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Susan Aizenberg is the author of three poetry collections: Quiet City (BkMk Press 2015); Muse (Crab Orchard Poetry Series/SIUP 2002); and Peru in Take Three: 2/AGNI New Poets Series (Graywolf Press 1997) and co-editor with Erin Belieu of The Extraordinary Tide: New Poetry by American Women (Columbia University Press 2001). Her poems have appeared in many journals, including Prairie Schooner, Blackbird, Connotation Press, Spillway, The Journal, Midwest Quarterly Review, Hunger Mountain, Alaska Quarterly Review, the Philadelphia Inquirer, and Spoon River Poetry Review, and have been reprinted in several anthologies, among them Ley Lines (Wilfrid Laurier UP) and Wild and Whirling Words: A Poetic Conversation (Etruscan).
Michael Catherwood has published poems and essays in various magazines, including Agni, Aethlon, Black Warrior Review, Blue Violin, Borderlands, Briar Cliff Review, Brick and Mortar, Conspire, CQ, Duct Tape, Exit 13, Ecletica. Georgetown Review, Graffiti Rag, Hawai’i Review, Kansas Quarterly, Kimera, Laurel Review, Louisiana Literature, Main Street Rag, Mangrove, Mankato Poetry Review, Midwest Poetry Review, Midwest Quarterly, Morpo, Nebraska English Journal, Nebraska Review, Pennsylvania English, Pittsburgh Quarterly, Red River Review, South Dakota Review, Sycamore Review, Westview, and others. He writes essays for Plainsongs and has recently published poems in ABZ, Borderlands, Louisiana Literature, Nebraska Presence: An Anthology of Nebraska Poets, The Innisfree Poetry Journal, Valparaiso Poetry Review, and the Red River Review. In 2006 The Backwaters Press published his first book of poems entitled Dare. He has worked as a truck driver, weed whacker, garbage man, teacher, tutor, substitute teacher, and administrator. He has taught creative writing at the University of Arkansas, Univeristy of Nebraksa at Omaha, and at Creighton University.
Spoken Word Artist
Dan has shared the stage with former US Poet Laureate and Pulitzer Prize winner Ted Kooser and Pulitzer Prize winner Yosef Komunyakaa. Performing in over 30 states Dan has read his work at venues such as Brown University, the University of Maryland, the University of California-Berkeley, the University of Nebraska-Lincoln, Creighton University, and the State University of New York at Oneonta. From 8/08 to 8 /09 he served as Co-Director for Denver Minor Disturbance Youth Poetry. His work has garnered acceptance into MFA programs at Sarah Lawrence, NYU, and the University of Glasgow.