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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
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In an effort to promote scientific literacy, foster an appreciation of the humanities, and encourage readers to make "informed and imaginative connections" between the sciences and the arts, New York City–based Vernacular Press recently launched a series of books titled "Categories."
by Daniel Nester
Among the many poetry collections that have been published in the weeks leading up to National Poetry Month, Jim and Dave Defeat the Masked Man, a collaborative book of sestinas by James Cummins and David Lehman released by Soft Skull Press in February, features perhaps the most prestigious and, simultaneously, zany cast of characters to appear in a book of poems since Alan Kaufman's Outlaw Bible of American Poetry was published by Thunder's Mouth Press seven years ago.
by Kevin Larimer
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Fairy Tale Review, Alimentum, Lost, Dislocate, Tameme, Double Change, Storie, and Terra Incognita.
by Kevin Canfield
In response to its 2004 report "Reading at Risk," which found that significantly fewer people read serious literature now than in years past, the National Endowment for the Arts recently launched an ambitious program designed to reverse the trend.
by Mark Eleveld
Online Only, posted 2.01.06
Perhaps no single book details the excesses of the 1980s—in particular the debauchery of the New York City social scene—better than Jay McInerney’s Bright Lights, Big City (Vintage Books, 1984). The author’s commercially successful debut novel was adapted into a movie, starring Michael J. Fox and Keifer Sutherland, in 1988.
by Doug Diesenhaus
Online Only, posted 2.01.06
The second annual Story Prize ceremony, held at the New School’s Tishman Auditorium in late January, began like most literary events in New York City—with much chattering among publishing folk, rising in volume until the lights went down and a hush descended on the room. The evening’s format was simple. The three finalists, fiction writers Jim Harrison, Maureen F. McHugh, and Patrick O’Keefe, would each read from their books and then sit for a short discussion with Larry Dark. In 2004 Dark, the former O. Henry Prize Stories series editor, launched the prize with Julie Lindsey in an effort to promote a genre they believed was underrepresented by other literary awards. The winner of the first annual prize was Edwidge Danticat for The Dew Breaker (Knopf, 2004).