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The end of October is fast approaching, and with it comes not only Halloween but also a number of contest deadlines. Today we’re rounding up poetry contests with October 31 deadlines that offer at least $1,000 and publication. Whether you have a single poem, a chapbook-length collection, or a full-length manuscript ready to submit, don’t let these passing deadlines haunt you.
Your trusted source for information on writing contests, grants for writers, and more.
“We all write against the clock: before we have to get to our day jobs, before the sitter leaves, before we have to pick up our children from school. For me, my hours..."
Ander Monson, editor of DIAGRAM and author of Letter to a Future Lover, leads a literary tour of Tucson, Arizona, home of the renowned UA Poetry Center.
In this tour of the Mile High City, novelist Jenny Shank visits the sites, writing groups, organizations, and presses that keep her hometown's literary spirit alive in the bootstrapping tradition of those “roaring drunken miners” who founded it.
Author Jen Michalski takes us on a tour of the many literary sites writers should visit while strolling the gritty streets of Baltimore.
From the long-standing tradition of the Texas Book Festival to the offbeat O. Henry Pun-Off World Championships, acclaimed author Oscar Casares highlights a range of literary happenings and haunts in Austin, a city that pledges to keep it weird.
Our Independent Publishing issue features a profile of best-selling novelist Michael Chabon, an in-depth interview with Tin House editor Rob Spillman, a roundup of debut authors over the age of fifty, nine new lit mags you need to read, Steve Almond on the author’s role in jacket design, Annie DeWitt on becoming your own publicist, Laura Maylene Walter on submission fees, writing prompts, and much more.
The tenth episode of Ampersand features an interview with best-selling author Michael Chabon; exclusive readings from debut novelist Brit Bennett and poet devorah major; a Shakespearean sonnet performed on the streets of New York City; and more.
by Michael Szczerban
Editor Rob Spillman talks Tin House—the magazine, the books, the summer workshop—and the pleasures, perils, and surprises of independent publishing.
by Maya C. Popa
The New York Shakespeare Exchange is working with filmmakers and directors to produce collaborative video adaptations of Shakespeare’s sonnets, bringing the Bard’s timeless poems to a new audience.
by Christine Koubek
At community writing centers across the country, new workshop models offer sustained support for writers undertaking book-length projects, including novels and memoirs, satisfying a demand left unmet by MFA programs and shorter-term writing courses.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One highlights the first lines of a dozen recently released books, including Zadie Smith’s Swing Time and Fanny Howe’s The Needle’s Eye, offering a glimpse into the worlds of these new and noteworthy titles.
by Dana Isokawa
John Freeman, founder and editor of the new biannual Freeman’s, discusses his goals for the journal, including durability, an international focus, expansive themes, and superlative storytelling.
A roundup of new and emerging authors over the age of fifty whose debut books were published during the past year: Desiree Cooper, Sawnie Morris, Paul Vidich, Paula Whyman, and Paul Hertneky.
Max Ritvo, the author of Four Reincarnations (Milkweed Editions, September), spoke with poet Dorthea Lasky two months before his death from cancer. He was twenty-five.
In our sixteenth annual First Fiction roundup, five debut authors—Yaa Gyasi, Masande Ntshanga, Rumaan Alam, Maryse Meijer, and Imbolo Mbue—discuss their first books. Introduced by Angela Flournoy, Naomi Jackson, Emma Straub, Lindsay Hunter, and Christina Baker Kline.