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Susan Schorn reads from her debut memoir, Smile at Strangers: And Other Lessons in the Art of Living Fearlessly, published in May by Houghton Mifflin Harcourt.
Fall down seven times, get up eight.
by Ruth Ozeki
May/June 2013
Character calls forth writer. Writer calls forth reader. It seems straightforward—but is it? Novelist, filmmaker, and Zen Buddhist priest Ruth Ozeki explores the relationships embedded in every novel and work of fiction.
by Evan Smith Rakoff
Amazon is reportedly looking to rent half-a-million square feet of office space in New York City; nineteen Charles Bukowski drawings were rediscovered at a book fair; Jillian Goodman considers Michelle Orange’s This is Running for Your Life; and other news.
Brent Hendricks reads from his memoir, A Long Day at the End of the World: A Story of Desecration and Revelation in the Deep South, published in March by Farrar, Straus and Giroux.
Jeremy Jackson reads from his memoir, I Will Not Leave You Comfortless, published in October by Milkweed Editions.
A Storm
by Evan Smith Rakoff
Melville House wonders when publishers will speak out about Amazon; New York City's Algonquin Hotel announced that when it reopens this spring after a renovation, the famed Oak Room will be gone; E. B. White answers a charge levied by the ASPCA; and more
by Evan Smith Rakoff
Nobel prize-winning poet Wislawa Szymborska, as well as Surrealist artist and poet Dorothea Tanning, passed away yesterday in their respective countries; novelist Paul Auster has engaged in a war of words with Tayyip Erdogan, the prime minister of Turkey; Open Letters Monthly examines the hidden life of Virginia Woolf's institutionalized half-sister, Laura Makepeace Stephen; and other news.
by Lania Knight
Phillip Lopate, considered by many to be one of the most important essayists of our time, discusses the controversies surrounding creative nonfiction, his own essay-writing process, and the ultimate quality he looks for in nonfiction—an interesting mind at work on the page.
by Kelly Nuxoll
The origin and form of Mayhill Fowler’s Huffington Post report on Barack Obama's use of the word "bitter" suggest her work is neither blogging nor journalism, but creative nonfiction. That its effect was out of proportion with its intention begs the question: What can the creative nonfiction writer expect in the Information Age?