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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
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by Kevin Larimer
Thanks to muscular marketing and persistent promoting—notable traits of the Academy of American Poets—April has been established as the month to appreciate poetry. But there are other designated days and months during which everyone can celebrate creative writing, both as an art form and as yet another way to turn an average day into a holiday.
by Sebastian Matthews
Only weeks before he turned 55, my father, the poet William Matthews, delivered a manuscript of poems to Peter Davison, his longtime friend and editor at Houghton Mifflin. It turned out to be the last book he wrote. He died of a heart attack on November 12, 1997, the day after his birthday.
by Jeff Sartain
In January, Chuck Palahniuk began teaching a free yearlong writers workshop that doesn't appear in the course listings for any college, university, or community arts center. Forget about academic credits—Palahniuk's workshop exists entirely online.
by Jodie Ahern
Online Only, posted 2.12.04
Poet Susan Atefat-Peckham and her six-year-old son were killed in a car accident in Ghor Safi, Jordan, on February 7, 2004. A professor in the MFA program at Georgia College & State University, Atefat-Peckham was in the Middle East as a Fulbright scholar teaching creative writing at the University of Jordan. She was 33. The following Direct Quote was originally posted on October 12, 2001, following the publication of her book That Kind of Sleep.
by Duncan Murrell
At some point every writer must turn her attention from the art of creating to the business of selling. And while many authors would like to avoid the industry altogether, a basic understanding of it—from the top five houses to the independents—is an unavoidable necessity.
by John Barth
Writers who hang out in academia to help pay the rent are likely to find that their job description comes to include inviting other writers to visit their campus and then hosting them through their visit, introducing them to their lecture audience, and sitting in on the informal sessions with students that typically complete the visitor's tour of duty. Such visitations are, I believe, a generally worthwhile feature of any college writing program: beneficial to the visitor, obviously, who gets paid or otherwise rewarded and may possibly gain a few additional readers; potentially enlightening for the visitor's audience (even those whose curiosity may be more sociological, anthropological, or even clinical than literary); and at least marginally beneficial for the host as well, as I shall attempt to illustrate.
by Jane Van Ingen
Six months ago Larry Portzline, a professor of writing and literature at Harrisburg Community College in Pennsylvania, started a grassroots movement called Bookstore Tourism—a series of bus trips to urban centers where reader-tourists can patronize independent bookstores. At the end of March, a group of readers from the Harrisburg area will travel approximately 200 miles to the 10th annual Virginia Festival of the Book, where they will participate in festival events (readings, book signings, seminars, and so on) and visit the many independent bookstores that are in Charlottesville, Virginia, including New Dominion Bookshop, the Book Cellar, and Blue Whale Books.
by Avery Yale Kamila
At some point during her two-year stint atop an ancient 200-foot redwood tree in Humboldt County, California—an effort to to save the old-growth forest—environmental activist and writer Julia Butterfly Hill was approached by HarperSanFrancisco for the rights to publish her memoir, Legacy of Luna. Hill accepted the offer, with one stipulation: Her book had to be printed on 100 percent postconsumer recycled paper manufactured without the use of chlorine bleach.