Cover Story
Toni Morrison, in her new novel, casts a characteristically unflinching eye on who we are and how we got here, plus our annual look at MFA programs.
Nov/Dec 2008
Features
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Agents & Editors: A Q&A With Chuck Adams
by Jofie Ferrari-Adler
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The World Over: A Profile of Rolf Potts
by Frank Bures
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The Guest List: A Profile of Paul Guest
by Amy Pence
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The Spirit and the Strength: A Profile of Toni Morrison
by Kevin Nance
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Special Section
MFA Programs
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Graduate Creative Writing Programs in the United States
by Staff
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MFA Tool Kit: A Guide for Researching Graduate Creative Writing Programs
by Staff
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Show Me the Money: A Roundup of the Top-Funded MFA Programs
by Seth Abramson
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Teaching Assistantship 101: What You Need to Know
by Staff
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Regrouping After the MFA: How to Find Community Postprogram
by Jean Hartig
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Seven Ways to Create Community Post-MFA
by Staff
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The Top Fully Funded Programs
by Staff
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News and Trends
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Literary MagNet
by Kevin Larimer
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Page One: Where New and Noteworthy Books Begin
by Staff
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Q&A: Phillips Leads Newark’s New MFA
by Sarah Weinman
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Small Press Points
by Kevin Larimer
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The Contester: Down Came a Contest, Cradle and All
by Kevin Larimer
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The Written Image: Doc Humes
by Staff
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These United States
by Joe Woodward
The Literary Life
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Censored Stories: Report From Literary Myanmar
by Stephen Morison Jr.
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The Art of Reading Aharon Appelfeld: The Precious and the Best
by William Giraldi
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Writing Good Bad Poetry: The Beastly Beauty of Poems on the Wire
by Mike Chasar
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The Practical Writer
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Book Trailers: The Key to Successful Video Marketing
by Sarah Weinman
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First: Andrew Porter's Prizewinning Stories
by Nicole Pezold
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Narrative Calisthenics: Exercises to Jump-Start Your Writing
by Bret Anthony Johnston
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