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I was born in Pilsen, Czechoslovakia in 1946 and came to the United States in 1949. The son of Holocaust survivors, I contracted polio in one of New York City’s last major outbreaks. I began writing poetry while a student at Midwood High School. At 16, I attended the Combined Program in Liberal Arts and Medical Education at Boston University and received both the B.A. and M.D. in 1969, graduating first in my class at age 22. After a surgical internship, I trained in neurophysiology at the National Institutes of Health and did a residency in neurological surgery at Columbia University. I began my academic career at the University of Maryland School of Medicine in 1976 and in 1984 was appointed the youngest chairman of neurosurgery in the United States. Pulitzer Prize-winner Jon Franklin and Alan Doelp profiled my early medical career in their book, Not Quite A Miracle (Doubleday, 1983). In the laboratory, I studied the effects of microwave-induced hyperthermia on the brain and on model brain tumors; the physiology and manipulation of the blood-brain barrier with regard to drug entry; and invented chronic single-cell recording techniques for use in behaving animals and in visual physiology. My clinical research focused on diseases of the brain. I pioneered the use of image-guided stereotactic surgery for the implantation of microwave antennas and radiation sources in combination with experimental chemotherapy for the treatment of malignant brain tumors. Similarly, I was one of the first to use the operating microscope and surgical laser for repeat operations for a variety of disorders. I was named a Distinguished Alumnus of Columbia's Neurological Institute in 1985 and of Boston University's School of Medicine in 2001. In 1991 I was elected President of the Congress of Neurological Surgeons. I am the author of almost 200 medical and scientific papers and the author or editor of six textbooks, most recently the two-volume 2nd edition of Kempe's Operative Neurosurgery (Springer-Verlag, 2004). My medical and scientific books have been translated into Spanish, German, Portuguese and Chinese. In the art world, I've served as President of the Contemporary Museum in Baltimore. My art reviews and essays on the relationship between the arts and sciences & the visual arts and the brain have appeared in Urbanite, Neurosurgery, Creative Non-Fiction and on-line at sites such as www.PEEKreview.net and www.artbrain.org. Since 2001 I've taught an annual course on the History of Contemporary Art at such venues as Roland Park Country School, The Contemporary Museum and Towson University. I do studio visits, perform artist crits for students and have taught seminars on the brain’s visual system and art at Cooper Union in New York and at the Maryland Institute College of Art (MICA) in Baltimore. Presently, I am a Special Lecturer in the Osher Institute at Towson University. I've been writing poetry for almost forty years and spent ten years in the Summer Writers Seminar program at Sarah Lawrence College. My earliest poems, some of which appeared in Bitterroot, date from 1963 through 1977. After a ten-year hiatus, I began to write again. The new poems have been widely published in such journals as the Alaska Quarterly Review, New Letters, The Hopkins Review, Ontario Review, Notre Dame Review, Harvard Review, Raritan, Barrow Street, Southern Poetry Review, River Styx, & New York Quarterly. I am the author of four chapbooks: Plow Into Winter (Pudding House, 2003), The Color That Advances (Camber Press, 2003), A Season Like This (Finishing Line Press, 2004) and Stones In Our Pockets (Parallel Press, University of Wisconsin, 2007). My poems have received four Pushcart Prize nominations and one Best of the Web nomination. My poems have appeared on Poetry Daily and have been heard in an award-winning feature-length documentary on the brain and creativity, Euphoria (2008), on NPR's "All Things Considered" and on WYPR's "The Signal". I've given poetry seminars at Catonsville High School, The Maryland Institute College of Art and Towson University. I've given invited readings in the New York Quarterly series and the Bowery Poetry Club in New York, the Pratt Library and the Smartish Pace series at the Contemporary Museum in Baltimore, the Jackson Pollock Symposium at Williams College and the Symposium on Medicine and Poetry at Georgia Tech. I serve on the Advisory Committee of the Center for the Book of the Maryland Humanities Council and on the board of CityLit and its Festival, Baltimore's premiere organization devoted to writers and literacy where I helped initiate CityLit Press and judged its first poetry book competition. My poetry collection, The Clock Made of Confetti (Orchises Press, Washington,2007) was nominated for The Poet’s Prize and was a Finalist for The Towson Prize in Literature. I was nominated as Maryland Poet Laureate in 2009. The Enemy of Good Is Better (Orchises, 2011) is my new collection. My wife Ilene and I live in Baltimore with a demanding cat and a contemporary art collection; we have two children who are presently out of the house and a first grandchild named Olivia.
I am a Baltimore-based writer who has worked on both fiction and nonfiction. My magazine and newspaper articles have appeared in local, regional, and national publications. I have worked as a staff reporter for a local weekly newspaper, The Messenger, and have written for websites including E-Diets.com. Currently, I'm an assistant editor for Narrative Magazine; my poetry has been published in a U.S. Department of Agriculture newspaper and in a publication by the Enoch Pratt Free Library. I earned a master’s degree in writing from Johns Hopkins University in May 2003 and am working on a novel, Delia’s Concerto. The first chapter was one of seven finalists in a competition held by the National League of American Pen Women. My story, “Henry’s Fall,” was a finalist in the Gival Press Short Story competition. My work has appeared or is forthcoming in Amarillo Bay; The Baltimore Review; North Atlantic Review; Pebble Lake; Pennsylvania English; The Portland Review; Quercus Review; Smile, Hon, You’re In Baltimore; South Asian Ensemble; Spout Magazine; Taproot;Oklahoma Review; Blue Lake Review; and Willow Review. The story that appears in Taproot won first prize in its annual literary fiction competition for 2007, and “Uncharted Steps” merited a 2010 Individual Artist Grant from the Maryland State Art Council. “Sister Rafaele Heals the Sick,” first published by Pebble Lake Review and nominated for a Pushcart Prize in 2005, appeared again in an anthology titled City Sages: Baltimore (CityLit Press, May 1, 2010), a collection of stories by 32 Baltimore writers, including Poe, Anne Tyler, and Alice McDermott, among others. Most recently, my story, “You’ll Do Fine,” was a recipient of the Willow Review Award for the Spring 2011 issue.