Best Books for Writers

From the newly published to the invaluable classic, our list of essential books for creative writers.

  • The Geek’s Guide to the Writing Life: An Instructional Memoir for Prose Writers

    by
    Stephanie Vanderslice
    Published in 2017
    by Bloomsbury Academic

    “I feel certain that while the writers at the cool table may be few, if you read this guide and follow my lead, the satisfying life of a writing outsider is well within your grasp,” Stephanie Vanderslice writes in the introduction to her book, offering recognition that all writers deserve a fulfilling writing life. Using her own experiences and drawing from her Huffington Post blog of the same name, Vanderslice has written a manual for perseverance as a prose writer that includes making the commitment to the work, finding community, making a living while writing, connecting with readers, and traditional and nontraditional publishing.

    ISBN: 
    978-1350023550
  • Brevity: A Flash Fiction Handbook

    by
    David Galef
    Published in 2016
    by Columbia University Press

    This book is an engaging primer on the art of writing flash fiction. David Galef covers the origins, evolution, and subcategories of the form that include vignettes, prose poems, character sketches, fables, lists, twist stories, surrealism, and metafiction. Each chapter is full of practical tips, techniques, and editing strategies specific to flash fiction, as well as inspiring prompts and exemplary stories by authors such as Donald Barthelme, Colette, Roxane Gay, Yusef Komunyakaa, Bharati Mukherjee, Sei Shōnagon, Alice Walker, and John Edgar Wideman.

    ISBN: 
    978-0231179690
  • Interviews From the Edge: 50 Years of Conversations About Writing and Resistance

    by
    Mark Yakich and John Biguenet, editors
    Published in 2019
    by Bloomsbury Academic

    This book comprises an engaging selection of interviews published in Loyola University’s New Orleans Review from 1968 to 2018. Writers of all genres will be inspired by discussions with twenty-four authors and activists—including John Ashbery, James Baldwin, Susan Bernofsky, Jorge Luis Borges, Sheila Heti, Viet Thanh Nguyen, Anaïs Nin, and Eudora Welty—who share their unique perspectives on a wide range of topics covering the aesthetic and social aspects of writing. 

    ISBN: 
    978-1501347450
  • The Art of Voice: Poetic Principles and Practice

    by
    Tony Hoagland
    Published in 2019
    by Norton

    “This collection of short chapters emphasizes the ways in which a strong poetic voice is connective, binding the speaker and the reader into a conversation compelling enough to be called a relationship,” Tony Hoagland writes in the introduction to his posthumously published guide to crafting the poetic voice. In twelve concise sections, the award-winning poet offers an intimate manual with chapters on worldliness, vernacular, speech register, material imagination, audience, and more. The appendix is replete with exercises and prompts for instructors and writers who want to put their new skills into practice.

    ISBN: 
    978-1324002680
  • The Writer’s Practice: Building Confidence in Your Nonfiction Writing

    by
    John Warner
    Published in 2019
    by Penguin Books

    It may be a cliché, but “practice makes perfect” remains a solid approach to improving one’s skills as a writer, and John Warner’s book on craft offers organic, interactive, and relevant strategies for doing just that. The author of five books, including the novel The Funny Man (Soho Press, 2011); a contributing writer for Inside Higher Ed; a columnist for the Chicago Tribune; and a writing teacher with more than twenty years of experience at the college level, Warner takes the reader step by step through the process of writing nonfiction by dissecting key concepts such as audience, tone, and revision, offering inspiring writing exercises along the way.

    ISBN: 
    978-0143133155
  • Unreliable Truth: On Memoir and Memory

    by
    Maureen Murdock
    Published in 2003
    by Seal Press

    “Memory is rarely whole or factually correct....What we remember is a reconstruction of image and feeling that suits our needs and purposes.” Author and psychotherapist Maureen Murdock begins this two-part book by exploring the mutability of memory and its powerful connection to identity, drawing upon her own experiences with a mother struggling with Alzheimer’s disease and examining works of memoir by authors such as Isabel Allende, J. M. Coetzee, and Mary Karr. The second part of the book acts as a primer guiding writers through the practical elements of craft with writing exercises and chapters including “Getting Started,” “Universality,” and “Emotional Truth and the Voice of the Narrator.”

    ISBN: 
    978-1580050838
  • How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide

    by
    Howard Mittelmark and Sandra Newman
    Published in 2008
    by William Morrow

    “We do not propose any rules; we offer observations.” In How Not to Write a Novel, Howard Mittelmark and Sandra Newman, both authors and editors with over thirty years of experience, guide writers through what to avoid before submitting your novel to be published. Within the broader topics of plot, character, and style, are more in-depth sections that focus on beginnings and endings, pacing, dialogue, point of view, and setting. Each chapter includes countless tips on how to identify, avoid, troubleshoot, and amend missteps to create a more effective manuscript.

    ISBN: 
    978-0061357954
  • The Practicing Poet: Writing Beyond the Basics

    by
    Diane Lockward, editor
    Published in 2018
    by Terrapin Books

    Each of the ten sections of this book edited by poet Diane Lockward focuses on a poetic concept, covering topics including diction, etymology, sound, tone, point of view, and revision. There are thirty micro craft essays by acclaimed poets such as Natasha Sajé, Maggie Smith, and Diane Seuss, each in turn followed by writing prompts and model poems. The craft pointers provide a helpful review and challenge for writers wishing to push beyond the basics, and the Top Tips lists are compiled by poets who share their most inspiring words of advice and wisdom. 

    ISBN: 
    978-1947896079
  • A Self Made of Words: Crafting a Distinctive Persona in Nonfiction Writing

    by
    Carl H. Klaus
    Published in 2013
    by University of Iowa Press

    “No matter how genuine you might think it sounds, your written self is an illusion, a stand-in for you. And since it’s made of words, your persona can be made to sound any way you want,” Carl H. Klaus writes in A Self Made of Words. In this guide, Klaus demonstrates how the nonfiction writer can learn to cultivate an intentional version of the “self.” Replete with examples and exercises, the book has two parts: a detailed introduction to the persona, and an overview of the most important elements in writing—including diction, point of view, and sentence structure—that play a role in crafting a distinctive self.

    ISBN: 
    978-1609381943
  • Critical Creative Writing: Essential Readings on the Writer’s Craft

    by
    Janelle Adsit
    Published in 2018
    by Bloomsbury Academic

    In Critical Creative Writing, Janelle Adsit has anthologized twenty-five critical essays by international writers, including Conchitina Cruz, Porochista Khakpour, Ayana Mathis, Craig Santos Perez, Taiye Selasi, Leslie Marmon Silko, and Dorothy Wang, on essential topics in today’s literary and cultural landscape. Chapters cover craft, identity, representation, appropriation, and more with each essay offering an introduction, sample questions, writing prompts, and suggested supplemental readings.

    ISBN: 
    978-1350023321
  • The Winter Sun: Notes on a Vocation

    by
    Fanny Howe
    Published in 2009
    by Graywolf Press

    “Since early adolescence I have wanted to live the life of a poet,” writes Fanny Howe in the introduction of her book of essays. Her essays form a collage of recollected memories and imaginative explorations of topics including travel, language, childhood and family, historical events and figures, love and relationships, philosophy and religion—all integral components of her life as a poet. Writers will be inspired by Howe’s intensely lyrical reflections on the creative minds and thinkers who have influenced her and the questions, experiences, and forces that have propelled her work.

    ISBN: 
    978-1555975203
  • Wild Mind: Living the Writer’s Life

    by
    Natalie Goldberg
    Published in 1990
    by Bantam Books

    Natalie Goldberg’s guide to the writing life begins on the first page with her rules for writing practice starting with: “Keep your hand moving.” The book goes on to relay numerous anecdotes, insights, lessons, and short writing exercise prompts gathered from over three decades of experience as a teacher of craft and meditation. “Trusting your own mind is essential for writing. Words come out of the mind,” Goldberg writes.

    ISBN: 
    9780553347753
  • Living to Tell the Tale: A Guide to Writing Memoir

    by
    Jane Taylor McDonnell
    Published in 1998
    by Penguin Books

    “When we write a personal narrative we find new meanings and, at the same time, we discover connections with our former selves. I think all writing constitutes an effort to establish our own meaningfulness, even in the midst of sadness and disappointment.” Jane Taylor McDonnell’s guide to the memoir form provides tips, strategies, and exercises that will inspire writers to excavate personal history and shape—and reshape—memories into powerful storytelling. Also included is a list of recommended reading.

    ISBN: 
    978-0140265309
  • Dreyer’s English: An Utterly Correct Guide to Clarity and Style

    by
    Benjamin Dreyer
    Published in 2019
    by Random House

    The longtime copy chief of Random House, who has copyedited books by authors such as E. L. Doctorow, David Ebershoff, Frank Rich, and Elizabeth Strout, offers authoritative yet amusing lessons on punctuation, grammar, and other rules and non-rules of writing, including “confusables” (affect/effect), “trimmables” (added bonus, end result), and miscellany (“you don’t tow the line, you toe it”) in a fun, appealing style that puts a contemporary spin on William Strunk Jr. and E. B. White’s The Elements of Style

    ISBN: 
    978-0812995701
  • The Artist’s Way: A Spiritual Path to Higher Creativity

    by
    Julia Cameron
    Published in 2016
    by TarcherPerigee

    “There is no such thing as being done with an artistic life. Frustrations and rewards exist at all levels on the path. Our aim here is to find the trail, establish our footing, and begin the climb.” In this twenty-fifth anniversary edition of The Artist’s Way, which includes a new introduction, Julia Cameron guides writers and artists through a twelve-week process of building and strengthening a creative life through the use of her two primary tools—the morning pages and the artist date—along with hundreds of inspiring exercises and activities.

    ISBN: 
    978-0143129257
  • At Home in the Dark: Conversations With Ten American Poets

    by
    David Elliott, editor
    Published in 2018
    by Keystone College Press

    This book is a collection of conversations that David Elliott, professor emeritus at Keystone College, conducted over the course of sixteen years with poets of various styles including Robert Creeley, Marie Howe, W. S. Merwin, Naomi Shihab Nye, and Lucien Stryk. The dialogues explore topics such as the musicality of poetry, imagery, myth, narrative, writing process, and poetry’s social and political roles, offering a source of inspiration for poets seeking new perspectives on writing verse.

    ISBN: 
    978-1640425019
  • Short-Form Creative Writing: A Writer’s Guide and Anthology

    by
    H. K. Hummel and Stephanie Lenox
    Published in 2018
    by Bloomsbury Academic

    H. K. Hummel and Stephanie Lenox introduce “writing that prioritizes brevity over page count, compression over expansion, and distillation of image and voice over development of plot and character” in this comprehensive book with helpful sections on narrative voice, time and space, sentence structure, logic, humor, revision, and other integral elements of craft specifically geared toward the short creative prose form. The guide is filled with writing exercises and prompts, and includes an anthology of over fifty exemplary short-form pieces by authors such as Matt Bell, Lydia Davis, Natalie Diaz, Amy Hempel, Jamaica Kincaid, Ada Limón, Justin Torres, and Ocean Vuong.

    ISBN: 
    978-1350019898
  • The Discovery of Poetry: A Field Guide to Reading and Writing Poems

    by
    Frances Mayes
    Published in 2001
    by Mariner Books

    “If no one ever handed you poems that brought you close to the art of poetry, I hope that the words in this book will invite you,” writes Frances Mayes in the introduction to this guide to reading and writing poetry. The poet, teacher, and author of the best-selling memoir Under the Tuscan Sun provides chapters on form, diction, interpretation, subject, and more. The book also includes definitions of writing techniques and terms, writing exercises, and examples from numerous poets, including Emily Dickinson, T. S. Eliot, Jamaica Kincaid, Edna St. Vincent Millay, and James Wright.

    ISBN: 
    978-0156007627
  • Stein on Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies

    by
    Sol Stein
    Published in 1995
    by St. Martin’s Griffin

    “This is not a book of theory. It is a book of usable solutions—how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place.” In this practical and comprehensive book on writing prose, author and editor Sol Stein provides a guide through the essential concerns of craft: intentions, plotting, tension and suspense, dialogue, sensory description, revision, and more. The book covers both fiction and nonfiction, as well as overlapping elements, and is full of anecdotes and exemplary passages from other works of literature.

    ISBN: 
    978-0312136086
  • The Language of Fiction: A Writer’s Stylebook

    by
    Brian Shawver
    Published in 2013
    by University Press of New England

    In The Language of Fiction, novelist and English professor Brian Shawver provides a guide through language fundamentals—from style to sentence structure to punctuation and the most common errors—demonstrating that careful attention to the mechanics of prose can have a profound effect on the reader’s experience. This humorous and accessible book will inspire writers to reevaluate their own choices with renewed vigor, resulting in more intentional and powerful storytelling.

    ISBN: 
    978-1611683301
  • We Begin in Gladness: How Poets Progress

    by
    Craig Morgan Teicher
    Published in 2018
    by Graywolf Press

    An acclaimed poet and critic who regularly writes reviews for the Los Angeles Times, NPR, and the New York Times Book Review, Craig Morgan Teicher assembles here a fascinating collection of essays that trace the poetic development of luminaries such as Sylvia Plath, John Ashbery, Louise Glück, W. S. Merwin, and francine j. harris, exploring how poets start out, how they learn to hear themselves, and how some of them are able to create works that stand the test of time. “I do hope,” Teicher writes, “that these investigations of various poets’ development offer other writers ways of thinking about how life and art—and how art and artists—affect one another.”

    ISBN: 
    978-1555978211
  • How Poems Get Made

    by
    James Longenbach
    Published in 2018
    by Norton

    “Nobody rereads Keats’s ode ‘To Autumn’ to be reminded that in September leaves turn colors and fall from the trees; even if we know the poem by heart, we savor our experience of the poem’s language as it unfolds in time, luring us forward.” In How Poems Get Made, James Longenbach offers a practical guide to writing poetry, providing examples from a range of poets—Blake, Crane, Donne, Dickinson, Moore, Shakespeare—while also dissecting the elements that bring readers back to the same poems over and over again. Each chapter examines an element or quality, such as diction, syntax, figures, and rhythms, showing in detail how a poem gets made.

    ISBN: 
    978-0393355208
  • Understanding the Essay

    by
    Patricia Foster and Jeff Porter, editors
    Published in 2012
    by Broadview Press

    In Understanding the Essay, Patricia Foster and Jeff Porter have gathered the work of a wide range of acclaimed essayists, including James Baldwin, Joan Didion, Jamaica Kincaid, George Orwell, David Foster Wallace, and Virginia Woolf. Each writer is introduced with a contextual biography, followed by a piece by another essayist—such as Eula Biss writing about Anne Carson’s “On Trout,” Patricia Hampl writing about F. Scott Fitzgerald’s “The Crack-Up,” and Phillip Lopate writing about William Hazlitt’s “On the Pleasure of Hating”—which offers insightful analysis of a specific essay, and refreshing perspectives on the possibilities of the form.

    ISBN: 
    978-1554810208
  • The Writer’s Eye: Observation and Inspiration for Creative Writers

    by
    Amy E. Weldon
    Published in 2018
    by Bloomsbury Academic

    “Our writing is transformed and invigorated when we see writing as a process of being in ongoing relationship with the world beyond our own heads, and when we see language as the estuarial zone in which our own perceptions, the needs of our readers, and the realities of the external world mingle richly to create something new.” The Writer’s Eye is a guide to developing and strengthening writers’ observations of the physical world, an integral puzzle piece to powerful storytelling. Writers of all levels and genres will be inspired by dozens of writing exercises and sample texts interspersed throughout the book, which is organized into chapters focusing on topics such as neuroscience for writers, world-building, voice, and revision.

    ISBN: 
    978-1350025301
  • American Originality: Essays on Poetry

    by
    Louise Glück
    Published in 2017
    by Farrar, Straus and Giroux

    “By giving form to devastation, the poem rescues the reader from a darkness without shape or gravity; it is an island in a free fall; it becomes his companion in grief, his rescuer, a proof that suffering can be made somehow to yield to meaning.” Louise Glück’s second book of essays is both conversational and erudite, discussing new and emerging literary figures of American poetry and topics such as originality, narcissism, and healing. The book also includes a section with introductions to the first books of poets Ken Chen, Dana Levin, Spencer Reece, Richard Siken, and others.

    ISBN: 
    978-0374299552

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