Poets & Writers Blogs

If somehow you're one of the few who missed Richmond, Virginia, attorney David Kazzie's hilarious Xtranormal animation, "So You Want to Write a Novel," that zinged around the Internet a few months back, then watch it right now, but only if you're sitting somewhere where it's appropriate to laugh out loud. It lampoons the vast, blind ambition of certain novice writers, and tickled agents, editors, writers, as well as would-be writers and readers alike. The video, as they say, went viral, and one of the multitude of people who liked it, was Ann Rittenberg, a Manhattan literary agent who represents Dennis Lehane, and who, with Laura Whitcomb, has written a how-to guide called Your First Novel.

Kazzie noticed Rittenberg had linked to his video, and found it particular exciting as he is a huge Dennis Lehane fan. Kazzie and Rittenberg chatted, and it turned out, Kazzie did indeed have an unpublished manuscript, a thriller. Rittenberg liked his sensibility. David Kazzie now has an agent, and, yes, it's Ann Rittenberg.

Bonus: Ann Rittenberg's "The Successful Writer’s Personality" and an interview with David Kazzie. Also, check out more with Ann Rittenberg in Eryn Loeb's article, "Seek and You Shall Sign" in The Poets & Writers Guide to Literary Agents.

P&W-SPONSORED WRITER & PRESENTER: Robbie Q. Telfer

We asked Robbie Q. Telfer to update us about his work with teens at Young Chicago Authors, which has been funded through the Readings/Workshops program at Poets & Writers, Inc., since 2000.

I’m the director of performing arts for Young Chicago Authors, which runs creative writing programming year-round for high school-aged students in the Chicagoland area. One of the most exciting programs I get to be a part of is the Louder Than A Bomb Teen Poetry Festival. This three-week festival is the largest youth poetry festival in the world, with over fifty individual events, directly engaging over six hundred young people, and featuring seventy-two teams of poets from different high schools and community organizations.

The reason it’s so exciting to work on this festival is that it feels like we are tapping into an energy that is greater than just the once-a-year event we stage. For our young people, the poetry is a ticket to an ever-growing and loving community that is interested in celebrating difference, seeking commonality, striving toward justice, and honoring conflict. I have constantly found that there are always more youth capable of benefiting from our programs than we have financial, logistical, and temporal resources to serve, which can be one of those good problems I keep hearing about.

So right now, we’re a festival that happens once a year, but I am envisioning for us (with some more support and infrastructure) a “regular season” of poetic workshops, competitions, and performances, where our festival is the championship at the end (not unlike this “March Madness” thing the kids are into these days).

Also this year, thanks in part to the great promotions we’ve received nationally due to the documentary made about our youth slam, we are beginning to work with other cities around the country to create their own Louder Than A Bomb poetry slams. It would be wonderful if we could replicate our model of youth empowerment through poetry in enough cities so that we could have a national LTAB championship festival where the winners of each city come together for even more workshops, performances, and competitions. Then, of course, the world!

Big, unwieldy plans aside, what’s most rewarding about the work we do is quite simply watching the young people turn into who they are to become. I know that we are not the only influence on their lives, but we can be a big one, and any help we lend our students in tackling whatever problems they encounter is far more rewarding than media and political attention. If we ever lose sight of the actual youth in all our big schemes, then we’ll have failed them as just another American reality show dreamchaser. We’ll be like that guy who told everyone his kid was in that homemade dirigible just to get on TV. No one should ever want to be that guy. For recordings of Louder Than A Bomb poetry going back to 2005, please visit our WBEZ, our media sponsor and presenting partner. 

Support for Readings/Workshops events in Chicago is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

P&W-SPONSORED PRESENTER: Collin Kelley

Poet Collin Kelley, author of After the Poison, Slow to Burn, and Better to Travel, and curator of the Poetry Atlanta reading series, blogs about his experience as a longtime R/W-sponsored presenter of literary events.

I’ve had the honor of organizing and co-hosting the annual Voices Carry reading in Atlanta for the past seven years. The reading began at the request of my friend, the late Chante Whitley-Head, in 2004 as part of the Atlanta Festival of the Book. Nearly two hundred people crowded into the rotunda of the Jimmy Carter Library to hear Cherryl Floyd-Miller, M. Ayodele Heath, Alice Lovelace, Tania Rochelle, Ralph Tejeda-Wilson, Kodac Harrison, the late John Stone, and my partner in crime, Cecilia Woloch.

There was an electricity in the room that September night; one of those readings where every poet is performing their best work, the audience is enrapt awaiting the next line, and there are murmurs and gasps when a poet has found just the right combination of words to elicit uncontained emotion. Those transcendent kinds of readings are rare.

Voices Carry was supposed to be a one-off event. There was no money to keep it going, Cecilia was moving back to Los Angeles, and Chante was stepping away from the festival after being diagnosed with cancer. But everywhere I went for months afterwards, people kept asking when the next Voices Carry reading was going to be held. Even from LA, Cecilia was game to put together another reading and to fly back to Atlanta to assist and read.

Poetry Atlanta saved Voices Carry. A twenty-five-year-old nonprofit organization, Poetry Atlanta’s mission is to promote the local poetry scene as well as produce the award-winning Atlanta Review. I was asked to sit on Poetry Atlanta’s advisory board and suggest projects. The first project I brought to the table was Voices Carry. There was a little money in the coffers, but where would the rest come from? Enter Poets & Writers’ Readings/Workshops program.

We were able pay honoraria to poets (who included Jon Goode, Dan Veach, Beth Gylys, Eric Nelson and Sharan Strange), which freed up funds for us to rent the Carter Center space again! The 2005 reading was held on September 11th and it was a double whammy of remembering the terrorist attacks and the still unfolding horror of Hurricane Katrina’s wrath on the Gulf Coast. It was an emotional evening.

Cecilia and I are already talking about the 2011 edition of Voices Carry. My applications will be in the mail to P&W soon. And, as always, we’ll remember our friend Chante, who put us on this road in the first place.

Support for Readings/Workshops events in Atlanta is provided by an endowment established with generous contributions from Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

New Hampshire outfit Bauhan Publishing has launched a first book prize in honor of the late May Sarton. The winning poetry collection will be published in 2012 in celebration of Sarton's one hundredth birthday, and will appear in conjunction with a reissue of her collection As Does New Hampshire, originally published in by Bauhan 1967.

State poet laureate W. E. Butts, author of Sunday Evening at the Stardust Café (First World Library) and Movies in a Small Town (Mellen Poetry Press), will judge. The winner will receive one thousand dollars as well as one hundred copies of the published book.

Book manuscripts, which should be accompanied by a twenty-five-dollar entry fee, are due on June 30. Full guidelines are available on the Bauhan Web site.

A feminist, advocate for social justice, and contemporary of writers such as Virginia Woolf and H. D. (Hilda Doolittle), Sarton authored more than fifty books of poetry, fiction, and memoir. In the video below, Sarton reads her poem "My Sisters, O My Sisters."

The Pulitzer Prizes in letters have been announced, with two women writers snagging literary honors. U.S. poet laureate Kay Ryan, praised for her "witty, rebellious and yet tender" verse, won for her collection The Best of It: New and Selected Poems (Grove Press). The winner in fiction, Jennifer Egan was honored for the "big-hearted curiosity" of her novel A Visit From the Goon Squad (Knopf), which also recently won the National Book Critics Circle Award.

The finalists in poetry are Maurice Manning for The Common Man (Houghton Mifflin Harcourt) and Jean Valentine for Break the Glass (Copper Canyon Press). Jonathan Dee and Chang-rae Lee received citations in fiction, for The Privileges (Random House) and The Surrendered (Riverhead Books), respectively.

Also of note, writer and doctor Siddhartha Mukherjee won the Pulitzer Prize in general nonfiction for his "biography" of cancer, The Emperor of All Maladies (Scribner), "an attempt to enter the mind of this immortal illness, to understand its personality, to demystify its behavior."

In the video below, Egan discusses her novel on PBS NewsHour.

P&W-SPONSORED WRITER & PRESENTER: Collin Kelley

For the next few weeks, poet Collin Kelley, author of After the Poison, Slow to Burn, and Better to Travel, and curator of both the Poetry Atlanta reading series and the Georgia Center for the Book reading series will be blogging about his experience as a longtime R/W-sponsored writer and presenter of literary events.

In February 2005, I wrote my first grant approved by Poets & Writers, Inc., when it expanded its Readings/Workshops program to the Atlanta area. The recipient of that grant, Cherryl Floyd-Miller, hadn’t asked for any money, but deserved it for her many years of selfless and uncompensated work as a writer in the city. We had a standing-room-only audience that night at the Barnes & Noble on the Georgia Tech campus, and I was thrilled to be able to put a check in Cherryl’s hand.

Asking a writer to pay airfare, hotel (or sleep on an uncomfortable sofa), and other expenses with no compensation other than the “glory” and “honor” of being asked to read becomes more and more abhorrent to me the longer I’m in the business of words. Even if the writer is just coming from across town, they are giving up their time, paying $3-plus for gas and providing experiences for audiences.

Whether the poet is coming from Boston or Los Angeles (such was the case with January Gill O’Neil and Steven Reigns, respectively) or just around the corner (the newly-crowned Women of the World Poetry Slam champion Theresa Davis or local favorite Karen Head), my belief is that they all deserve to be paid.

Let’s face it: Unless some book-loving heiress has died and bequeathed her fortune, most literary organizations are struggling. And not just because of the recent economic downturn, but since time began. It’s not that people don’t value literature; it’s just often taken for granted as always being there. Writers are usually left in the gray area of trying to balance doing what they love and keeping the lights on in their dens.

Support for Readings/Workshops events in Atlanta is provided by an endowment established with generous contributions from Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.