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by Frank Bures
For eight years readers have anticipated Nathan Englander’s follow-up to his wildly successful debut story collection. With the publication of The Ministry of Special Cases, the wait is over.
by Frank Bures
In ten years, Tom Bissell went from being a directionless dropout to the acclaimed author of four books.
by Doug Diesenhaus
The second annual Story Prize ceremony, held at the New School’s Tishman Auditorium in late January, began like most literary events in New York City—with much chattering among publishing folk, rising in volume until the lights went down and a hush descended on the room. The evening’s format was simple. The three finalists, fiction writers Jim Harrison, Maureen F. McHugh, and Patrick O’Keefe, would each read from their books and then sit for a short discussion with Larry Dark. In 2004 Dark, the former O. Henry Prize Stories series editor, launched the prize with Julie Lindsey in an effort to promote a genre they believed was underrepresented by other literary awards. The winner of the first annual prize was Edwidge Danticat for The Dew Breaker (Knopf, 2004).
by Joe Woodward
Whether it’s a thousand-page novel, a single-paragraph story, or a footnoted essay, the elusive author always offers a complicated—and sometimes maddening—reading experience. But is there more to David Foster Wallace than words on a page?
by Nick Twemlow
The short story collection Dreams of a Robot Dancing Bee, to be published later this month by Verse Press-the nonprofit literary publisher that also publishes the triannual literary poetry journal Verse-represents a significant shift in focus for poet James Tate. The author of numerous books of poetry, including Worshipful Company of Fletchers (Ecco Press), which won a National Book Award in 1997, and his Pulitzer Prize-winning Selected Poems (1991), Tate has tackled a new genre, as well as a new way of thinking about writing.
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