Spring can at times seem like one long daydream. Does one of your characters have the habit of drifting off into a fantasy world? This week, write out one of these daydreams. Use plenty of surreal elements that make it clear this is a fantasy sequence and not just the character re-imagining a scenario working out a different way. "The Secret Life of Walter Mitty" by James Thurber is a perfect example.
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing.
Take a moment to think about where you are from. If that's not so easy to pin down, think instead about a place that's had an impact on you, a place in which you've spent a relatively long time, or the place you live now. Now think about how the people talk there. What are the phrases or cadences that color their speech? Take this local voice and use it in a poem about the place you are thinking of. For example, write a poem about going to summer camp in Maine using the Mainer accent, or about moving to New Orleans in the voice of a Louisiana native.
There are several holidays that incorporate dressing up in costume: Halloween, Purim, and Mardi Gras, to name a few. On these occasions, the goal is to look like somebody (or something) else. But on the days that aren't dress-up holidays or occasions, there are times when you put on a certain outfit or a particular style of clothing and it can feel like you are putting on a costume. Try writing about an experience you've had when you dressed yourself in a way that made you feel like a different person. Was it a pleasant or uncomfortable experience? Did people recognize you? Describe what it felt like.
In David Foster Wallace's Infinite Jest, mother Avril Incandenza is remarkably devoted to her houseplants, so much so that she calls them her "green babies." Does one of your characters have a green thumb? Or does she dislike being responsible for houseplants? Think about what this might reveal in terms of the character's personality. What drives someone to take something meant to live outside and bring it inside? Is it a desire to cultivate beauty in her life, or does she prefer a more controlled environment to the wilds of nature?
In an interview with Cynthia Dewi Oka back in 2013, poet Andrea Walls talked about the soap epitaphs she started seeing on the backs of car windows around Camden, New Jersey. They struck her as poems that illustrated "the way that we vanish and the way we say we were here vanishes too." This week, write something using an impermanent medium, paying particular consideration to the medium itself. Write a poem about the ocean on a sandy beach, or about your childhood in chalk on the sidewalk. Write a poem for your partner in the condensation on the bathroom mirror. But most importantly, don't write it on paper. It will vanish, but that doesn't mean you have to forget it.
As the weather gets warmer, more and more people are getting outdoors to do some sightseeing. After all, with the trees budding and flowers perfuming the cool breeze, how could anyone resist a little adventure? This week, write about being a tourist. Think of a specific trip you took. Where were you? What did it feel like to be a visitor there? Do you enjoy being a tourist? If not, how come?
What if one day you woke up with a crippling phobia? What if the object of the phobia was something you once loved? This week, incorporate this scenario into an existing piece of writing, or use it to create a new character. Think about the nature of fear and how it shapes us, how it restricts us yet also protects us. For inspiration, visit phobialist.com.
“O, thou ever restless sea / 'God’s half-uttered mystery,'" wrote Albert Laighton in his poem “The Missing Ships” (1878). While significantly fewer ships go missing nowadays, search teams have recently been pouring all of their efforts into finding the wreckage of Malaysia Airlines Flight 370. The longer the search takes, the higher the likelihood the secrets inside the aircraft’s black box will be lost forever. This week write a poem about searching for a “lost ship.” Consider the ocean’s depth, the cleansing powers of its salt water, and the hopelessness of its vast magnitude.
There are certain events and activities that can feel odd to do alone. Going to the movies, attending a concert, and eating in a restaurant are common things that people would rather do with a buddy. But what about the times when you simply can’t find anyone to go with you, for whatever reason, or when your buddy backs out at the last minute? Write about an experience you’ve had when going by yourself was the only option. How did it make you feel? Did it turn out all right in the end? If going to an event or engaging in a typically social activity by yourself is not a big deal, or you happen to prefer it, write about a specific instance that exemplifies why you feel this way.
Dieting is the most common New Year’s resolution, and the most difficult to stick to. Sure, we essentially know what’s healthy and what to avoid overindulging in, but when a doctor or nurse tells you to change your eating habits it weighs much heavier on your conscience. Does one of your characters have a diet that is putting his health in jeopardy? Try writing a scene in which that character is told by a healthcare professional to overhaul his eating habits. How does this character react? If this character can no longer have some of his favorite foods, how does this affect his mood and his day-to-day routine?
Frank O’Hara wrote Lunch Poems while sitting in Times Square during his lunch hour. This week, take time during your lunch hour to pause and reflect on what’s going on around you. Write down a description of the space you’re in, the details of your lunch ritual, the conversation you’re overhearing or participating in, or any other such observation.
Children are often reminded not to talk to strangers, and for good reason. As we get older, communication with strangers isn’t as dangerous, but it can still be uncomfortable. This week, think about a conversation you have had with a stranger in an awkward situation. Who started it? Did you feel safe? After talking, did you feel like you knew this person any better? Did you ever see this person again, and if not, would you want to?
Reality television might not be that in touch with “reality," but it is still a source of entertainment for many people. Whether or not you enjoy The Real Housewives of New York (or Beverly Hills, Atlanta, etc.) or any other shows of that nature, there might be something to learn about characterization through watching these people battle it out on screen. This week, create a character that you think would be perfect for one of those types of shows. Then put your character in a scenario in which he or she must go through a dramatic, emotional struggle publicly, in front of millions of viewers, with another person or group of individuals. The key is to really amp up the drama and imbue the scene with as much nail-biting tension as you can muster.
The first card in the Major Arcana of the tarot, a deck of cards used by mystics for divination, is called “The Fool." He is depicted on the card as gliding towards the edge of a cliff with the sun rising up behind to light his way, beginning a new journey full of unlimited potential. Have you recently set out on a new journey? Or are you itching to try something new, be spontaneous, and break out of your routine? Write a poem that captures the excitement of the first day of a new adventure. It could be a physical journey, like traveling to a distant land, or an emotional journey, like the start of a new relationship. Whatever path you choose, make sure it’s exhilarating!
This week, dust off your earliest memories. Why have those particular images stuck in your mind over all these years? Are they related to a specific event or chain of events? Try to write about and connect these moments in a short essay.
This week, have your character either lose or find an object, pet, or set of directions. Explore how this event opens up unexpected possibilities for your story. Will two characters meet for the first time because of this mishap? Will your protagonist be late arriving somewhere as a result?
Have you tried writing a tanka, ghazal, or triolet? This week, try working in a form that’s unfamiliar to you. You can even adapt an existing draft to fit a form, or come up with your own constraints and pattern. For a list of forms and their descriptions, consult the list of Poetic Forms and Techniques compiled by the Academy of American Poets.
Amy Tan’s story “Two Kinds” follows a young girl who is pushed to become a musical prodigy but ultimately fails to excel. This week, consider your own history with music lessons. Did your family or school persuade you to learn to play an instrument? Did you get to choose your instrument or was it chosen for you? Did you teach yourself to play an instrument later in life? If you have never played an instrument, write about another activity you picked up (or were forced to pick up) during childhood.
Parades are usually exciting occasions for children and a source of aggravation for commuters. This week, write a story or scene centered around a parade. Try to show contrasting reactions to the event. Draw from your own memories of parades at different times in your life.
This week, in honor of Saint Patrick’s Day, research the life of a saint and write a poem that incorporates some element of his or her story. It can be an image, a symbol (like Saint Patrick’s shamrock, the three-leafed plant he supposedly used to teach the doctrine of the Holy Trinity), or you might try writing a narrative poem. There are patron saints of headaches, florists, and bankers. Find the story that most interests you.
In Camera Lucida, Roland Barthes describes the punctum as “that rare detail” in a photograph that strikes the viewer. This week, look through old photographs for a detail that captivates your attention. Write about this detail. Why does it draw you in?
Motels are frequently depicted in novels, TV, and film. This week, write a scene that takes place in a motel. Perhaps it's a seedy, roadside fleabag; a clean, well-maintained establishment with a dark history; or simply a familiar setting for a dramatic turning point in your narrative. You can weave it into a short story or use it as a starting point for a new piece. It can be inspired by your own experience or entirely imagined.
In “[The Lost Pines Inn would be a good name for a motel]” Lyn Hejinian generates a list of “good names” for motels, music groups, and streets. This week, create your own list of imaginative names for something and build a poem around your particular catalogue.
This week write about your experience commuting to work. Whether it's the hour-long drive, daily bus route, or your morning walk, try to think about routines you have developed over the years to make your commute productive or enjoyable. If you work from home, you can write about what it's like not having to commute, and how you turn your home environment into a work environment.
Seemingly random occurrences can often drive plot forward. Of course, the author curates these random acts—the accidental encounter, the winning lottery ticket. This week, try introducing an element of chance into a story whose plot you've struggled with. It can be as small as a coin toss, or an unexpected event that changes your protagonist’s plans. Be open to wherever it takes you.