Caroline Picard of Green Lantern Press, which is just one of the six publishers showcased in our annual look at independent presses.
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by Sarah Weinman
It's been a half century since G. P. Putnam's Sons published Lolita and brought the infamous novel to American readers three years after its explosive reception in Paris, and while the anniversary of the literary classic's stateside publication is met with a rather subdued celebration, Nabokov's masterpiece continues to incite strong reactions.
by Kevin Larimer
The story of David Rhodes is punctuated by early successes and devastating losses, personal demons and unlikely angels, dogged determination and blind faith, and the next chapter begins with the triumphant return of a major American novelist after a thirty-year silence.
by Kevin Nance
Booksellers and readers alike tend to think of novels as belonging to one of two distinct categories—literary or genre fiction, high or low culture, elitist or democratic—but more and more of America's respected literary novelists are choosing to dip from the genre pot.
Are you more or less likely to read a literary novel if it has shades of what has traditionally been considered genre fiction?
by Jofie Ferrari-Adler
Known as a heavy-hitting agent willing to go to bat for her clients, Molly Friedrich discusses how an author should choose an agent, what she looks for in a manuscript, and what separates great agents from merely good ones.
Behind the scenes at Adastra Press, where Gary Metras has steadfastly produced hand-sewn, letterpress-printed poetry chapbooks for nearly three decades.
Drawn from the pages of Poets & Writers Magazine, the Teachers Guide offers resources and suggestions for engaging your students in exciting conversations about contemporary literary life.
Caroline Picard of Green Lantern Press, which is just one of the six publishers showcased in our annual look at independent presses.
What makes Billy Collins one of America's best-known (and best-selling) poets? Perhaps it's his attention to what matters most—his audience.
Twin brothers Matthew and Michael Dickman, through an unlikely coincidence, will both have their debut poetry collections published by Copper Canyon Press.
Molly Friedrich reveals what she looks for in a manuscript and what separates great agents from merely good ones.