“One must have a mind of winter,” begins Wallace Stevens’s 1921 poem “The Snow Man,” which moves from describing iconically icy and desolate imagery of winter—“the pine-trees crusted with snow,” “the junipers shagged with ice”—to pointing out the human beholder’s subjectivity as the agent of projecting this wintry outlook. This week, write a poem that takes inspiration from Stevens’s first line and explore what it means to you to have “a mind of winter.” Does it entail nothingness, quietude, withholding, generosity, cheer, beauty, love? How does your selection of seasonal associations determine your poem’s tonal direction? You might even experiment with approaching this prompt more than once, when your mood about the season feels distinctively different.
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
In a recent New York Times article about New Year’s resolutions, Holly Burns describes the value of creating resolutions that are connected to other people. Burns cites Stephanie Harrison, author of New Happy: Getting Happiness Right in a World That’s Got It Wrong (TarcherPerigee, 2024), who says: “Our society has treated happiness as a highly individualistic pursuit—the idea being that it’s something that you make for yourself, that you get for yourself, and you do it all alone,” and yet, research shows that interpersonal relationships contribute to a significant portion of people’s happiness. Inspired by the idea of creating resolutions for the year (or beyond) that involve spending time with others, write a personal essay that reflects on times when you have discovered joy when helping or being helped by another person, perhaps unexpectedly. How might you incorporate this into future habits?
In Richard Curtis’s 2003 romantic comedy Love Actually, love is all around us—and it manifests in a wide range of ways for the characters in the film: romantic, platonic, familial, professional, and all sorts of in-between zones as well. The film, which has become a holiday classic, explores the lives of several characters and their loves, some of which are evenly balanced, while others are unrequited or lopsided; some which are new and some old. Write a short story that tells the story of multiple types of loving relationships, perhaps including both love that may seem straightforward or obvious, as well as love that is less so. When you have multiple types of love juxtaposed in one story, what do their similarities and differences illuminate?
Just last month, the bald eagle officially became the national bird of the United States, signed into law by President Biden. Though its official status is new, the bald eagle has long served as an emblem of the country, depicted on the Great Seal and on coins and bills for much of the twentieth century—a symbol of strength, courage, freedom, and independence. Many U.S. states use reptiles, amphibians, insects, fish, and even dinosaurs as their symbols. This week research and consider the various animal emblems and symbols in your midst and choose one to write a poem that draws a personal connection to the animal’s symbolic meaning, whether real or imagined. As you triangulate a relationship between yourself, an animal symbol, and a physical location in this way, explore any unexpected thematic directions within your poem.
In the documentary No Other Land, made by a Palestinian-Israeli collective of four directors over the course of five years, a group of Palestinian villages in the southern West Bank is overrun by the Israeli military as they raid and bulldoze homes while families are forced to witness the destruction. At a recent screening in New York, the filmmakers shared their thoughts in a written statement: “We as young activists offer this film to the world, which is both a document of a war crime happening now in the occupied West Bank, and a plea for a different future.” Write a personal essay that begins with recounting a recent significant event that you witnessed, noting as much granular detail as possible. If available, you might refer to photos or a paper trail to help you remember specifics. In addition to the event itself, reflect on your outlook after the event, documenting both for posterity’s sake.
The dreaded rejection letter, whether from a job application or a beloved literary journal, is often met with mixed feelings of inadequacy and disappointment. Something you worked hard on, had high hopes for, or saw a future in just didn’t pan out. Instead of imagining the receiving end, take the initiative to write a rejection letter to one of your characters. Consider the circumstance for the letter, if it’s professional or personal, and how well the writer knows the addressee. Is there room to infuse some humor or will you use this as an opportunity to write the letter you’ve always wished was sent to you? Write with truth and intent.
In her 2022 New York Times essay “The Shape of the Void: Toward a Definition of Poetry,” Elisa Gabbert writes about what makes language poetic. “I think poetry leaves something out,” she writes. “The missingness of poetry slows readers down, making them search for what can’t be found.” Write a poem that revolves around this idea of missingness and leaving something out. To facilitate a mindset of absence, you might choose a subject—a childhood memory, a relationship dynamic, a strange occurrence—that feels inherently cryptic, incoherent, or mysterious. Consider playing with line breaks, spacing, syntax, and diction, to make what’s absent hyper-present. How do the words on the page gesture toward the shape of what can’t be found?
These cold and dark winter months, coupled with holiday get-togethers catching up with old friends and spending time with family, make for a good time to revisit cozy, old favorites: beloved books and movies enjoyed on repeat that bring back memories. But how do these nostalgic works hold up? As cultural norms, perspectives, and language evolve around us, what once seemed hilarious, edgy, insightful, shocking, or relevant may no longer seem that way. Revisit a favorite childhood book or film, or simply one that you’ve encountered many times, and write an essay that reflects on how the work has, or has not, held up. Include any sociocultural norms that have evolved and the parts of you that have changed to offer a new perspective.
There are those who think John McTiernan’s 1988 film Die Hard is the farthest thing from a Christmas movie—an action-thriller blockbuster about a New York City police officer, played by Bruce Willis, who attempts to bring down a bunch of stereotypical villains holding his estranged wife and others hostage in a high-rise building in Los Angeles—while others passionately disagree, citing the fact that the film is set on Christmas Eve at an office holiday party with a soundtrack of seasonally appropriate Christmas songs. This week write a short story that occurs on the eve or day of a specific holiday, while subverting or upending conventions and expectations of the type of narrative usually attributed to this occasion. What conflicting themes and actions will you include in your blockbuster story?
In Solvej Balle’s On the Calculation of Volume, a septology whose first two books translated from the Danish by Barbara J. Haveland were published in November by New Directions, the protagonist is an antiquarian bookseller residing with her husband in France, who suddenly begins reliving the same day over and over again—a mysterious and seemingly endless predicament that creates a spectrum of conflicts in her life. Write a poem that imagines this Groundhog Day premise. Choose a particular day in your life that’s significant to you, and then write into the possibilities and quandaries that arise as the same day, and same actions, recur endlessly. In your imagination, what transpires when you know exactly what will happen each day while everyone else around you repeats their steps? How can you play with replicating the repetition in verse form?
In National Lampoon’s Vacation comedy film series from the 1980s—comprising of a cross-country road trip, a tour through Europe, and a Christmas holiday gathering, as well as several offshoots—much of the humor stems from the discrepancy between Clark Griswold’s expectations of a “perfect” family time with his wife and two children, and the madcap mishaps, accidents, and disasters that occur while attempting to fulfill obligations. Write a memoiristic essay that recounts a family trip or occasion when not everything went as planned. Did one moment cause everything to go off the rails, or was it something more gradual? Reflect on your expectations or standards and how reevaluating this incident might contribute to a more expansive idea of how a family functions.
Anthropomorphism refers to the behavior of projecting human attributes onto nonhuman animals and objects, while anthropodenial is a term that refers to an assumption of human exceptionalism and is a blindness to the humanlike characteristics of other animals. This week write a short story that includes both an incident of anthropomorphism and an incident of anthropodenial. You might decide to have one character whose perspective swings from one tendency to the other; or two characters who discover they have oppositional beliefs. Over the course of the story, is there a middle ground to be reached? How does someone’s beliefs about the differences between human and nonhuman animals connect to other aspects of their personality?
“I caught this morning morning’s minion, king- / dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding / Of the rolling level underneath him steady air,” begins Gerard Manley Hopkins’s 1877 poem “The Windhover,” a sonnet in which the poet wields the image of a kestrel in flight to explore his conflicted feelings about spirituality and art. The beginning lines of the poem are filled with repetition—of words, alliteration, consonance, and assonance—all of which place a weight onto the words, slowing the pace as one reads it aloud. Try your hand at weighing down the beginning of a new poem with repetition, using a variety of rhymes and sound. After a leisure beginning, does your poem suddenly break free and open, or is it more gradual?
The act of presidential pardons is in the news again, and not just for pardoning Thanksgiving turkeys. Public interest in this presidential power granted by the U.S. Constitution, and inspired by an early English law granting kings “the prerogative of mercy,” has peaked due to the sitting president’s recent decision to pardon his son. If you had the power to pardon someone you love for their offenses, would you? Write a personal essay revolving around this thought experiment, reflecting on your own ideas about forgiveness, punishment, and justice. Choose someone you have had a close relationship with at some point in your life as the subject of your pardon, and feel free to openly interpret what constitutes an offense. Imagine how this act of mercy and power could transform both of your lives.
‘Tis the season for gifting, which can come with stressful shopping lists, awkward gift exchanges, wrapped packages awaiting under the tree, and festive advent calendars full of treats. This week write a short story that revolves around a character who must prepare a holiday present for someone. Create a backstory of their relationship and consider whether unsaid expectations come from something that’s happened in the past. Does it turn out to be the perfect gift or is it way off the mark? You might decide to infuse your story with elements of comedy, horror, fantasy, or surrealism—or combine all of these tones into a new classic.
For nearly three decades, from the early 1980s until 2013, Dr. Jonathan Zizmor’s skincare ads for his dermatology practice were a mainstay in New York City subway cars, touting treatments for various skin problems and displaying the doctor’s own slightly smiling visage. A 2016 New York Times article noting his retirement stated: “To know Dr. Zizmor is to know the city’s secret handshake, to appreciate its quirkier, more pedestrian pleasures that natives claim as their own.” What’s hyperlocal to where you live? Brainstorm some ideas of things that might qualify as local lore, your city’s secret handshake—perhaps some idiosyncratic window displays or advertisements, a distinctive element of the urban landscape, a quirk of the natural environment, or public street art. Write an ode to one of these items, to commemorate and share its pedestrian pleasures.
“As a Palestinian, I have been brought up on stories and storytelling. It’s both selfish and treacherous to keep a story to yourself—stories are meant to be told and retold,” writes the late Refaat Alareer in his collection of poetry and prose, If I Must Die, out now from OR Books. “If I allowed a story to stop, I would be betraying my legacy, my mother, my grandmother, and my homeland.” Taking inspiration from Alareer’s words about the power of storytelling, reflect on a story from your own life that is “meant to be told.” Write a memoiristic piece that uses evocative imagery and dynamic pacing, paying particular attention to elements that might facilitate its oral retelling.
Restaurants in Dhaka have begun serving human meat in the world of Bangladeshi author Mojaffor Hossain’s short story “Meet Human Meat,” translated from the Bengali by Mohammad Shafiqul Islam. The characters in the story discuss this new trend with matter-of-factness, talking about logistics like supply and demand, how it’s advertised on menus, where the humans are sourced, the various modes of preparation, and dish accompaniments. Hossain uses this satirical conceit to touch upon larger topics, such as the Rohingya refugee crisis with restaurants serving “the meat of Rohingyas.” Write a short story that hinges on an outrageous idea, using it as a conceit for larger themes you’re interested in exploring. You may find that setting your story in a universe in which something taboo is commonplace and unremarkable will allow you some unexpected creative freedom.
“You are about to begin reading Italo Calvino’s new novel, If on a winter’s night a traveler. Relax. Concentrate. Dispel every other thought. Let the world around you fade,” wrote Italo Calvino on the first page of his 1979 novel, translated from the Italian by William Weaver. Calvino’s postmodern structure comprises twenty-two sections, with each odd-numbered passage narrated by a second-person “you” (you, the reader; you, a character). Each even-numbered passage, in turn, is the start of a new work, a fictional book that the “you” character discovers and reads, only to find that it ends abruptly and picks up in the next even-numbered passage as an entirely different work. Taking a cue from this puzzle of an approach, compose a poem that alternates between two narratives united by a winter’s night. How might a second-person “you” character be utilized in your poem? Is there an emotional progression connected to the accumulation of images and themes?
In Aesop’s fable of the grasshopper and the ant, the grasshopper spends the summer playing music, singing, and dancing, while the ants spend all their time working to store up food for the winter. Traditionally, the moral of the story is about the importance of preparation and hard work, as once winter arrives, the grasshopper finds himself hungry and begs the ants for food. The children’s book The Ant or the Grasshopper? (Scribner, 2014) written by Toni Morrison and her son Slade Morrison complicates the conventional reading of the fable and questions the overlapping roles of art, labor, and value. The grasshopper Foxy G asks his ant friend Kid A, “How can you say I never worked a day? ART is WORK. It just looks like play.” Inspired by this spin, write an essay that reflects on how you see the role of the artist functioning in contemporary society. How do writers fit into our culture’s value systems?
Fools and lovers, emperors and empresses, devils and death, chariots and towers, moons and stars: The cards of a tarot deck are filled with scenes and images of a colorful assortment of characters, arcane symbols, flora and fauna, and celestial ephemera that can spark one’s imagination. In Chelsey Pippin Mizzi’s guidebook Tarot for Creativity: A Guide for Igniting Your Creative Practice (Chronicle Books, 2024), the symbols and archetypes on each of the seventy-eight cards are described in a way to fuel creativity and experimentation. Consider this creative connection to tarot and write a story in which one of your characters stumbles upon an errant tarot card at a crucial moment of indecision. Search online or through a book for a tarot card that resonates with the tone or theme of your narrative. What is depicted on the card and how does your character read into the imagery?
Anne Sexton’s 1962 ekphrastic poem “The Starry Night,” inspired by Vincent van Gogh’s 1889 painting of the same name, begins with a snippet from a letter written by the painter to his brother: “That does not keep me from having a terrible need of—shall I say the word—religion. Then I go out at night to paint the stars.” Choose a favorite work of visual art by an artist for whom you can find a bit of personal information, whether it’s something they’ve written or details about their daily life, philosophies, thematic interests, or relationships with close ones. How can you connect what you learn about the artist with the artwork itself? Write an ekphrastic poem exploring the emotions and thoughts that come to the surface when you look at the artwork, allowing yourself to incorporate a creative synthesis of their biographical details.
What happens when language fails? Writers are always in search of the mot juste, the perfect turn of poetic phrase, the best sequence of sentences for a story or essay. But in real life, communicating is not always about the most creative arrangement of words, and saying the wrong thing at the wrong time can hurt someone you love, especially when it’s in writing. This week consider writing a personal essay that reflects on memories of past experiences, situations, or encounters in which something went awry in the process of expressing yourself in words—perhaps due to crossed wires around usage, tone, or context. What forces were underlying the discrepancy or distance between intended and perceived sentiment? How does looking closely at this incident transform your understanding of language and its consequences?
Uzumaki: Spiral Into Horror is an animated television miniseries adaptation of the manga horror series created by manga author and artist Junji Ito. The story takes place in the fictional Japanese town of Kurouzo, which is overtaken by a mysterious, and ultimately, deadly obsession with spirals. Spirals begin appearing everywhere: in a stirred-up bath and bowl of soup, in the pattern on a fish cake, in the smoke from a crematorium, in a potter’s wheel, in a head of hair, and the whirl of a snail’s shell. Taking a page from Ito’s unusual premise of a simple shape transforming into a malignant force, write a short story in which an unexpected terror arises from a seemingly innocuous object or image. How does an everyday item become imbued with horrific capabilities to create an atmosphere of foreboding?
In the universe of the 2023 French film The Animal Kingdom (Le Règne animal), directed by Thomas Cailley, a wave of mutations have begun to transform some humans into animals. A woman who has begun mutating escapes into a forest while her husband and teenage son search for her. The unpredictable affliction causes chaos, as people adjust to seeing strangers and loved ones with fingers gradually turning into claws, fur growing on their skin, noses turning into beaks, and arms becoming feathered wings—all while fighting over conflicting perspectives of freedom and acceptance. Write a poem that explores your beliefs around these themes, perhaps pulling in fantastic metaphors or flights of fancy to assist you in your exploration.