This week, write about your neighborhood. Try to emphasize its particularities—if you live in a city, this may be the restaurants you frequent, your local newsstand, or the place that begins your commute. If you live in a rural area, it could be the natural world surrounding your home, the roads leading up to your driveway, and the neighbors you’ve known for years. You may wish to begin by making a list of all the features that make your neighborhood memorable.
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing.
“My business is to create,” wrote William Blake. This week, write a story whose protagonist is also in a creative enterprise. Your character can be an artist, or he or she can be involved in a field your typical reader may not initially think of as creative. Try to find and describe this creative impulse.
W. H. Auden’s poem “Musée des Beaux Arts" draws inspiration from Pieter Bruegel's painting Landscape With the Fall of Icarus. Many poets have found inspiration in other media: Painting, sculpture, even memorials appear in poems. This week, respond to a piece of visual art in verse. You can describe the work in detail, or the source of your inspiration can be subtly channeled into your poem. Similarly, you can choose to title your poem after the artwork or find a new title.
Most people will sit through dozens of interviews throughout the course of their lives. This week, write a piece reflecting on your own history as an interviewee. When did you sit through your first interview? What was your worst experience in an interview? Do you have any pre-interview routines? This exercise may provide a miniature arc of your career, or it may inspire you to reflect on some previously unexplored memories.
Some of the most revealing scenes in fiction occur when characters gather for an event. The Super Bowl offers an opportunity for friends, whether they are sports fans or not, to do just that. This week, write a scene in which your protagonist is watching the Super Bowl. Is he or she playing host? Begrudgingly attending an ex’s party? Which team does he or she root for? What happens during the commercials? Sporting events provide wonderful opportunities for tension and elation. How will your characters engage with this event?
“The most wasted of all days is one without laughter,” wrote E. E. Cummings. Timing is important both in comedy and in poetry. Though poets often engage with serious subjects, a well-placed moment of levity can make a poem even more poignant. This week, try to incorporate humor in your own writing. It can be a funny image, a pun, or a parody. See how this moment affects the tone of your poem, or how it leads you in a new, unexpected direction.
Start with a quotation that stirs you. It can be a passage from a book, a line from a letter, or a statistic from a newspaper. Use this as a springboard for the rest of your writing this week. Do you agree with the quotation? What role does it play in your life? Do you feel indignation at the statistic? Explore your own opinions and values through the words of another writer, or by confronting the implications of a primary source.
Think of a deceased historical figure and make a list of his or her qualities and attributes. Then try to conjure a modern version of this person in a five-hundred-word story. For instance, a character based on Jean-Jacques Rousseau might be on a walking tour of a city; a character inspired by Marie Curie could be working in a lab. Make this figure your own by weaving in imagined details and context.
“The poet is the priest of the invisible,” wrote Wallace Stevens. This week, try to write about an invisible force that affects you deeply. For example, it could be your DNA, music, or the smell of your childhood home. Try to imagine the complexity of the invisible (at least to the naked eye) structure that you are describing. Integrate all of your senses to navigate its visual formlessness.
Look up the etymology of one of your favorite words and consider its complex and surprising history. The word clue, for instance, developed from the word clew, a ball of thread used to guide a person out of a labyrinth (literally or figuratively). In a page or so, try to weave your personal past with a word while incorporating elements of its etymological development. When did you pick up on a clue that would help you out of a figurative labyrinth?
“Forgiveness is not an occasional act, it is a constant attitude,” said Martin Luther King Jr. Imagine a character who needs to forgive someone. Who does he or she need to forgive? What was the nature of the injury? What were its implications? Does forgiveness come easily to your character, or is retaliation a more natural impulse? Does your character try and fail to forgive initially? See how your character’s desire to forgive creates obstacles and ultimately fuels your plot.
"The only weapon that we have in our hands this evening is the weapon of protest," Martin Luther King Jr. said in a speech on December 5, 1955, in Montgomery, Alabama. Poetry can be a powerful vehicle for protest and social change. Write a poem in which you confront a subject that inspires personal objection. The topic does not have to be strictly political. For instance, Dylan Thomas’s villanelle “Do not go gentle into that good night” protests the death of the poet’s father: “Do not go gentle into that good night / Rage, rage against the dying of the light.” See how you can wield and transfer oppositional energy into language and form.
Though people typically make every effort to appear confident, accomplished, and cheerful to others, we all have flaws and shortcomings. Many people, in fact, are defined on some level by their imperfections. From a fear of flying and substance abuse problems to shopping addiction and weight issues, the inner lives of the people you write about are just as compelling as how they dress or what they say. Write five hundred words about one of your shortcomings, and describe in detail how it affects your life and changed you as a person. Being honest about your life will make you a more empathic writer when characterizing the flaws of others.
Effective listening is imperative to effective writing. Listening carefully while sitting on a crowded subway, drinking coffee in a lonely diner, or asking a stranger for directions can lead to new characters, settings, and story lines. It is also important to listen to your own characters. Make a list of ten questions to ask a character you are developing. Listen to your character’s answers, diction, and inflection, and write down what you hear and see in your imagination. Most people, including fictional characters, will tell you who they are. You just have to ask.
“Poetry is when an emotion has found its thought and the thought has found words.” This quote from Robert Frost reveals the raw origins of poetry, and emphasizes the complex cerebral and emotional forces that inspire poems. Think of how poetry accommodates both the expansiveness and simplicity of our emotions. Use this unique and paradoxical phenomenon to write about a profound and complicated experience in your life: perhaps the death of a long-suffering loved one, or the graduation of a child, or the private self-confession of having fallen out of love. Start with a single emotion, and begin your journey there.
As children we unknowingly participate in family traditions. To kids, annual camping trips, making Christmas cookies, and special birthday dinners are simply slices of regular life orchestrated by a benevolent universe. As we become adults, however, our understanding of the universe changes. Family members begin families of their own, and we grow apart from the past while investing more of ourselves into the future of others. Reflect on a family tradition from your childhood. Describe the people, the scene, and circumstances. Bring those who have passed on to life with the power of your words.
“In literature as in love, we are astonished at what is chosen by others.” This quote from French author André Maurois underscores the importance of knowing who you are as a fiction writer. As in love, readers can’t genuinely fall for an author’s work unless the writing is sincere, open, and truthful. Clear your head. Forget about your significant other, your editor, and your audience. Place your protagonist and antagonist in a location familiar to you, and write six hundred words about their interaction. The characters are people unto themselves, but your mind creates the attitude, style, and tone of the world in which they live. In fiction, the writer is nowhere, and everywhere, at all times. This is the authorial being that readers come to love.
This week, people are adjusting their lives to the arctic conditions that have invaded much of the country. The weather is beyond our control, which gives it an otherworldly and spiritual quality. From historic military battles to cancelled softball games, the weather has had a profound impact on the human race and individuals. Write a poem about a time the weather affected your life. Use imagery that symbolizes the ancient, omnipresent, and indifferent soul of nature: a sapling sheathed in ice, June moonlight on a broken window, a flashbulb thunderstorm over an evacuated swimming pool. The weather is different for every life. Put yours to poetry.
Writers often loathe the idea of a New Year's resolution because we constantly make deals and compromises with our creative souls regarding productivity and diligence. Bargaining with our writing vices is a daily battle—one that drives many writers to the precipice of insanity. Sometimes the best resolution isn’t a change in habit, but a change in perspective. Instead of viewing your daily writing regimen as a chore, write six hundred words about why you feel blessed to be a writer. Recall the reasons you became a writer, and detail the reasons to be thankful for the upcoming literary year.
The promise of a new year is laden with expectations. Much of the conflict and drama that propels stories forward stems from a character’s passions and expectations. Some of those expectations are achieved, others bring heartbreak and despair. Write a scene in which your protagonist deals with unfulfilled expectations. Describe in detail his or her reaction, whether it is expressed by a simple downward gaze or a violent tirade. Contending with failed expectations reveals much about the inner worlds of our characters.
The end of 2013 has arrived. Considering we are all on earth for a limited amount of time, it is important to reflect and appreciate the end, and beginning, of another year. Take time away from the popping champagne bottles, boisterous countdowns, and feigned promises of resolutions. Sit alone somewhere and ruminate on the past year. Slow down. Think. Be grateful. Write a poem about your thoughts and emotions as you recall the people, moments, and events that brought you joy and sadness this past year. Time is indifferent to life and death. This is why poetry exists.
Sometimes the inanimate objects in our lives adopt parts of our beings: a bed assumes the contours of a couple’s sleep, a knitted scarf stretches to accommodate the long neck of a businessman’s windy walks to the subway, a wooden bannister becomes polished by the hands of children running to and from the kitchen. Write five hundred words about a piece of furniture in your home that has somehow incorporated the soul of a person. Focus on textures, sounds, and smells that imbue life into this living object.
This is a difficult week for fiction writers. Like athletes, writers must maintain a disciplined daily regimen to ensure their creative muscles are strong, productive, and functioning at peak levels. The holidays, however, can derail even the most committed writers as our lives submit to the drama of meddling family members, long lines at airport security, or a lovingly made apple pie dropped on the front steps. Give yourself the gift of time this holiday. Take twenty minutes to disappear and write. Hide if you must. Report from the eye of the holiday storm. Create characters from the people around you. Develop fictional stories from their real experiences. Stay creative.
Despite the commercialism, stress, and anxiety over gifts and travel, the holidays are a time to reflect on the more endearing aspects of humanity: our ability to love, connect with, and help those around us—including strangers. Write a poem that explores the complexities of the human heart and mind, and how the holiday season—if only for a few days or even moments—brings out the best in the poetically flawed human condition.
“You don't write about the horrors of war. No. You write about a kid's burnt socks lying in the road.” This quote from author Richard Price emphasizes the importance and power of details in conveying a larger emotional storyline or the nuances of a complex concept. Reflect on the relationships you’ve had in life—with your family, your friends, or your colleagues—and choose one poignant and definitive memory that involved a sense of loss. Write five hundred words about that loss using carefully selected details to express complicated emotions and interpersonal dynamics.