Catherine Anderson

438 Greenway Terrace
Kansas City, MO 64113-1729
Phone: 
8166516223

Author's Bio

Born in Detroit, the daughter of a school teacher and a newspaper reporter, Catherine Anderson has published three full-length collections of poetry as well as numerous essays. Her newest full-length collection is Everyone I Love Immortal, with Woodley Memorial Press, due out at the end of January 2019. Her work has been noted in The Georgia Review, The Boston Globe, and The Kansas City Star. For years she lived in Boston where she edited a community newspaper centered on the lives of Asian Americans and worked as a staff writer for area nonprofits. She now lives in Kansas City where she works with new interpreters from the city’s immigrant communities.

Publications and Prizes

Prizes Won: 
Crab Orchard Review: 2010 Richard Peterson Poetry PrizeThe I-70 Review: 2013 Gary Gildner Poetry AwardSouthern Humanities Review: 2018 Finalist for the Jake Adam York Auburn Witness Poetry Prize

Personal Favorites

What I'm Reading Now: 
A Life of My Own by Claire Tomalin
,
Unsheltered by Barbara Kingsolver
,
The Carrying by Ada Limon
,
Wade in the Water by Tracy K. Smith
Favorite Books: 
Winter Stars, Larry Levis, The Simple Truth Philip Levine, What Work Is, Philip Levine, Geography III, Elizabeth Bishop, Eventually One Dreams the Real Thing, Marianne Boruch, Chinese Poetry, David Hinton, translator
Favorite Authors: 
Marianne Boruch, Linda Gregerson, Sharon Olds, Larry Levis, W.S. Merwin, Trish Reeves, Ada Limon, Donald Justice, Robert Hayden, Elizabeth Bishop, Philip Levine, Tracy K. Smith, Susan Stewart, Natasha Trethewey, Adonis, Pablo Neruda, Bertolt Brecht, Aracelis Girmay, Anne Truitt, Li Po, Tu Fu, Wang Wei

More Information

Listed as: 
Poet
Gives readings: 
Yes
Travels for readings: 
Yes
Identifies as: 
Caucasian
Prefers to work with: 
Any
Fluent in: 
English
Born in: 
Detroit, MI
Raised in: 
Detroit, MI
work_excerpt: 
Toast Three Canadian quarters announce a gift from a ghost. Navigating the waters of solitude can be disastrous and require a television tuned to CBS, the channel my grandmother watched every Sunday night, before the ubiquity of porcelain crowns or recipes for natural dog biscuits, the latter she would never, in all of her expansive imagination, have imagined. She unclipped cloth earrings and set them aside in a candy dish as her sighs crested and broke. When she was young, my grandmother traveled between Ontario and Detroit without papers until she was caught with a roll of illegal ham wrapped in a blanket like a baby. Some dreams are seamless, swallowed whole as a glass of milk. Others sink and crack into bits, or become a cornfield middle, with wide-panned swatches and dropped horizon. I spend nights on my grandmother’s sofa until the end of summer when my father arrives to drive me home. He can’t stand up in her tight kitchen built into the eaves, so we move a card table to the living room for cube steak and Red Rose tea. My grandmother makes toast by sticking a fork in a slice of bread and floating it over a gas flame. The bread turns a fine brown tinge I have never, in all the rooms of my existence, been able to master.
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Last updated: Jan 14, 2019