Tracy Sherrod, current editorial director of Amistad Press, discusses how the publisher of multicultural voices has changed over its thirty-year history, as well as the challenges it faces today.
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Amidst questions of racial diversity in the publishing industry, the Hurston/Wright foundation continues its outstanding support of African American writers, promising a brighter outlook for the state of writing in America.
The executive director of the Center for Black Literature celebrates a decade of service and looks forward to this month’s National Black Writers Conference in New York City.
The new executive director of the Cave Canem Foundation talks about her history with the organization, her vision for the future, and the role of poetry in a hostile political climate.
A close look at the letter recommending Gwendolyn Brooks as the recipient of the Pulitzer Prize in Poetry in 1950 reveals more than just the reigning aesthetics of that time.
A prize of $1,000 and publication by University of Pittsburgh Press is given annually for a first book of poetry by a black poet of African descent. Vievee Francis will judge. Using the online submission system, submit a manuscript of 48 to 75 pages with a $20 entry fee by March 17. Visit the website for complete guidelines.
Fiction writer Yaa Gyasi on her debut novel; new Philip Levine poetry books; a survey of Great American Novels; and other news.
The birth of African American literature; handwritten book by J. K. Rowling sells at auction for £370,000; Oprah’s new imprint; and other news.
A composer and writer discusses the inspiration behind his play Emmett Till a river, which employs the Japanese theater form Noh, and the ways in which artistic practice can succeed through failure.