One way MFA programs provide funding to students is by hiring
them as teaching assistants (commonly referred to as TAs) to teach writing
classes in exchange for a stipend and, often, tuition remission and health
insurance. While each program defines its teaching assistantships differently,
in general there are a few things you should know before applying and preparing
for one.
ELIGIBILITY
A
number of creative writing programs give teaching assistantships to all of
their incoming graduate students, but others have only a limited number of
positions available. Typically program faculty determine which students become
TAs based on the overall strength of the creative writing application, plus
academic credentials such as undergraduate grade point average and GRE score. Preference
is often given to candidates who have previous teaching experience.
CLASSES
The classes TAs teach vary from
program to program, but they tend to be undergraduate introductory writing
classes of some sort. Typical classes include introduction to literature,
composition and rhetoric, and, sometimes, creative writing. TAs usually teach
one or two classes a semester on top of their own course load.
PREP WORK
Not
all new TAs have had experience in the classroom. And those going directly from
being an undergrad in the spring to working as a teacher of undergrads in the
fall may feel especially intimidated. It's in the best interest of universities
to assure that their TAs perform well, so they always provide some kind of
training, but the rigor of that training varies. Some programs require TAs to
attend pre-semester orientation sessions and sign up for first-semester
seminars on how to teach writing. Such classes brief students on what the
department expects from its TAs, as well as instructing them on the best
practices for creating a syllabus, which texts to use, how to create assignments,
how to inspire lively classroom discussion, and grading. Other programs require
their students to work as tutors and/or with a faculty member first before
taking on their own classes.
Along with taking the
required preparatory courses, new TAs should also consider reacquainting
themselves with the rules of grammar and punctuation. While most creative
writers have an intuitive sense of what constitutes strong prose, they don't
always have at the tip of their tongues (or pens) the rules that explain why.
Part of teaching introductory writing involves being able to convey these
fundamentals to beginning writers, so it helps to give yourself a brushup. Some
resources to consider: The Elements of Style by William Strunk (Dover Publications, 2006), The Practical
Stylist by Sheridan Baker
(Longman, 1997), and Essentials of English Grammar by L. Sue Baugh (McGraw-Hill, 2005).