The New Yorker staff writer and bestselling author of The Orchid Thief talks with musician Ben Arthur about her music, inspiration, distraction, adaptation, and her new book about the Los Angeles Public Library fire in 1986.
Writing about trauma is sometimes called “navel-gazing,” particularly for women writers. An essayist and memoirist confronts this stigma, and calls on writers to explore their personal traumas and truths.
A poet, novelist, and memoirist investigates the experience of imposter syndrome—that insidious feeling of being a fraud—and poses the question, What would happen if writers stopped viewing their careers as a series of happy accidents?
A writer and workshop instructor grapples with what he sees as an increasing resistance toward the work of established authors among writing students.
Visual artist Jonathan Allen and poet Anselm Berrigan team up to create LOADING, an exhibit in New York City that will be published in book form this fall by Brooklyn Arts Press.
Six writing instructors offer strategies for allaying students’ anxieties, engaging critically with their work, and responsibly giving them what they most desire: praise.
A fiction writer reflects on the meandering and far-from-perfect path that led to the publication of his second novel, Perfect Little World.
Essayist and novelist Pico Iyer leads a writing workshop at the Tassajara Zen Mountain Center in the Ventana Wilderness of California, helping his pupils to understand the role of silence—and its relationship to language—in their work.
Ten writers prove that, with a little imagination, you can create your very own writing retreat to fit your life and schedule—either at home or away.