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Posted 1.19.11

“The bath.
Endlessly, luxuriously, the tub. I write almost every morning and after an hour
or two or three or (if I’m very lucky) four, I run out of road. And then I know
it’s time. I gather up my pages, a book or three of poetry (lately Marianne
Boruch, Shakespeare, James Tate, Hopkins, Emily Dickinson), the New
Yorker (just in case), some
reliable crutches—the Paris Review or Best American anything—and a couple of pens. And I set all
that on the commode, which seems so wrong and disorderly, but it’s perfect. Hot
water, three drops of lavender oil, maybe salts. No soap. Never soap. This
isn’t about sanitation or cleansing. It’s about sinking. It’s about depth
and quietness and suspended animation. It’s about a pristine and captured hour.
I step into my steaming tub, read over my pages. My glasses fog up. The pages
puff and curl. I set them on the edge. I read or don’t read. As I relax
and melt, whatever stopped me in my tracks earlier, up in the
studio, might transform into something else. Sometimes I don’t even look
at any of the stuff I drag in there. It takes it’s own parallel bath.”
—Heather
Sellers, author of You
Don't Look Like Anyone I Know (Riverhead
Books, 2010)