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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
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by Kevin Larimer
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Tameme, Translation Review, Double Change, Circumference, Quick Fiction, the Paris Review, the Virginia Quarterly Review, Diagram, Tiferet: A Journal of Spiritual Literature, Glut, and Bullfight: A Literary Review.
by Sebastian Matthews
Only weeks before he turned 55, my father, the poet William Matthews, delivered a manuscript of poems to Peter Davison, his longtime friend and editor at Houghton Mifflin. It turned out to be the last book he wrote. He died of a heart attack on November 12, 1997, the day after his birthday.
by Jeff Sartain
In January, Chuck Palahniuk began teaching a free yearlong writers workshop that doesn't appear in the course listings for any college, university, or community arts center. Forget about academic credits—Palahniuk's workshop exists entirely online.
by Kevin Larimer
Thanks to muscular marketing and persistent promoting—notable traits of the Academy of American Poets—April has been established as the month to appreciate poetry. But there are other designated days and months during which everyone can celebrate creative writing, both as an art form and as yet another way to turn an average day into a holiday.
by Jodie Ahern
Online Only, posted 2.12.04
Poet Susan Atefat-Peckham and her six-year-old son were killed in a car accident in Ghor Safi, Jordan, on February 7, 2004. A professor in the MFA program at Georgia College & State University, Atefat-Peckham was in the Middle East as a Fulbright scholar teaching creative writing at the University of Jordan. She was 33. The following Direct Quote was originally posted on October 12, 2001, following the publication of her book That Kind of Sleep.
by Duncan Murrell
At some point every writer must turn her attention from the art of creating to the business of selling. And while many authors would like to avoid the industry altogether, a basic understanding of it—from the top five houses to the independents—is an unavoidable necessity.
by Kevin Larimer
In 1998, Dan Bowers, an engineering consultant in Red Lion, Pennsylvania, was on a mission. His son-in-law, Chief Master Sergeant Frederick Honeywell, was serving at an Air Force base in Kuwait that had no recreational facilities and no library—and indeed, no books. When Honeywell's wife, Chris, told her father about the problem, Bowers sent some of his own books, as well as donations from others, overseas. It was the first deployment of what eventually became Operation Paperback. Six years later, the nonprofit organization has sent nearly 150,000 books to American troops in more than 30 locations, including Afghani-stan, Iraq, Bosnia, and Kosovo.
by Jane Van Ingen
Six months ago Larry Portzline, a professor of writing and literature at Harrisburg Community College in Pennsylvania, started a grassroots movement called Bookstore Tourism—a series of bus trips to urban centers where reader-tourists can patronize independent bookstores. At the end of March, a group of readers from the Harrisburg area will travel approximately 200 miles to the 10th annual Virginia Festival of the Book, where they will participate in festival events (readings, book signings, seminars, and so on) and visit the many independent bookstores that are in Charlottesville, Virginia, including New Dominion Bookshop, the Book Cellar, and Blue Whale Books.