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“I think I expect to suffer here, and my goal then is to suffer well or suffer skillfully.” In this conversation with Dawn Lanuza for the Fully Booked Chats series, Ocean Vuong discusses the differences between writing poems and novels, the question of whether literature can heal, and the story behind his name Ocean.
In this recorded event, Terrance Hayes, Claudia Rankine, and Ocean Vuong, acclaimed authors and professors at New York University’s Creative Writing Program, read from their work and participate in a conversation together for a packed audience at NYU Skirball. Rankine is the recipient of the 2014 Jackson Poetry Prize.
Watch TIME Magazine’s compilation of their one hundred must-read books of 2022, which includes books by Nuar Alsadir, Franny Choi, Isaac Fitzgerald, CJ Hauser, Jay Hopler, Oscar Hokeah, Yiyun Li, Sarah Thankam Matthews, and Ocean Vuong.
“When I write, I feel much larger than the limits of my body,” says Ocean Vuong, author of Time Is a Mother (Penguin Press, 2022), in this interview with his Danish translator Caspar Eric at the Louisiana Museum of Modern Art in Denmark. “There is a mystery you tap into that is much bigger.”
“What do you want, I asked, forgetting I had / no language,” reads Ocean Vuong from his poem “The Bull,” which appears in his second poetry collection, Time Is a Mother (Penguin Press, 2022), in this WSJ. Magazine video directed by Gioncarlo Valentine.
“When a loved one dies, you experience your life in just two days, today, when they are no longer here, and yesterday, the immense, vast yesterday, when they were here,” says Ocean Vuong, author most recently of Time Is a Mother (Penguin Press, 2022), in this installment of PBS NewsHour’s “Brief But Spectacular” arts and culture video series.
“I would sneak out of recess, stay in the library to listen to tapes of famous speeches, and one of them was Martin Luther King,” recounts Ocean Vuong about his childhood in this interview with Michel Martin for Amanpour and Company. “You could hear the static when he was giving the ‘I Have a Dream’ speech, and I thought...who is this man talking about dreams in a snowstorm?” Vuong was awarded the 2020 Brooklyn Public Library Fiction & Poetry Prize for his novel, On Earth We’re Briefly Gorgeous (Penguin Press, 2019).
On BRIC TV’s 112BK, Jessica Stockton Bagnulo, co-owner of Greenlight Bookstore in Brooklyn, presents her summer reading recommendations including Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Namwali Serpell’s The Old Drift Hogarth, 2019), Esi Edugyan’s Washington Black (Knopf, 2018), and Hugh Ryan’s When Brooklyn Was Queer (St. Martin’s Press, 2019).
In this PBS NewsHour video, NPR’s Maureen Corrigan and the Washington Post’s Carlos Lozada highlight their favorite books for summer reading, which include Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Jill Ciment’s The Body in Question (Pantheon, 2019), and José Olivarez’s Citizen Illegal (Haymarket Books, 2018).
“It was an attempt to see if language can really be a bridge, as it is often aspired to be, and ultimately that it could fail.” In this video, Ocean Vuong speaks about the letter he wrote to his illiterate mother that inspired his debut novel, On Earth We’re Briefly Gorgeous (Penguin Press, 2019). A profile of Vuong by Rigoberto González appears in the July/August issue of Poets & Writers Magazine.
