Jump to navigation Skip to content
As part of the Fictions & Forms reading series hosted by the University of Chicago’s Program in Creative Writing, Danielle Dutton discusses her intricate relationship to genre and form, and reads from her hybrid collection, Prairie, Dresses, Art, Other (Coffee House Press, 2024), which is featured in Page One in the May/June issue of Poets & Writers Magazine.
“The book itself is a meditation about growing up between an immigrant life and a queer life, between countries and between different kinds of kinship systems.” Gala Mukomolova discusses her debut collection, Without Protection (Coffee House Press, 2019), and reads her poem “X” in this installment of the Ours Poetica series, sponsored by Complexly and the Poetry Foundation.
In this 2018 92nd Street Y event, Valeria Luiselli reads from her book Tell Me How It Ends: An Essay in Forty Questions (Coffee House Press, 2017) and speaks with Maria Hinojosa, executive producer and founding anchor of Latino USA on NPR, about what she witnessed as a volunteer court translator for undocumented Latin American children facing deportation.
“Working with poetry is really stimulating because it can take you to a limit of human experience, it’s using language in the way that it exists in our minds and in the psyche,” says Moheb Soliman in this TPT Originals video on exploring place, identity, and the natural world in his debut collection, HOMES (Coffee House Press, 2021). Soliman is featured in “A Freeing Space: Our Seventeenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
“Daily, I remind myself: the future is not dependent / on your inability to describe your undoing.” Lara Mimosa Montes reads from her latest poetry collection, Thresholes (Coffee House Press, 2020), and answers questions about writing as part of the Loft Literary Center’s annual Wordplay festival, held virtually this year.
“The shiver underneath / my ruined shirt, the worm / eating of things in the dirt / the dead and the living.” In this 2019 video taken during his residency at Further Troutbeck: The Poetry Society, Justin Phillip Reed reads “I Have Wasted My Life” from his second collection, The Malevolent Volume, out today from Coffee House Press.
“My favorite form is the long short story or the novella because I think it allows you a little bit more breadth and scope in terms of what you can do.” Brian Evenson, whose eighth story collection, Song for the Unraveling of the World (Coffee House Press, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from his work and talks about teaching, writing habits, and spirituality in this video from the 2014 Mission Creek Festival.
Argentinean author Mariana Enriquez and Mexican author Guadalupe Nettel discuss their shared passion for dark and sordid aesthetics, writing about the body, blurred realities, and writers including Charles Baudelaire, Mircea Cărtărescu, and Philip Roth. Enriquez is the author of Things We Lost in the Fire (Hogarth, 2017), translated from the Spanish by Megan McDowell, and Nettel is the author of After the Winter (Coffee House Press, 2018), translated from the Spanish by Rosalind Harvey.
“In every single book of poems there are, to me, what feel like really explicit autobiographical moments and gestures.” Dawn Lundy Martin speaks about trying to find a language to express trauma, and the use of voice and narrative in her poetry in this interview with City of Asylum. Martin won the 2019 Kingsley Tufts Poetry Award for her collection Good Stock Strange Blood (Coffee House Press, 2017).
“We live on the unanswerable, assert / that acknowledgment is inartistic, / history is regressive, and aggression / looks like no one we know…” Justin Phillip Reed reads from his debut poetry collection, Indecency (Coffee House Press, 2018), for which he won the 2018 National Book Award in poetry. Reed is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
