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From the newly published to the invaluable classic, our list of essential books for creative writers.
In The Lonely Voice Irish writer Frank O’Connor discusses the techniques and challenges of the short story form and considers his favorite writers (among them Chekhov, Hemingway, Kipling, and Joyce) and their greatest works.
Former poet laureate of the United States Ted Kooser brings together tools, insights, and instructions on poetry and writing that poets—both aspiring and practicing—can use to hone their craft. Using examples from his own work and those from other contemporary poets, Kooser discusses the critical relationship between poet and reader.
The end point of a story determines its meaning, and one of the main tasks a writer faces is to define the duration of a plot. In this book-length essay, Joan Silber uses wide-ranging examples from F. Scott Fitzgerald, Chinua Achebe, and Arundhati Roy, among others, to illustrate five key ways in which time unfolds in fiction.
Poet and teacher Richard Hugo has brought together a series of lectures, essays, and reflections, all “directed toward helping with that silly, absurd, maddening, futile, enormously rewarding activity: writing poems.” The book includes pieces on how poets make a living and how to write “off the subject.”
The Making of a Story is an accessible guide to the basics of creative writing—both fiction and creative nonfiction. Its hands-on approach walks writers through each stage of the creative process, from the initial triggering idea to the revision of the final manuscript.
Poet Dean Young explores how recklessness can guide the poet, the artist, and the reader into art in this book-length essay.
The Half-Known World is a collection of essays by writing instructor and author Robert Boswell on craft issues facing literary writers. Boswell details how important it is for writers to give themselves over to what he calls the “half-known world” of fiction, where surprise and meaning converge.
Poet and educator Alfred Corn presents a guide to the art and science of poetic meter—the very foundation of writing (and reading) poetry. In ten progressive chapters, Corn covers everything from metrical variation and phonic echo to the basics of line and stanza.
On Becoming a Novelist contains the wisdom accumulated during John Gardner's twenty-year career as a fiction writer and creative writing teacher. Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot.
With a foreword by Eat, Pray, Love author Elizabeth Gilbert, A Writer’s Workbook is a collection of thirty-two unique writing exercises that offer encouragement and guidance for generating ideas to anyone who writes.
Suitable for both beginning and advanced writers of fiction and nonfiction, The Writer's Portable Mentor brings together 20 years of teaching and creative thought by author Priscilla Long. The book helps writers understand and incorporate the regular practices of virtuoso creators; provides a guide to structuring literary, journalistic, or fictional pieces or entire books; opens the door to the sentence strategies of the masters; provides tools for developing a poet's ear for use in prose; trains writers in the observation skills of visual artists; and guides them toward more effective approaches to getting their work into the world.
Founded nearly four decades ago by a group of young writers, the Loft has become the nation's largest independent literary center. Views From the Loft brings together the collected wisdom of the Loft community—its authors, students, and editors—on the subject of writing and craft. Chapters are divided into sections on writing, teaching, critiquing, and publication.
Distinguished poet Donald Hall reflects on the meaning of work, solitude, and love in this memoir about the writing life.
In this Burning Down the House, author and educator Charles Baxter offers several essays that examine the many forces currently shaping contemporary American fiction.
A Poet's Guide to Poetry brings Mary Kinzie's expertise as poet, critic, and director of the creative writing program at Northwestern University to bear in a comprehensive reference work. Detailing the formal concepts of poetry and methods of poetic analysis, she shows how the craft of writing can guide the art of reading poems. Using examples from the major traditions of lyric and meditative poetry in English from the medieval period to the present, Kinzie considers the sounds and rhythms of poetry along with the ideas and thought-units within poems.
Lit from Within offers creative writers a window into the minds of a wide variety of poets, novelists, and nonfiction writers. From Billy Collins to Maggie Nelson to Robin Hemley, the collection presents thought-provoking pieces on issues of craft and the elements of the writing life.
A standard in the field of poetics and prosodics, The Book of Forms serves as a reference guide on the forms of poetry, from Middle Ages to the present. The book is divided into “The Elements of Poetry,” the “Form-Finder Index,” and “Traditional Verse Forms.”
Judy Reeves’s A Writer’s Book of Days offers varied prompts, exercises, writing tips, web resources, and advice to spark inspiration and help with generating material on a regular basis.
The Practice of Poetry is a collection of more than 90 poetry-writing exercises combined with corresponding essays to inspire writers of all levels.
Novelist John Dufresne writes a practical guide for aspiring novelists that touches on the history of the novel, along with organizing principles of the form, and advice on how to move forward, think, and observe. Chapters are divided by weeks to form the course of a six-month program.
Poet Mary Oliver tells of the basic ways a poem is built, including meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver gives clear instruction on how to approach poetry.
The Writer's Notebook compiles the best craft seminars in the history of the Tin House Summer Writers Workshop, along with a variety of craft essays from some of Tin House's favorite writers. With how-tos, close readings, and personal anecdotes, The Writer's Notebook offers aspiring writers advice and inspiration to hone their own craft.
Imaginative Writing: The Elements of Craft explores the craft of creative writing in four genres: fiction, poetry, drama, and creative nonfiction. A trade author as well as a professor of creative writing, Burroway brings her years of teaching and writing experience to this book. “Try-This” exercises appear throughout each chapter.
