On January
15, City University of Hong Kong, an English-language school with seventeen
thousand students and a campus notable for its urban, contemporary
architecture, will begin accepting applications for a new low-residency MFA program in creative writing. Up to thirty students
will be admitted and spend two summers and three long weekends on the Hong Kong
campus studying poetry, fiction, and creative nonfiction in English over the
course of two to four years. While the program will have a focus on Asian
writing, it is open to writers from anywhere in the world.
The program's first
writer-in-residence, Xu Xi, a native of Hong Kong who has written seven books
of fiction and creative nonfiction and is the current faculty chair in the MFA program at Vermont College of Fine Arts in
Montpelier, thinks the low-residency program will appeal primarily to
English-speaking applicants from China, Singapore, Malaysia, the Philippines,
and perhaps India. "The English language is actually owned by a lot of
different people," says Xu in describing the rationale behind the program, the
first of its kind in Asia. "I'm writing a form of Chinese English, a form of
Asian English. The Philippines have their form of English; the Indians have
their form of English."
Xu says she wouldn't be surprised if the program drew
interested writers from the Chinese diaspora in North America, Australia, and
the United Kingdom as well. She also points out that there are many Western
writers who spend considerable time in Asia.
Joining her on the faculty
of the new program are poets Tina Chang, who teaches at Sarah Lawrence College
in Bronxville, New York, and Hunter College in New York City, Marilyn Chin, a
professor at San Diego State University's MFA program, and Ravi Shankar, founding editor of the
literary journal Drunken Boat; fiction
writers Madeleine Thien, Sharmistha Mohanty, and Jess Row; and creative
nonfiction writer Robin Hemley, director of the nonfiction program at the
University of Iowa in Iowa City, among others. At the first summer residency,
novelist Timothy Mo will be on hand as visiting writer.
Kingsley Bolton, the chair of the university's English
department, says the new program is part of an effort to raise the profile of
the school's arts programs. "In the next few years, we are aiming to make the
English department here a leading center for creative writing, drama, and
cultural studies, not only for Hong Kong but also for the whole of the Asian
region," he wrote in an e-mail.
The top criterion for admission to the low-residency program
is the quality of a writing sample, which consists of ten pages of poetry or
twenty-five pages of fiction or creative nonfiction, along with a personal
essay on the candidate's creative philosophy and a critical essay on some
aspect of writing craft; two letters of recommendation are also required.
Tuition is approximately $18,465, but Xu says they hope to make some
scholarships available.
The deadline for applications is in April. For more
information, visit the Web site at www.english.cityu.edu.hk/mfa.
Stephen Morison
Jr. is a contributing editor of Poets
& Writers Magazine. He lives in Beijing.
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