The Grub Street literary center has created a long-form fiction class that might offer a cure for the novel-writing anxiety that the traditionally story-centric MFA workshop isn’t equipped to resolve.
P. Scott Cunningham, poet and director of the literary festival O, Miami, gives a writer's tour of Miami, Florida—a city in the throes of cultural enlightenment.
CantoMundo, a burgeoning Latino poets workshop in its second year, has become the third organization to make up an unofficial triad aimed at nurturing the work of American poets of color.
New York Times best-selling author Carolyn Parkhurst shares the bookstores, reading series, and other literary landmarks of Washington, D.C., that make it “a beautiful, vibrant, creative city.”
“Can you really teach creative writing?” Professor and novelist Dan Barden answers this while offering his own unorthodox approaches to teaching a workshop.
Novelist and professor Ann Pancake gives advice on how to evaluate criticism of your work.