publishers, producers, and other creatives across Europe, maintains that the implementation package for the act does not deliver meaningful protection of intellectual property rights in the context of AI.
The finalists for the thirty-seventh annual Lambda Literary Awards, celebrating outstanding LGBTQ+ voices in literature, have been announced. This year’s shortlist includes Anyone’s Ghost (Penguin Press) by August Thompson, Good Dress (Tin House) by Brittany Rogers, Cinema Love (Dutton) by Jiaming Tang, Alt-Nature (Coffee House Press) by Saretta Morgan, and Pretty (Knopf) by KB Brookins, among other titles.
Book publishing sales fell across all major categories in May, Publishers Weekly reports. Adult book sales declined 9.6 percent, fiction sales dropped by 8.3 percent, and nonfiction fell by 11.3 percent.
Bookshop.org, the online bookselling platform, reported 65 percent year-over-year growth for the first half of 2025, Publishers Weekly reports. The platform has already sold $1 million in e-books, after introducing the format in January. Bookshop.org works with 2,471 bookstores and with around 90 percent of the American Booksellers Association members, according to Andy Hunter, the CEO of Bookshop.org. To counter Amazon’s Prime Day event earlier this month, Bookshop.org conducted an “Anti-Prime sale,” offered free shipping, and ultimately earned $1.5 million in sales.
Rachel Kurzius writes for the Washington Post about how fan fiction, which was once relegated to the internet, is transforming traditional publishing. Kurzius writes that the “interest of many readers…has caught up with what fic writers, often women and queer people, have been up to all along: Joyful same-sex romances and stories told with the immediacy of first-person present tense, for example, now fill bookstore shelves.” Fan fiction is unfettered “by the constraints of the market (or even of good taste) and often buoyed by anonymity,” Kurzius adds.
The Booker Prize longlist has been announced, and it features authors from nine different countries, making it the most global list of books the award has seen in a decade, the Guardian reports. The list includes The Loneliness of Sonia and Sunny (Hamish Hamilton) by Kiran Desai, The South (4th Estate) by Tash Aw, and Flashlight (Jonathan Cape) by Susan Choi, among others. The shortlist will be announced at a ceremony in London on September 23, and the winner will be announced on November 10.
A new literary hub will open in Sydney with initial funding of $1.5 million AUD (approximately $978,300) from the New South Wales state government, the Guardian reports. The new hub will rival Melbourne’s Wheeler Center and allow Sydney to host seventy-five literary events over the next twelve months.
A preliminary injunction has found that the mass cancellation of previously awarded National Endowment for the Humanities grants violated the constitution and the Administrative Procedure Act, Publishers Lunch reports.
Dan Pelzer, who died this month at ninety-two years old, read 3,599 books in his lifetime, and his children have posted his reading list online with the goal of inspiring readers everywhere, the New York Times reports. Pelzer’s reading list was varied, including books on the mental health of adolescents, bildungsromans, autofiction, and works by John Grisham and Charles Dickens.
The second novel by George Saunders will be published in January 2026 by Random House, Kirkus Reviews reports. The novel, which is titled Vigil, follows K.J. Boone, an oil company CEO on his deathbed who is guided into the afterlife by Jill “Doll” Blaine, a woman who died young in 1976. “I found myself wondering about that generation of climate change deniers who, through obfuscation and spin, put progress on hold for twenty or thirty years, and are now old and passing away,” Saunders said in a statement. “I wondered whether such a person might, at the end of his life, feel inclined to repentance. If he had a chance to explain himself, would he try?”
An exhibition at the Holburne Museum in Bath will showcase the illustrations featured in Jane Austen novels over the last 150 years, Fine Books & Collections reports. The exhibition, which will run from September 11 through January 11, 2026, will include drawings, illustrated editions, original sketchbooks, printing blocks, and more.
The same day the White House released an AI strategy document that emphasized rapid AI integration within government operations and the importance of eliminating obstacles to AI development, Trump said adhering to copyright was “not doable,” Publishers Weekly reports. Trump also compared training AI models on copyrighted material to human beings reading a book or article.
New Directions has announced Tynan Kogane, who previously served as senior editor of the press, as its new editor in chief, Publishers Weekly reports. New Directions has made several other promotions due to the retirement of executive vice president Laurie Callahan. Mieke Chew has been promoted to senior editor and executive director of publicity and Declan Spring has been promoted to executive vice president. Christopher Wait has been promoted to vice president and director of sub-rights and permissions; Maya Solovej has been promoted to publicity manager and associate editor; and Oliver Preston has been promoted to production associate.
For Electric Literature, the staff of the Brooklyn Public Library recommends books that changed the shape of politics and reading in the United States. The list includes Parable of the Sower (Four Walls Eight Windows, 1993) by Octavia E. Butler, A People’s History of the United States (Harper & Row, 1980) by Howard Zinn, and Silent Spring (Houghton Mifflin, 1962) by Rachel Carson, among other titles.
Siang Lu has won the Miles Franklin Literary Award for his novel Ghost Cities (University of Queensland Press, 2024), the Guardian reports. Considered Australia’s most prestigious literary prize, the award comes with $60,000 AUD (approximately $39,634). Lu said the novel had been rejected more than two hundred times in Australia and abroad before being published.
Bookstagram entrepreneurs, independent bookstores, and Libro.fm are encouraging audiobook listeners to gather for walks outside, Publishers Weekly reports. Readers meet at a predetermined location, listen to their book of choice, or discuss it with others, all while following an easy walking route at a conversational pace. The walks let readers turn a solitary activity into a social, outdoor experience.
After the International Writing Program (IWP) at the University of Iowa lost almost $1 million in funding in February, the local independent bookstore Prairie Lights launched an initiative that will raise thousands of dollars for the program, the Daily Iowan reports. Former Iowa Public Radio host Dennis Reese donated his collection of 450 Library of America slipcase books to Prairie Lights in May; each book is worth $40, and 20 percent of the proceeds will go to the IWP.
Elisabeth Egan writes for the New York Times about the trend of independent bookstores showcasing their pets. Egan writes that these dogs, cats, birds, fish, lizards, and bunnies “serve as quiet mascots—steadfast and loyal, deigning to have their heads patted or ears scratched while humans tend to the business of words.” Social media has also put some bookstores on the map thanks to their nonhuman residents. “Books and animals both provide joy, companionship, and windows into other worlds,” Egan writes. “The former are, admittedly, a lot tidier.”
History of Humanities (HOH) has published its tenth volume, marking a decade of the annual publication. HOH, which is published by the University of Chicago Press, was founded in 2015 by editors Rens Bod, Julia Kursell, Jaap Maat, and Thijs Weststeijn as a new forum for research on the history of humanistic knowledge. Articles in HOH have addressed topics such as the emergence of comparative musicology, the history of libraries, and the problem of scholarly forgetting. In their introduction to the anniversary issue, the editors write: “We firmly believe that the humanities play an indispensable role in addressing humanity’s challenges, from expanding artificial intelligence and climate migration to autocratic intellectual clampdown. Understanding their past will prepare us better for our future.”
In the Poets on Translation series in Poetry, Layla Benitez-James writes about her anxiety around titles, names, and naming. But in recalling T. S. Eliot’s phrase, “good writers borrow, great writers steal,” Benitez-James finds solace. “If I can begin to think of the writer as the original thief, some of my own preciousness around translation lessens,” she writes, “and the weight of this question of translating titles in particular begins to fall away.”
EveryLibrary has released some of its latest research on library-related policymaking and library usage across the U.S., Publishers Weekly reports. The advocacy organization has compiled a list of bills that have been passed, enacted, vetoed, or left in limbo, and the document also describes coalitions that are forming against censorship nationwide. EveryLibrary found that the first half of 2025 brought 133 bills that threaten public libraries, school libraries, librarianship, and the rights of readers. The report also noted that right to read legislation prohibiting book banning has been passed recently in Colorado, Connecticut, Delaware, New Jersey, Oregon, and Rhode Island. Still, EveryLibrary concluded that the dominant trend was “regressive” over the last six months and that the political climate is “accelerating censorship” in many states.
Meghan O’Rourke writes for the New York Times about how AI is affecting creative writing students. O’Rourke began experimenting with AI to understand what it could offer humanities students. She writes: “My conversations with AI showcased its seductive cocktail of affirmation, perceptiveness, solicitousness, and duplicity—and brought home how complicated this new era will be.”
Kelly Jensen writes for Book Riot about the importance of not just reading banned books but also taking action to combat censorship. Jensen recommends readers write regular letters to their library boards, research the positions candidates hold on libraries and public education prior to elections, and advocate for books that are being banned with their local representatives.
The American Library Association has released its 2025 strategic plan, which focuses on advocacy and activism, Publishers Weekly reports. Objectives include developing partnerships with organizations whose civic missions align with library priorities and fundraising in an increasingly precarious landscape for the arts and humanities.
In the first half of 2025 print sales dropped by 1 percent based on units sold, compared to the same period last year, Publishers Lunch reports.
The Giller Prize, which is the largest literary award in Canada, will be forced to shut down at the end of this year without federal funding, the Globe and Mail reports. The annual $100,000 prize for fiction is in urgent need of financial assistance after severing ties to its lead sponsor, Scotiabank, earlier this year. The Giller Foundation faced criticism and protests for its association with Scotiabank, whose subsidiary 1832 Asset Management was at one point the biggest global investor in Elbit Systems Ltd., Israel’s most prominent publicly traded arms company.
For the Book Currents series in the New Yorker, Rachel Kushner shares some of the books she recently taught at Stanford University in a course about “the sacred art of stealing from the world.” The list includes Miss Lonelyhearts (1933) by Nathanael West, The Recognitions (1955) by William Gaddis, Invisible Man (1952) by Ralph Ellison, and Reflections in a Golden Eye (1941) by Carson McCullers.
The Association of Writers & Writing Programs has announced Michelle Aielli, who has served as interim executive director since September 2024, as its executive director. Aielli has worked in book publishing for over twenty-five years and most recently served as vice president and publishing director of Hachette Books at Hachette Book Group.
PEN America and the Eleanor Roosevelt Center have announced the ten winners of the 2025 Eleanor Roosevelt Awards for Bravery in Literature, which recognize authors whose works advance human rights amidst a surge in book bans and censorship. The honorees include Malinda Lo for Last Night at the Telegraph Club (Dutton Books for Young Readers, 2021); Peter Parnell for And Tango Makes Three (Simon & Schuster Books for Young Readers, 2005); and Margaret Atwood, who will receive the Eleanor Roosevelt Lifetime Achievement Award and be interviewed on stage at a ceremony in Poughkeepsie, New York, on October 11. Jennifer Finney Boylan, PEN America’s president, will be the keynote speaker.
Katy Hershberger writes for Publishers Lunch about yesterday’s senate hearing on copyright and AI. The Association of American Publishers submitted written testimony, and professors and copyright experts testified that the piracy of copyrighted books by tech companies is both unlawful and unethical.
The American Booksellers Association (ABA) has named Emily Nason as its education director, Publishers Weekly reports. The ABA announced yesterday that it is reorganizing and growing its education department, following the departures of director of education Lee Hooyboer and senior manager of children’s bookselling education and programs Gen de Botton. Nason will oversee the organization’s educational strategy and programming.
New Hampshire’s governor, Kelly Ayotte, vetoed a bill on July 15 that would have allowed parents to request certain books and materials be removed from their child’s school unless the school could show they had “serious” scientific, educational, artistic, or political value, New Hampshire Public Radio reports. “I do not believe the State of New Hampshire needs to, nor should it, engage in the role of addressing questions of literary value and appropriateness,” Ayotte wrote.
Korea’s Kakao Entertainment announced it will close the “mobile-first serialized fiction platform” Radish Fiction, which the company bought four years ago for $440 million, Publishers Weekly reports. The end-of-service date, the company said in a statement, is December 31, 2025.
Erik Ofgang of the New York Times reports on the challenge facing librarians who try to provide access to e-books and audiobooks and find that they “generally cost much more” than the print version of the same books. “Librarians complain that publishers charge so much to license e-books that it’s busting library budgets and frustrating efforts to provide equitable access to reading materials,” Ofgang writes. “Big publishers and many authors say that e-book library access undermines their already struggling business models. Smaller presses are split.”
A couple hundred miles east of Asheville, the site of major flooding from Hurricane Helene in September 2024, as described in Jonathan Vatner’s report “Healing From Helene” (March/April 2025), lies Chapel Hill, North Carolina, home of a University of North Carolina campus, which suffered flood damage from Tropical Storm Chantal on July 6. The Daily Tar Heel reports that the flooding “damaged some UNC students’ housing and essentials on and off campus” and that students “in need of immediate support are eligible for aid from the university.” UNC Chapel Hill offers a major and minor in creative writing; the faculty includes Gabriel Bump, Gabrielle Calvocoressi, Tyree Daye, and Carlina Duan.
Danika Ellis of Book Riot makes a case for why joining a book club may be the best option for introverts looking to make new friends. “In all the book clubs I’ve gone to, there’s a round of introductions before getting into discussing the book. Usually, that means names, pronouns, and a quick sentence of what you thought about the book,” Ellis writes. “For anyone shy about social interactions, this is a great structure to get the chance to both learn people’s names and introduce yourself without having to wait for the right moment to jump in.”
Celebrated poet and performance artist Andrea Gibson has died, the Associated Press reports. They were 49 and had battled terminal ovarian cancer for four years. Gibson, along with their wife, Megan Falley, are the main subjects of the documentary Come See Me in the Good Light, which is scheduled to air in the fall on Apple TV+.
Ella Stern of Cambridge Day reports on protests by faculty, students, and alumni of Lesley University’s MFA program against “recent hiring practices and changes to the program,” which unionized adjunct professors say have violated the terms of their collective bargaining agreement and have had an effect “on student admissions and experience.” Stern points to an April 2024 article in the Harvard Crimson reporting that Lesley’s enrollment has dropped 45 percent and the university has laid off almost 20 percent of its core faculty since 2019. “Lesley administrators, who did not respond to requests for comment, have cited their ongoing market research and desire to find a novel approach to the program as reasoning for these changes, said third-semester creative writing MFA student Audrey Lee and the program’s poetry chair, Erin Belieu,” Stern writes. “Administrators have also said that the university is not making money from the creative writing masters program; Belieu said she believes that administrators’ changes and mismanagement created this situation.”
In an essay in the Washington Post, book critic Michael Dirda takes on what he sees as the futility of book banning as he recalls his early memories of being prohibited from checking out books from the library that were deemed too difficult for him. “At heart, book censorship, like Comstockery and Prohibition, ultimately aims to make human beings into little saints,” he writes. “Ain’t never gonna happen.”
Independent publisher John Martin, who brought the work of authors such as Paul Bowles, Charles Bukowski, John Fante, and Wyndham Lewis to readers through Black Sparrow Press, died on June 23 at his home in Santa Rosa, California, the New York Times reports. He was 94. Martin founded Black Sparrow Press in 1966 and over the years elevated the scrappy indie press to become what the Los Angeles Times called “California’s premier literary publisher.” In 2002 he sold it to Ecco Press, an imprint of HarperCollins, as Poets & Writers Magazine’s Joy Jacobson reported at the time.
Earlier this month Rhode Island governor Dan McKee signed into law the Freedom to Read Act, which “contains protections for school and local librarians and staff and is, notably, the first to guarantee writers and readers a right to sue for censorship,” Publishers Weekly reports. Rhode Island joins a growing number of states such as New Jersey, Maryland, and Minnesota “in codifying their citizens’ right to read amid nationwide book bans.”
In an op-ed for the New York Times, David Brooks claims “literature plays a much smaller role in our national life, and this has a dehumanizing effect on our culture,” pointing to the absence “of literary fiction on the Publisher’s Weekly yearly Top 10 best-selling list since 2001” and the NEA’s survey showing that the number of people “who even claim to read literature has been declining steadily since 1982.”
Penguin is delaying the publication of Raynor Winn’s new book, On Winter Hill, amid allegations that the author fabricated details of her 2018 memoir, The Salt Path, the Guardian reports. The decision was taken to “support the author,” according to a statement. On Winter Hill, a book of nonfiction, was scheduled for publication in October; a new publication date has not been set.
Alexandra Alter of the New York Times writes about novelist Hannah Pittard, whose marriage to author Andrew Ewell ended nearly ten years ago, and the thorny issue of who gets to tell the story of the breakup between two writers. In this case, Pittard wrote a memoir, We Are Too Many (Henry Holt, 2023), then Ewell wrote a novel, Set for Life (Simon & Schuster, 2024), with a plot that “so closely mirrored their troubled past that at first Pittard thought it must be a memoir,” then Pittard wrote a satirical novel of her own about it, If You Love It, Let It Kill You, out next week from Henry Holt.
Carolina Ciucci recommends ten perfect bookends for readers whose “books breach containment,” for Bookriot. From Pride and Prejudice to Michaelangelo’s David, there’s a theme for any libary in need of support, because after all, “[d]eath by book avalanche, however fitting, sounds like an unpleasant way to go.”
Fanny Howe, the author of more than twenty books of poetry and prose, including the poetry collection Second Childhood (Graywolf Press, 2014), died on July 9 at the age of 84. Kazim Ali, cofounder and chairperson of Nightboat Books, which published Howe’s book-length essay Lives of a Spirit/Glasstown: Where Something Got Broken as its very first title in 2005, writes: “There would be no Nightboat Books without Fanny Howe. It would be wrong to say she was a polar star or a beacon in the darkness, because Fanny believed in mystery, in unknowing, in bewilderment. She didn’t mean to shine a light, but rather to see in the darkness.” In celebration of her life and work, the Paris Review unlocked her Art of Poetry interview from its archive.
Following allegations by the Observer that claimed author Raynor Winn “fabricated or gave misleading information about some elements of her 2018 nonfiction best-seller” The Salt Path, the book’s publisher, Penguin, says it “undertook all the necessary due dilligence” before releasing the book, the BBC reports. The novel was adapated into a movie, released last year, starring Gillian Anderson and Jason Isaacs. Both the novel and the film tell the story of a couple “who decide to walk the 630-mile South West Coast Path after their home is repossessed.” The Observer alleges that Winn misrepresented the events leading up to the couple losing their home.
Publishers Weekly outlines efforts by independent booksellers to counter Amazon’s annual Prime Day sale, which this year runs from July 8 to July 11. Among the “anti–Amazon Prime Day promotions” are Bookshop.org’s “anti-Prime” sale, which offers free shipping, and Libro.fm’s offer of three audiobook credits for the price of one to new members (to counter Amazon-owned Audible).
Prominent translators as well as the UK’s Society of Authors’ Translators Association are expressing concern over a new AI fiction translation service, GlobeScribe.ai, which charges $100 per book, per language for its use, the Guardian reports. GlobeScribe.ai founders Fred Freeman and Betsy Reavley, who previously founded Bloodhound Books, say the service “opens the door to new opportunities, making translation a viable option for a much broader range of fiction.”
In an essay for Business Insider, Alice Amayu writes about being accepted into the University of Sydney’s creative writing graduate program and deciding not to enroll after seeing how AI is “ruining the media landscape and the book industry.” Amayu writes: “There are days when I wonder what my classes would have been like, and it makes me sad that I’ll never experience them. Many people are still pursuing MFAs, and it’s still worth it.”
According to Publishers Weekly, Humanities Tennesee recently announced that Southern Festival of Books will return this year after months of uncertainty “following federal funding cuts.” Thanks to “community support, new donations, and an expanded partnership with Vanderbilt University,” the festival will be held from October 18 to October 19.
In an interview with the Guardian’s Hannah Marriott, Barbara Kingsolver talks about Higher Ground, the recovery residence that she recently established using royalties from her best-selling novel Demon Copperhead, a retelling of Dickens during Virginia’s opioid crisis. The residence, Marriott writes, “provides a safe place to live for women whose lives have been torn apart by addiction, who are seeking long-term recovery.”
Emma Alpern of New York magazine explores the lasting appeal of literary authors on Substack, such as George Saunders, Garth Greenwell, Brandon Taylor, and Ottessa Moshfegh. “[M]uch of what’s popping up on Substack is appealingly specific, the kind of stuff that’s unpublishable elsewhere,” Alpern writes.
The BBC’s Steven McIntosh unpacks the details of an investigation by the Observer’s Chloe Hadjimatheou into author Raynor Winn’s best-selling book The Salt Path. Hadjimatheou alledges that Winn fabricated or gave misleading information about some parts of the narrative of her book, which chronicles the author’s 630-mile walk on the South West Coast Path in England with her husband, who had received a diagnosis of a terminal illness. Winn has described the Observer’s article as “highly misleading.”
Sophia Valchine of the Detroit Free Press argues in USA Today that authors who use AI are lazy, pointing to AI prompts accidentally embeded in novels by authors Lena McDonald and K.C. Crowne. “I believe authors are turning to AI because they don’t want to think,” Valchine writes.



