Article Archive

With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Maylis de Kerangal’s latest novel, The Heart, translated from the French by Sam Taylor, and A. Igoni Barrett’s debut novel, Blackass, as the starting point for a closer look at these new and noteworthy titles.

With submission managers like Submittable transforming the ways in which writers submit their work to publications, new online offerings like Literistic are streamlining the process even further. But could the shift to digital-only submissions have a negative impact on the culture of publishing?

In their analysis of three classic texts, two UC Berkeley Neuroscience PhD candidates created an interactive visualization of the emotional relationships between each book’s cast of characters.

Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Portland, Oregon–based Forest Avenue Press, a boutique house that publishes just three titles per year, all focusing on “a desire to investigate a subject and to bear witness.”

The Asian American Writers Workshop rings in its twenty-fifth year at the forefront of the movement to diversify the publishing industry, and to provide advocacy, education, opportunity, and visibility to Asian American poets and writers.

With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Sunil Yapa’s debut novel, Your Heart Is a Muscle the Size of a Fist and Mira Ptacin’s debut memoir, Poor Your Soul, as the starting point for a closer look at these new and noteworthy titles.

The Pushcart Prize, a venerable nonprofit award series and press, released its fortieth-anniversary prize anthology this month. On the eve of its release party, Poets & Writers staff looked into the history of the prize, and what has kept "one of the last bastions of non-corporate writing" alive and well over the years.

Frustrated by a reviewing culture that they found to be increasingly insular—and as such, less honest—two poets decided to create a safe new space for reviewers to write candidly—and anonymously—about new collections of poetry.

The agent of authors such as María Amparo Escandón and Joy Nicholson offers advice on query letters, editing, and what not to do when submitting a manuscript.

A successful self-published novelist talks about how he used his background in programing and knowledge of artificial intelligence to write and market his best-selling techno thriller series. Editor Jessica Page Morrell and publicist Jessica Glenn weigh in and give advice to burgeoning self-publishers.