Kathleen Hellen is a poet and the author of The Girl Who Loved Mothra (Finishing Line Press, 2010). Her work has appeared in Barrow Street; Cimarron Review; the Cortland Review; The Evansville Review; Harpur Palate; the Hollins Critic; In Posse Review; Nimrod; Poemeleon; Poetry Northwest; Prairie Schooner; The Seattle Review; Stand; Subtropics; Terrain.org; Witness; among others; and on WYPR’s “The Signal.” She is senior editor for The Baltimore Review.

The Girl Who Loved Mothra (Finishing Line Press, 2010)

88: A Journal of Contemporary American Poetry, Alpha Beat Soup, anderbo.com, Appalachian Heritage, Artful Mind, Barrow Street, Beauty for Ashes Poetry Review, Beltway Poetry Quarterly, Blue Collar Review, Blue Unicorn, Caesura, Calliope, Chiron Review, Cicada, Confluence, Cortland Review, Earth's Daughters, Eclipse, English Journal, Frogpond, Gargoyle Magazine, Green Hills Literary Lantern, H.O.W. Journal, Hollins Critic, In Posse Review, Iris, James Dickey Review, Japanophile, Kartika Review, Lake Effect, Lantern Review, MacGuffin, Mythium, Natural Bridge, Nebo, Nerve Cowboy, Nimrod, Northwest Literary Forum, Now & Then, Now Culture, Pacific Review, Painted Bride Quarterly, Pank, Passager, Pegasus, phati'tude Literary Magazine, Piedmont Literary Review, Platte Valley Review, Poemeleon, Poetry International, Poetry Northwest, Point Judith Light, Potomac Review, Prairie Schooner, Quantum Tao, Rattapallax, Rhino Magazine, Runes: A Review of Poetry, Sakura Review, Salamander, Seattle Review, Slipstream, SmokeLong Quarterly, Southern Poetry Review, Sow's Ear Poetry Review, Stand, Subtropics, Swink, Switched-On Gutenberg, Terrain.org: A Journal of the Built & Natural Environments, The Broome Review, The Evansville Review, The Potomac Journal, Two Review, Verve, Visions International, Washington Square, Witness, Yellow Medicine Review, Yellow Medicine Review: A Journal of Indigenous Literature, Art, and Thought