Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
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by Katherine Swiggart
September/October 2003
As more and more literary journals develop online counterparts to enhance, complement, and extend the presence of their print editions, editors—despite their love of the physical object—are finding new was to take advantage of the cost-effective and virtually boundless medium.
by Kevin Larimer
September/October 2003
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Poetry, Poems & Plays, the Sow’s Ear Poetry Review, Bloom, the Harvard Advocate, Harvard Review, Meanjin, and Vallum.
by Dalia Sofer
July/August 2003
They don’t command the best-seller lists, nor do they show up on reviewers’ desks, but the classics—those books of enduring quality that year after year grace high school and college syllabi and circulate in community book clubs—are the cash cows of the publishing industry: reliable, predictable, and above all, steady sources of revenue. Penguin Classics, Oxford World’s Classics, Bantam Classics, Dover Publications, and the Modern Library are among the leading publishers of their kind in the United States. This spring, Barnes & Noble joined them with its own imprint: Barnes & Noble Classics.
by Jane Ciabattari
July/August 2003
Book review editors—those powerful yet inundated tastemakers who choose from the more than 130,000 new books published each year the mere shelfful that are reviewed—get used to (and bored with) having nasty motives ascribed to them. This second installment of a three-part series on book reviews examines the subject at hand from the perspective of the assigning editors, who would like to set the record straight.
by Staff
July/August 2003
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from A Million Little Pieces by James Frey and Big Back Yard by Michael Teig.
by Suzanne Pettypiece
July/August 2003
On April 4, United States District Court Judge John F. Keenan ruled in favor of Stuart Y. Silverstein in a plagiarism suit he filed against Penguin Putnam in 2001. Silverstein, who compiled Not Much Fun: The Lost Poems of Dorothy Parker (Scribner, 1996), claimed in his lawsuit that Penguin infringed on his copyright by publishing Dorothy Parker: Complete Poems, which includes a section titled “Poems Uncollected by Parker,” the identical poems published in Not Much Fun.
by Suzanne Pettypiece
July/August 2003
Five years ago, in the early morning of July 24, 1998, Thomas Wolfe’s childhood home in Asheville, North Carolina, was nearly destroyed by fire. Since then, conservation specialists and staff at the Thomas Wolfe Memorial have worked to reconstruct the museum and hope to reopen it this fall.
by Kevin Larimer
July/August 2003
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features the Believer, Partisan Review, Mid-American Review, the Paris Review, One Story, 32 Poems Magazine, and Tin House.
by Kevin Larimer
July/August 2003
mong organizations hit hardest during the post-9/11 era, in which funding for the arts has been sharply curtailed, literary nonprofits are struggling to simultaneously serve their missions and remain solvent. Despite the economic downturn, two nonprofit organizations—Milkweed Editions, a small press based in Minneapolis, and the St. Mark's Poetry Project in New York City—have maintained financial stability, but more challenges lie ahead: The directors of both organizations, Emilie Buchwald and Ed Friedman, recently retired.
by Linda Lappin
Online Only, posted 5.23.03
D.H. Lawrence returned to Italy in 1927 after a soul-searching journey through Mexico, the American Southwest, Ceylon, Australia, and New Zealand. Gravely ill with tuberculosis, unaware of how little time he had left (he died three years later at the age of 44), Lawrence sought an ideal land where he might flourish as a "whole man alive" and find an antidote for the alienation of industrialized society.