Caroline Picard of Green Lantern Press, which is just one of the six publishers showcased in our annual look at independent presses.
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by John Moir
The best advice for how to produce good poetry or prose has always been the most simple—just sit down and write—but perhaps sitting isn't the answer after all.
by Jofie Ferrari-Adler
Known as a heavy-hitting agent willing to go to bat for her clients, Molly Friedrich discusses how an author should choose an agent, what she looks for in a manuscript, and what separates great agents from merely good ones.
by Kevin Larimer
Poet Chase Twichell talks about the decision to end her ten-year run as publisher and hand over her independent press to the nation’s largest poetry publisher, Copper Canyon Press.
by Kevin Larimer
The story of David Rhodes is punctuated by early successes and devastating losses, personal demons and unlikely angels, dogged determination and blind faith, and the next chapter begins with the triumphant return of a major American novelist after a thirty-year silence.
Behind the scenes at Adastra Press, where Gary Metras has steadfastly produced hand-sewn, letterpress-printed poetry chapbooks for nearly three decades.
Drawn from the pages of Poets & Writers Magazine, the Teachers Guide offers resources and suggestions for engaging your students in exciting conversations about contemporary literary life.
Caroline Picard of Green Lantern Press, which is just one of the six publishers showcased in our annual look at independent presses.
What makes Billy Collins one of America's best-known (and best-selling) poets? Perhaps it's his attention to what matters most—his audience.
Twin brothers Matthew and Michael Dickman, through an unlikely coincidence, will both have their debut poetry collections published by Copper Canyon Press.
Molly Friedrich reveals what she looks for in a manuscript and what separates great agents from merely good ones.