“I had an unfettered year to work on my memoir. No excuses. Terrifying. So I watched bad TV and learned six new ways to cook chicken. My house was spotless; my chapters unwritten. Classical music saved me—Erik Satie by Jean-Yves Thibaudet, Yo-Yo Ma’s Bach cello suites, and the Schubert Ensemble of London’s beautiful piano quintets by Ernő Dohnányi. Each became an hourglass, pacing drafting sessions. I listened over and over. Months later, behind on major edits, I realized I’d forgotten the music. I cued up Satie’s Gnossiennes and, in a scene worthy of Pavlov, finally got back to work.”
—Sandra Beasley, author of Don't Kill the Birthday Girl (Crown, 2011)