As he prepares to step down from his role as publisher of Coffee House Press, founder Allan Kornblum speaks about responsible publishing, the future of the book, and returning to his roots.
Graywolf Press, a 26-year-old literary nonprofit publisher based in St. Paul, has entered into a new distribution deal with New York publishing giant Farrar, Straus and Giroux.
Two years after the failure of Zoo Press's fiction contests in 2004, founder Neil Azevedo responds about more controversy surrounding its poetry contests.
During her third month on the job, Jacobs spoke about her new position as executive director of the oldest independent publisher of women's writing in the world.
Fueled by equal parts biodiesel gas and small press ambition, the Wave Books 2006 Poetry Bus Tour is scheduled to roll through forty-nine cities during the next two months, beginning in Seattle on September 4.
Poet Chase Twichell talks about the decision to end her ten-year run as publisher and hand over her independent press to the nation’s largest poetry publisher, Copper Canyon Press.
The brief, contentious, and ultimately fruitless relationship between poet Stacey Lynn Brown and the editors of Cider Press, points to an essential question that pops up often in literary publishing: Whose opinion—author's or publisher's—should matter most when it comes to finalizing the product that enters the marketplace as a book?
April Ossmann, who recently stepped down as executive director of Alice James Books, the Farmington, Maine–based nonprofit cooperative poetry press founded in 1973, spoke about her time at Alice James from her home in Post Mills, a snowy hamlet in eastern Vermont.