Genre: Poetry

Leah Naomi Green Wins Walt Whitman Award

The Academy of American Poets announced today that Li-Young Lee has chosen Leah Naomi Green as the winner of the 2019 Walt Whitman Award for her collection, The More Extravagant Feast. Green will receive $5,000, a six-week all-expenses-paid residency at the Civitella Ranieri Center in Umbria, Italy, and publication of her collection by Graywolf Press in April 2020. The Academy will also purchase and distribute thousands of copies of her book to its members.

“This book keeps faithful company with the world and earns its name,” says Lee. “The darkness and suffering of living on earth are assumed in this work, woven throughout the fabric of its lineated perceptions and insights, and yet it is ultimately informed by the deep logic of compassion (is there a deeper human logic?) and enacts the wisdom of desire and fecundity reconciled with knowledge of death and boundedness.”

Green lives in the Shenandoah Mountains where she teaches at Washington and Lee University. The author of the chapbook The Ones We Have (Flying Trout Press, 2012), she has published poems in Tin House, Southern Review, and Pleiades.

Established in 1975, the annual Walt Whitman Award is considered one of the most prestigious first-book contests in poetry. Recent winners of the prize include Emily Skaja for Brute, Jenny Xie for Eye Level, and Mai Der Vang for Afterland.

Writers at the Eyrie

A residency of two weeks or one month in November is offered to a poet, a fiction writer, or a nonfiction writer at a private apartment in Brooklyn, New York. The resident is provided with some meals. Writers over the age of 24 who are not residents of New York City are eligible. Submit via postal mail a writing sample of 7 to 10 poems or one to two stories or essays of up to 30 pages, a project description, a brief bio, and a résumé with a $10 application fee by August 30. Visit the website for complete guidelines.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
November 29, 2025
Rolling Admissions: 
ignore
Application Deadline: 
November 29, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
November 29, 2025
Free Admission: 
yes
Contact Information: 

Writers at the Eyrie, 118 North Ninth Street, Brooklyn, NY 11249. Margot Farrington, Director.

Contact City: 
Brooklyn
Contact State: 
NY
Country: 
US

Whiting Award Winners Announced

At a ceremony tonight in New York City, the Whiting Foundation announced the recipients of its 2019 Whiting Awards. The annual $50,000 awards are given to emerging poets, fiction writers, nonfiction writers, and dramatists on the basis of “early-career achievement and the promise of superior literary work to come.”

The ten winners are poets Kayleb Rae Candrilli, Tyree Daye, and Vanessa Angélica Villarreal; fiction writers Hernan Diaz, Nafissa Thompson-Spires, and Merritt Tierce; nonfiction writers Terese Marie Mailhot and Nadia Owusu; and dramatists Michael R. Jackson and Lauren Yee. Find out more about the winners at the Whiting Foundation website, and read excerpts of their work at the Paris Review.

Since establishing the awards in 1985, the Whiting Foundation has awarded $8 million to 340 emerging writers. Previous winners include poets Terrance Hayes and Jorie Graham and fiction writers Colson Whitehead and Denis Johnson. Last year’s winners included poets Anne Boyer and Tommy Pico, fiction writers Patty Yumi Cottrell and Weike Wang, and nonfiction writer Esmé Weijun Wang.

The annual awards are not open to submissions. A group of writers, professors, editors, agents, critics, booksellers, and other literary professionals nominate writers; a smaller panel of writers, scholars, and editors select the winners. In addition to the Whiting Awards, the Whiting Foundation administers grants to creative nonfiction writers, scholars in the humanities, literary magazines, and people who work “to preserve, document, and disseminate the timeless cultural heritage that is under threat around the world.”

Photos clockwise from top left: Kayleb Rae Candrilli, Tyree Daye, and Vanessa Angélica Villarreal; fiction writers Hernan Diaz, Nafissa Thompson-Spires, Lauren Yee, Michael R. Jackson, Nadia Owusu, Terese Marie Mailhot, and Merritt Tierce.

Hiromi Itō

Caption: 

“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.

Genre: 

Erica Dawson

Caption: 

“The other night, somebody asked, is Black poetry back? Like, we penned one verse, and it got lost at sea or slipped inside a big old crack in the big old earth, and then re-returned when everything was chaos.” In this PBS NewsHour video, Erica Dawson reads a poem about her experience while on tour for her poetry collection When Rap Spoke Straight to God (Tin House Books, 2018).

Genre: 

What’s in a Number?

3.19.19

Is your telephone number secretly a portal to mystic truths? In “This Mysterious Website Generates Weird Short Stories About Phone Numbers” published in Electric Literature, Kristen O’Neal writes about a website where the ten-digit number in its URL can be modified and repeatedly refreshed for countless iterations of mysterious and inscrutably poetic sentences in the comments section. Try typing your own phone number into the URL and select one or two sentences from the resulting page that seem particularly evocative. Write a poem inspired by the strange resonance of these words to your own experiences.

W. S. Merwin

Caption: 

“Look at the old house in the dawn rain / all the flowers are forms of water…” In this excerpt from the documentary Even Though the Whole World Is Burning, the late W. S. Merwin reads his poem “Rain Light.” Merwin’s final collection, Garden Time (Copper Canyon Press, 2016), was featured in Page One in the September/October issue of Poets & Writers Magazine.

Genre: 

Masterpiece of the Day: Write Treatment Workshops

Maryann DeLeo is a filmmaker and writer. She has been attending the Write Treatment Workshops at Mount Sinai Beth Israel in New York led by Emily Rubin for more than two years.

I was listening to a talk and the speaker said, “Are your days masterpieces? Make every day a masterpiece.” I thought of my days, and my first reaction was, No, my days are not masterpieces. Then I had a flash of Wednesdays at the writing workshop! Those days—they are masterpieces.

And it’s not just for the writing. It’s because of Emily Rubin, who leads the P&W–supported Write Treatment Workshops at Mount Sinai Cancer Centers. A fellow writer, Emily brings her love of literature, art, dance, theater, and music to the class. Her enthusiasm for the arts is evident with her weekly show-and-tell—holding up a catalogue from the latest exhibition she’s seen, or the playbill from a recent theater experience. She bursts into the room at Mount Sinai with so much to tell us about what’s happening in the world. I want to go to everything she tells us about. One student says to her, “You know about everything.”

Then Emily gets down to business: writing. She brings prompts that give us a way in to the writing or not. We can jump off from there, or we can go it alone writing about anything that comes up in our minds.

Each Wednesday she patiently unpacks our stories, one by one. She only looks slightly askance when a writer hems and haws about their “masterpiece” of the day. She wants each of us to stand tall and read with confidence.

I don’t know how she does it but she always finds something in the story that’s good storytelling, good writing. She takes the pages we write in our blue notebooks to heart. “You’re publishing your writing when you read it here,” she says. I breathe that in. If Emily says so, it is so. So we read, we publish, we get to be heard, by our own ears and by a dozen others.

We have created something, and Emily loves it into existence. It’s not that every piece will go on to loftier goals but for those minutes we read, we have Emily’s attention and all the other writers (although there is one writer who groans when he sees all I’ve written telling me, “You’ve written a novel!”). We have managed to get on our conference table soapbox and express who we are this day, this afternoon, these few hours. This is no small gift.

When I was in treatment for my cancer, I spent many afternoons lying on my bed, too weary to get myself up and out. Then I saw a flyer for one of Emily’s workshops. I didn’t go the first time I saw the flyer, but a seed was planted that maybe, someday, I could go. It was something to aspire to. When I get my energy back, I’m going, I told myself.

While still in treatment and fed up with lying about, there was that first Wednesday I got myself to the conference room at West Fifteenth Street. I was a bit shy but as soon as I saw Emily smiling, welcoming me into the room, the jitters went away. I became a regular. I’ve been attending the workshops for more than two years. I’m hooked. When I don’t go, I feel my day is not a masterpiece, something is missing from Wednesday.

I’ve filled many blue notebooks. I’m always startled at what comes out during the hours I’m writing. I didn’t know I thought that. Where did that come from? Some of my notebook writings move on, progress, and expand. And some I file away, to be continued.

I never just fling anything I write on Wednesday away. It’s all for something, even if it’s just for me to reflect on a part of my life I haven’t looked at before. It’s all part of my story.

There’s a quote Emily gave us by Natalie Goldberg that stays with me: “We are important and our lives are important, magnificent really, and their details are worthy to be recorded.... We were here; we are human beings; this is how we lived.”

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers.

Photo: Maryann DeLeo at the 2019 Womens March in Washington, D.C. (Credit: Eileen Kenny).

Pages

Subscribe to Poetry