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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
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by Kevin Larimer
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Pindeldyboz, Grand Street, Verse, the Paris Review, Lilies & Cannonballs Review, and No: A Journal of the Arts.
by Kevin Larimer
When New Rivers Press announced that Ron Rindo of Oshkosh, Wisconsin, was a winner of the 2003 MVP Competition this past summer, some of the approximately six hundred entrants were perplexed. The guidelines stated that the contest, which awards three $1,000 prizes and the publication of three book-length manuscripts, was open to emerging poets, fiction writers, and creative nonfiction writers. Rindo, who won for his short story collection Love in an Expanding Universe, had previously published two books, both with New Rivers Press.
by Litsa Dremousis
Online Only, posted 10.05.04
"I believe I control the world with my mind," Augusten Burroughs writes in the title essay of his new collection, Magical Thinking: True Stories. And who’s to say he doesn’t? Having survived a tumultuous childhood and an early career as an advertising copywriter while struggling with alcoholism, Burroughs—now a bestselling author—has indeed controlled his world. Magical Thinking is his fourth book in as many years, taking its place alongside Sellevision, his satirical novel about cable television’s home shopping networks, and his memoirs, Running With Scissors and Dry.
by Kevin Larimer
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Granta, the Indiana Review, Black Warrior Review, Court Green, Columbia Poetry Review, Absinthe Literary Review, Minima, Wild Strawberries, and Cue.
by Kay Murray
Is it against the law for an American literary journal editor to publish a translation of a poem by a member of a terrorist organization? Is it illegal to translate it? Learn what writers need to know about the Patriot Act.
by Kevin Canfield
A recent headline in the New York Times Book Review declared, “Books Make You a Boring Person.” Many would disagree with that statement, but few would go as far as the folks in the marketing department at Penguin UK. The London-based arm of the venerable publishing house has begun to advertise its books as dating aids. According to Penguin, you’re not good looking—or Good Booking—unless you’re holding a book.
by Timothy Schaffert
Every year, musicians, movie stars, filmmakers, and politicos share billing with creative writers at the New Yorker Festival, held every autumn at various New York City venues. Now in its fifth year, the literary event has turned into a pop-culture phenomenon.
by Ken Gordon
Vladimir Nabokov once wrote, “Does there not exist a high ridge where the mountainside of ‘scientific’ information joins the opposite slope of ‘artistic’ imagination?” This was, of course, a rhetorical question, but Nabokov’s own life proved that this connection indeed exists. A dedicated lepidopterist (one who studies moths and butterflies), Nabokov not only held a post at the Museum of Comparative Zoology at Harvard University, he also wrote Lolita, a classic of 20th-century literature. I was recently reminded of Nabokov’s butterflies in, of all places, a dead man’s apartment in Boston.
by Eleanor Henderson
For nearly two years, WordTech Communications was one of the growing number of small presses using the contest model in which entry fees fund prize monies as well as the publication and promotion of winning books. Some would even say the Cincinnati-based press was gung ho about it, holding a different poetry contest every month. But in June, WordTech announced it was discontinuing its contest program and replacing it with an open-submissions policy, stating that there was more money to be made without contests.